NME's Scores

For 374 reviews, this publication has graded:
  • 63% higher than the average critic
  • 5% same as the average critic
  • 32% lower than the average critic
On average, this publication grades 6.3 points higher than other critics. (0-100 point scale)
Average Movie review score: 71
Highest review score: 100 Oppenheimer
Lowest review score: 20 Death on the Nile
Score distribution:
  1. Negative: 8 out of 374
374 movie reviews
    • 88 Metascore
    • 80 Reviewed by
      El Hunt
    The king of kitschy, campy cinema, understated is not always a word you’d readily associate with Pedro Almodóvar, but in his compassionate hands, motherhood becomes a vehicle for something much more weighty.
  1. The bad news is that Moonfall isn’t a great movie. The good news is that it’s hugely enjoyable for most of its running time.
  2. There’s a kindness and companionship – and freedom – to Jackass Forever that makes for 90 minutes of pure joy.
  3. The film takes a minute to let the viewer in, to get on Julie’s level, but it’s often rewarding once her heart really does open up.
  4. Just as ugly and beautiful as any classic noir, del Toro’s dark, dazzling three-ring Hollywood circus proves the old-fashioned event film still has a lot of life left.
  5. Gradually, Fine’s sensitive, softly-softly approach works small wonders.
  6. Driven by big-truck energy and lumbered with tired sports clichés and flat jokes, Home Team feels like its target audience is bad dads who don’t like spending time with their sons.
  7. It’s best to think of Belfast as a great, crowd-pleasing coming-of-ager set in the city, rather than a serious, nuanced depiction of the conflict. Branagh’s tale leans heavily on the autobiographical and it’s about feelings rather than facts.
  8. The main problem is that none of these characters are ever fleshed out enough to make you invest in them.
  9. Looking and feeling every inch like a film made without compromise, Pinocchio was worth the wait. Del Toro has been talking about making the film for most of his career now, and the pay-off shows in every brushstroke and thumbprint.
  10. Gary Oldman made his directorial debut with this startling portrait of life in a deprived part of south-east London.
    • 87 Metascore
    • 100 Critic Score
    Bruce Robinson’s tale of two struggling thesps who go on holiday by mistake is one of the greatest films ever made.
  11. Pink Floyd At Pompeii: MCMLXXII captures a moment that’s as bygone as the good citizens of Pompeii themselves.
  12. There may not be a more punk rock bit of film on earth than George being told the police were on the roof to shut them down, and casually turning his amp back on. For that alone, for all its whitewashing and line-toeing, Let It Be remains a staggering watch. [2024 Restored Version]

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