An excellent Trump impression, but a little too much of it.

A summer pleasure. ... Kristin Chenoweth knows it's a mad, mad world out there but has the chops to make us forget about that for a little while.

Scream is exactly what you'd expect. It may also be exactly what you want.

If not all things to all people, this Oscar salute should be enough for most.

Shore has written this adroitly enough and Winters and Duhamel are two good and seasoned actors who easily locate what's most endearing, or at least what's most amusing about their respective characters.

Solid, engaging, propulsive--and a little bit too familiar.

Come for that view, and this cast, and Fellowes' peerless talent for world-building — or at least a to-the-manor-born world. Don't come for any fresh insights into the American character. This is mostly fantasy, not a history lesson.

Uneven, but the core strength remains--a sitcom that embraces the uncomfortable, and sometimes the unmentionable.

The “fat” stuff is way overdone, but Bader and Mixon are good. Otherwise, your watchwords are: too soon to tell.

The formula--must find murderer of beautiful woman before last commercial break--predates the dinosaurs, but also incorporates some satisfying twists.

Bassett refuses to cast blame for the troubles, and we're left with a portrait that has plenty of love--just not a whole lot of insight or edge.

Killing Eve can be violent and bloody, sometimes too violent and bloody, but get past that and an intriguing new antihero awaits.

Everything is in place, and everyone, and what's prevented this from turning into a heightened camp version of Wisteria Lane is that now-supersized superteam. ... Still fun, still addictive, still (yup) pretty much the same.

The role of a male comedian--particularly one like Rock--has since assumed a whole new dimension, too. He launches with Black Lives Matter, moves on to the failure of schools to prepare kids for life, then establishes the importance of bullies. But that’s the warm-up act for the main show--that apologia for his indefensible behavior and the personal failures he brought upon himself.

"Fargo" is still funny, bleakly so, and smartly written. Best of all, it's effectively cast three legendary actors (after "Ted Lasso," is Temple now officially "legendary"?) in memorable roles. Very memorable.

"Grantchester" is back. "Grantchester" is still good. "Grantchester" — even without Sidney — is still "Grantchester." ... Still as gentle as a summer shower.

Starts slow and gets better--while an excellent cast (and lead, in Holland) front a story that's a little more psychological than supernatural in the early going.

Not a lot new here, but Cheney gets a fair hearing--even though a tougher one is occasionally warranted.

Nicely crafted, and Gambon--as always--is superb, but this “Masterpiece” movie can also be turgid and lugubrious.

Executive producer Frank Darabont ("The Shawshank Redemption") is wonderfully skilled at framing shots to achieve maximum horror effect. But the middle stretch tends to bog down. My advice--watch the first 25 minutes (they're really good), then go trick-or-treating.

Samuel L. Jackson reveals a hidden side of himself, and that's worth watching for that reason alone.

All this is to say, simply, that Passmore is an intriguing screen presence who holds a well-constructed if otherwise boilerplate cop show together.

It doesn't always want viewers to like what they're seeing and doesn't seem to care whether they do or not. But it does want them to at least think about what they're seeing. ... Hard to watch, but well-worth watching.

The opening episode--already posted online--is a bit sluggish, but Power gets better in subsequent episodes. Starz, and Fitty, appear to have a winner.

Mrs. Maisel can--yup--be chatty to the point of exhaustion, and a little can go a long way. But what’s here is worth savoring and, if you can get past the verbal gymnastics, worth the trip.

A fun, nostalgic, energetic re-entry that makes up for that sometimes bloated bore of a first season.

Quirky, uneven oddball that will appeal to a few. Best to wait for all episodes to stream and go ahead and binge.

A true rarity — a sharply drawn portrait of local journalism.