Moero Crystal H is an outstanding dungeon crawler that combines the light-hearted, sexy, character-centric comedy of harem anime with deep combat and progression mechanics, plus a healthy dose of dating sim for good measure. It respects the player’s time with quality-of-life features such as adjustable speed controls for both combat and exploration as well as a helpful autopilot mode – though it would have been nice to also see an option to save and recall party lineups and load-outs. It’s beautifully presented, too, with delightful animated Live2D characters, gorgeous (if infrequent) event images and incredibly catchy music. Most importantly, though, it plays well – and provides enough content in both its main story and endgame to keep even the most avid RPG fan busy for hundreds of hours.

Kingdom Rush Origins does a lot right, but it’s also got one major flaw that sours the experience. The gameplay is really slow overall; there are frequent moments where you’ll just be staring at the screen for extended periods of time, waiting for the enemies to waddle their way across the screen. It’s only until you get to the later waves of enemies that the flow of gameplay starts to pick up a bit. It’s a lumbering experience, and we reckon shorter, more intensive levels would be extremely beneficial.

Road to Guangdong is a tough one to score, because what it does right – the character interaction and small-scale personal dramas – are engaging enough to be worth praise. It's just that the mechanical glue holding it all together is close to disastrous at times. As a result, we can't give it a recommendation without enough caveats to make it sound like a warning. You might like Road to Guangdong, but even if you do, you'll like it despite it doing its level best to push you away.

We’ve had an absolute blast playing through these three gems all over again, especially now they look sharper than ever. It’s a shame that the presentation is practically barebones with no bonus content beyond the soundtracks, but there can still be no denying the quality of the games on offer here. This is the Beatles’ Greatest Hits of the video game world, and is an absolute treat whether you’re reliving it in HD or discovering it for the first time.

Witcheye is a quirky platformer with an innovative movement system, and it's well worth playing if you're after a fresh, bite-size handheld-focused experience. Removed from its mobile context, however, it doesn't quite have the necessary tactile appeal to overcome the game's relative lack of depth. Fun as it is, this is one mobile port that doesn't feel perfectly at home on Switch.

Fight Crab is an impressively full-featured and surprisingly good-looking game that transcends its silly meme origins and ends up as something much more. It could end up a staple party game with its joyfully nonsensical premise and well-executed crab simulating gameplay, which goes above and beyond what a crab-battling game really needs to be, and we applaud it. Some novelty titles are a complete flash in the pan, but Fight Crab sticks.

Paratopic is a fever dream; a near-constantly engaging sequence of strange and at times frightening imagery. It's intriguing stuff, to say the least, but we felt that it rather fizzled out just when our interest in the various eldritch goings-on was piquing. We found that beyond experiencing it all over again there was nothing much in the way of meaningful replay value, but as a once-through bad trip, it'll keep you glued to your Switch from start to annoyingly-abrupt finish.

Spellbreak is up against some pretty tough competition in the ongoing battle for your time and attention, but it’s an enjoyable romp that ultimately holds its own. The magic-based combat system proves to feel distinct and interesting next to other genre peers, and you’ll find likely yourself eagerly playing matches long into the night once you get a handle on things. That being said, there’s an undeniably strong sense of ‘vanilla’ to Spellbreak that threatens to kill it in its cradle, and that’s not even considering the performance problems. Either way, it only costs you some space on your SD card to see what this one’s all about, so there's really not much excuse to pass on it. We’d encourage you to give it a download and try it out; this isn’t the game to convert you if you don’t like battle royales, but it’s a respectable example of the genre in action.

It took us a little while to get to grips with Party Hard 2. After getting arrested a dozen or so times for using our knife a bit too much, we slowed down a bit and found that there’s actually an abundance of options available to you once you look out for them. There’s a lot of creativity on display here (if you ignore the fact that the game is basically a condensed Hitman), and while it can get frustratingly tricky at times, it’s nevertheless a fun way to let off some steam.

Overall, Adventures of Pip makes the biggest mistake a game can make: being boring. While the game had a lot of potential, it is brought down by being unmemorable. A great soundtrack cannot justify bland level design, a restrictive bit-switching gimmick, and a lacklustre story. There are far more imaginative and innovative platformers on Switch that deserve a look over this.

