New York Post's Scores
- Movies
- TV
For 8,343 reviews, this publication has graded:
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44% higher than the average critic
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2% same as the average critic
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54% lower than the average critic
On average, this publication grades 8.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Patriots Day | |
|---|---|---|
| Lowest review score: | Zombie! vs. Mardi Gras |
Score distribution:
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Positive: 4,334 out of 8343
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Mixed: 1,701 out of 8343
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Negative: 2,308 out of 8343
8343
movie
reviews
- By Date
- By Critic Score
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- New York Post
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Reviewed by
Kyle Smith
Has an awful title, a bland hero and a predictable story - but it also has a nice blast of English atmosphere.- New York Post
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Lou Lumenick
Very slowly builds to a powerful climax for this arty cross between "Straw Dogs" and "First Blood."- New York Post
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Kyle Smith
The documentary Giuliani Time, which seeks to knock our former mayor off his pedestal, hits him with all the force of a wadded-up Kleenex. Those who hope Rudy Giuliani never returns to public life must be getting panicky.- New York Post
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Lou Lumenick
A sitcom with enough big laughs and emotional truth to get audiences past awkward pacing and some slow spots.- New York Post
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- New York Post
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Reviewed by
V.A. Musetto
The story lacks focus. The senses blur as wives and ex-wives come and go, and Harry regularly falls off the wagon, only to reform the next day.- New York Post
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Lou Lumenick
The Sketches of Frank Gehry will appear this fall on PBS' "American Masters," which seems a more appropriate venue than theaters.- New York Post
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V.A. Musetto
Of historical interest, although a more experienced filmmaker would have made more of the sudden rush of events - and avoided the temptation to put himself or herself into nearly every frame, as Grappell does.- New York Post
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Kyle Smith
Russian Dolls is itself a delightful mini-trip to Europe. Its overly cute bits are like cinematic tourist traps, but it's the beauty that stays with you.- New York Post
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Lou Lumenick
Winning performances by Roger Rees and Mary McDonnell, as well as colorful Virginia locations, lift Crazy Like a Fox slightly above the TV-caliber script by its director.- New York Post
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Lou Lumenick
Though dated and unsophisticated compared to the much cooler Bourne spy thrillers, M:i:III will probably hit the sweet spot at the box-office - and give Cruise a whole new reason to start jumping on couches.- New York Post
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Lou Lumenick
It doesn't help that the central character, Jerome - earnestly played by Max Minghella of "Bee Season" - is essentially a passive observer.- New York Post
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Kyle Smith
Its images came from a dusty box in the horror-movie attic, and the attic is where the entire picture will be in a month.- New York Post
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Kyle Smith
Hoot peaks during its wordless opening credits sequence, which swoops delightfully around Florida scenery. That, the cute owls and the easygoing songs by Jimmy Buffett, who also plays one of Roy's teachers, are the only things worth your trouble.- New York Post
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Kyle Smith
Sucker-punches you. It appears to be an engagingly sweet romance, but it's really just about other movies.- New York Post
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Kyle Smith
The quality of the acting, Cave's hellfire score and the heavy atmospherics of the directing merely dress up a cliché: Violence leads to more violence.- New York Post
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- New York Post
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Reviewed by
Lou Lumenick
Looks great for a no-budget indie, but not a single moment rings true in this sluggish vanity project, which is sorely in need of Viagra.- New York Post
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V.A. Musetto
Boasts dynamic performances by the two leads, as well as tight directing (a lot happens in just 82 minutes) and eye-pleasing cinematography (by Alain Marcoen, who also lenses for Belgium's acclaimed Dardenne brothers).- New York Post
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Kyle Smith
Rarely is a sports movie so inept that it can't even make its central figure likable.- New York Post
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Lou Lumenick
It's a long, brutal and honest look at a shattering event some Americans would apparently prefer not to see depicted - but also a respectful, inspiring one that's in no way exploitative or emotionally manipulative.- New York Post
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Kyle Smith
So warm and well-meaning that you may find yourself wanting to like it more than you really do.- New York Post
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Kyle Smith
RV stands for "Retread of 'Vacation,'" or possibly "Robin's Vehicle," but to me it's funnier than "National Lampoon's Vacation." I always found Chevy Chase's road trip more unpleasant than outrageous, but RV has laughs spilling out of its overhead bins.- New York Post
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Lou Lumenick
Sometimes there's a fine line between a labor of love and a vanity project, and The Lost City, Andy Garcia's heartfelt - but hackneyed and interminable - love letter to his native Cuba, repeatedly crosses it.- New York Post
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Kyle Smith
Gandhi did save India from the British, but he didn't save India from the Indians, and the horrific subjugation of widows continues there even today. It was only 10 years ago that Mehta encountered the Hindu widow who inspired her film.- New York Post
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Reviewed by
V.A. Musetto
The people who are inflicting this movie on us intend it as some sort of inspirational epic. But the only thing it will motivate viewers to do is get out of the theater.- New York Post
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V.A. Musetto
If you've seen either of the first two flicks in this outrageous series - "Oldboy" and "Sympathy for Mister Vengeance" - you know what's coming. Novices should prepare for mind-bending bloodshed and violence.- New York Post
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V.A. Musetto
Lino Ventura is grand as a solemn resistance leader. He's backed by a knockout cast that includes Simone Signoret.- New York Post
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