New York Post's Scores

  • Movies
  • TV
For 8,343 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
8343 movie reviews
  1. Virtually unwatchable and laugh-free.
  2. A witty mix of "Frankenstein" and David Lynch's "Eraserhead" - with a tip of the hat to Hitchcock's "Saboteur" - Puzzlehead is an indie delight.
  3. A cheesy and unpleasant splatterfest.
  4. It turns out the stories don't unite at all. Instead, we get a series of dramatic vignettes, most of them decently executed but all of them rooted in the weepy sensibility of TV movies.
  5. Find Me Guilty belongs to the odd couple of Dinklage and Diesel, whose volatile performance finally proves he is much more than an action star.
  6. Thanks to a winning cast, all of this is funnier than you would expect considering the erratic script.
  7. An entertaining piece of pulp fiction.
  8. The movie is strangely demure in its attempts to be wild.
  9. Melodramatic and heavy-handed.
  10. The story isn't exactly new, but Bollain, an actress in her own right, keeps Take My Eyes from sinking into clichés.
  11. Just because the goods are made in Italy doesn't mean they're designer-quality; Don't Tell is glossy on the outside, cardboard and staples on the inside.
  12. It's all interspersed with strange attempts at comedy that fail on two levels: They're not funny, and they puncture what little drama there is.
  13. Guaranteed to leave you outraged at the way children - and, for that matter, adults - are exploited by mining companies.
  14. Drab, despairing and pointless.
  15. Most of the interviews are as brief as they are obvious, and it doesn't help that none of those interviewees, including clergymen who served as technical advisers, are identified.
  16. Excellent performances are given by all, with Alidoosti, who has the face of an angel, once again a wonder.
  17. This is a guy comedy being mismarketed as a chick flick, complete with a poster that looks like a page from Lucky magazine.
  18. These man-eaters are deadly, mainly in their ability to bore you to death.
  19. Who let this dog out?
  20. Watching it is like being in a restaurant where the waiter brings out a luscious platter of food, then keeps walking right past you. All night long.
  21. A hilariously deadpan black-and-white slacker comedy, Duck Season is sort of like "Wayne's World" directed by a Mexican Jim Jarmusch.
  22. Watchable in a train-wreck kind of way, but you'll probably want to take a shower afterwards.
  23. Director Mikael Hafstrom - the gentleman responsible for last year's Jennifer Aniston bomb "Derailed" - keeps us guessing as he confidently builds suspense.
  24. The movie includes a recurring motif of immigrant taxi drivers - like them, the movie is constantly going around in circles.
  25. A group of inmates are turned into theater people. Haven't they suffered enough?
  26. You care for these warriors, no matter which uniform they're wearing. I don't know Taub's intentions, but The Fallen makes a potent antiwar statement.
  27. The Neighbor No. Thirteen forgoes the manic violence of the Korean revenge stunner "Oldboy" in favor of leisurely paced suspense with sudden bloody outbursts.
  28. Achieves the odd distinction of being the first post-9/11 NYPD corruption movie - complete with a shootout in the Criminal Courts building. Cool.
  29. It's high-spirited, innocent fun.
  30. Strictly for fans of the musical acts and those who think everything Chappelle does is genius.

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