RPG Maker MV on Switch is a stripped back and limited version of its PC counterpart that removes the ability to integrate your own custom elements as well as the use of plugins. There's also very little in the way of help or tutorials and the UI can be clunky and slow to navigate. However, if you can make peace with these limitations, what's here is still a vast, hugely flexible bit of game-making software that provides those with the patience to get to grips with its systems almost limitless potential for RPG-making fun. We can't wait to see what players come up with over the coming weeks and months ahead and the free RPG Maker MV Player means that all Switch owners get to share in the fun and perhaps be inspired to join in down the line. If you're hugely serious about RPG making you may do best to stick to the PC version, but, if you just want to have some creative fun within the limits of the assets provided here, you'll have a blast.

Minoria is a great Metroidvania that we’d hate to see slip under the radar amongst the more well-known titles like Bloodstained and Hollow Knight. It’s not quite as feature-rich as some of the other titles in the genre and will only last roughly 5 hours or so, but the combat is so impressive, that we’d urge you to check it out.

MO:Astray is so confident in every facet, including its slick gameplay, well-implemented backstory, and stunningly atmospheric visuals. This is a grim, gory game, but one that retains a level of charm that could perhaps be likened to the Metroid franchise. There are so many wonderful surprises around every corner, whether it’s a new ability or a fearsomely intimidating boss battle. Don’t let MO:Astray fall under the radar; it’s a real treat and deserves to gain a place in your library.

Inertial Drift is an acquired taste. Its interesting control method eventually pays off and feels rewarding when you simply complete a course unscathed, but none of its modes are meaty enough to provide an solid package overall. If you're the type who has no issue with racing over and over again to perfect your skills, this could be a game for you. Fans of more conventional racers, however, may want to drift around it.

The Last Campfire is an unusually freeform puzzle adventure that stuffs its six-hour playtime with conundrums of every kind. While a few puzzle designs deserve more time in the spotlight – or could support whole games by themselves – the game's commitment to new ideas makes for a refreshing change of pace. This is proof that Hello Games don’t have to build a universe from scratch to entertain. More of this, please.

There’s a refreshing freedom to Paradise Killer we’ve not previously seen. You can start the trial almost immediately if you desired, which is far from sensible, but without a narrative constraining you, Lady Love Dies’ investigation is what you make it. Coming to your own conclusions can be a little overwhelming in places but successfully solving this case is immensely satisfying. For murder-mystery fans, this comes highly recommended.

Immortal Realms: Vampire Wars is a reasonably fun turn-based strategy affair with an excellent setting and some unique ideas of its own. The streamlined nature of its gameplay makes it pleasingly zippy stuff that's well-suited to strategy newcomers but a lack of real depth, a clunky UI and some dodgy enemy AI means the fun here is, unfortunately, pretty short-lived overall for anyone but genre enthusiasts and vampire fans.

Bounty Battle is one of the very worst video games we've ever played. It's got an amazing premise, for sure, and Dark Screen Games' has somehow managed to procure the use of all of these fantastic indie characters, but that's as far as the positivity goes. Everything else about this appalling mess is absolutely broken. Janky menus, awful combat, a shocking framerate, crude animations and poorly explained mechanics leave this one in a hole that's surely impossible to climb out of; a hole that should be boarded up and forgotten about. If you're considering picking this one up on the strength of that enticing indie Smash Bros. premise, trust us, run away.

With a solid new story mode, a greatly improved MyTeam mode and the same high quality of presentation that 2K now brings to the series on Switch, NBA 2K21 is now the new definitive basketball game on the system. The unwanted microtransaction ogre continues to loom over most of the package, ever encouraging you to fork out more cash to accelerate your progress, but as long as you're capable of ignoring this and have the patience to slowly improve your player and team organically, the results will be infinitely more satisfying.

Bright, technicolour visuals, punishing difficulty, excellent level design and tight controls are all hallmarks of this deliciously enjoyable sugar rush. Spinch is a short but sweet experience and one that certainly proves itself to be worthy of both your time and money. Although it’s regrettably marred by early launch performance issues, Spinch is an otherwise wonderful platformer that we’d highly recommend to anybody who just can’t get enough of the genre.

There’s plenty to be getting on with, and with gorgeous, colourful visuals and a great soundtrack, OkunoKa Madness is an excellent platformer that fans of Super Meat Boy will relish. As for everybody else; well, just get ready for a bit of a challenge…

If the look of Hotshot Racing appeals to you and you can appreciate the aesthetic delights of something that looks deliberately low-fi and polygonal, the action it offers on the track does an excellent job of backing up the game's style with substance. It may have its quirks and it may turn you into a paranoid conspiracy theorist ready to tell tales of rubber-banding to anyone who’ll listen to you, but hey: that just adds to the authenticity of the era it’s based on. This is a fine racing title that truly nails its driving mechanics and delivers an exhilarating experience that will captivate newcomers and veterans alike.

Gleamlight is worse than the majority of bad games. With most poor-quality titles, the rot is obvious from the word go. Here, the game doesn't show its true colours until you realise it's over. Surely, you'll think, it's going to pick up? It generally looks nice, after all. It was featured in at least one Indie World presentation, which is usually a mark of at least some quality. But no. It's atrocious. It's boring to traverse, feels bad to play, has an insultingly low amount of content and has nothing to recommend it. Hollow Knight is actually cheaper, and there are plenty of lower-tier Switch platformers more deserving of your time than this. FoxyLand. Goblin Sword. Polyroll. Get those three for the same price as Gleamlight, maybe less. They're not even that good, but they're ten times the game Gleamlight is. Oh! And the music's discordant clanging rubbish, too. We hope it gets a physical release so we can throw it in a bin.

The graphics are average at best and don’t look anywhere near as good as its PS4/Xbox One counterpart, and the number of bugs becomes a bit exasperating after a while. Regardless, Ary and the Secret of Seasons makes up for this with a well-told story, a fantastic gameplay mechanic centred around seasons, and a well-realised world filled with unique characters. It’s not a game we’d urge you to rush out and purchase immediately, but if you’re after an action-adventure fix, you could do a lot worse.

Lair of the Clockwork God is a difficult one to score. What it does well is brilliant – the humour is great, with constant jokes both quickfire and slow-burn – but the gameplay is a more complex matter. While it's not bad by any reasonable metric, it is awkward in places. But, then, this is intentional and comes part and parcel with the story, so do we treat it more leniently? Is there some hubris in presenting a flawed game, but distracting from said flaws by making them... kind of the point? It's a question that not even Nintendo Life can truly answer, but we can put a big number under a review of the game. We do our part.

Whether or not Moon is for you ultimately depends upon your tolerance level for aspects of late '90s game design and your overall interest in the RPG genre. As a standalone product, Moon has plenty of amusing commentary about RPGs, but much of this is likely to be lost on those who don’t much care for them. Strip away the satire, and you’re left with a mostly entertaining but somewhat simplistic point-and-click-style adventure laden with fetch quests. We’d give Moon a recommendation to those who are fascinated by its legendary status as a niche classic or to those who really enjoyed the narrative style of Undertale, but if you don’t fit into either of those groups, this might not be for you.

It almost feels like Manifold Garden might have fared better as a "walking simulator" at times; its infinitely-folding environments are works of art from any angle, and it's a little difficult to appreciate them when you're solving yet another samey block puzzle. Still, it'd be churlish to mark it down for being a game when solving its riddles isn't unenjoyable by any stretch of the imagination. We just found ourselves a little impatient to be done with them so we could hurry into the next astonishing panorama of abstract, impossible imagery. Manifold Garden is a lovely game, but sometimes the "game" bit gets a little in the way.

Jump Force is a good time for a short time; a simplistic button-masher that looks and sounds great in action but can't deliver in terms of providing players with any more than a handful of hours of dumb fun before it all becomes a bit of a bore. If you're a huge fan of the shows involved or you like your fighting nice and easy you'll get more than most out of things and jumping into an online battle – if you can find one – adds a little spice to the mix but, overall, this is a disappointingly dull, one-note affair that doesn't do its roster of ever-popular characters any sort of justice.