Whether you're looking for a love story with a little gore or a horror movie with a little romance, Zombie Honeymoon will suit your taste.

So filled with amusing, idiosyncratic touches and unexpectedly charming characters that you mostly don't mind its excesses.

It's the little things that resonate in this tender and sincere tale of first love.

The script is fresh and accessible - even for folks who don't know Croatia from Cambodia - and it is put over by solid acting and direction.

(Kusturica) celebrates its gaudy humanity in a joyous picture that is his most lighthearted and amusing work to date.

Kari successfully meshes comedy, ennui and tragedy, much in the manner of Jim Jarmusch and Finnish auteur Aki Kaurismaki.

With Lake Tahoe, Mexican filmmaker Fernando Eimbcke proves himself adept at turning a blank screen into a work of art.

A well-built machine that dunks you into a big warm vat of sadness. There's no plot: It's a situation drama. Instead of punch lines, it delivers regular shots of heartbreak.

A labor of love, Young Rebels is essential viewing for anyone who wants to stay ahead of the hip-hop curve.

Woody Allen certainly hasn't managed anything remotely this funny lately.

To get to the best part first, Tarantino's adrenaline-pumping "Death Proof" is actually a good movie that - unlike Rodriguez's "Planet Terror," - rethinks its genre in ways that say something to contemporary audiences. And it's got some of Tarantino's best dialogue since "Pulp Fiction."

A tabloidy, nail-biting thriller.

As with "Capturing the Friedmans," the documentary is grueling to sit through. Yet the greasy, guilty thrill of being privy to your neighbors' most intimate dramas makes it impossible to stop watching.

Though the movie doesn't use real names and the press notes say it's "inspired" by the Durst case, it seems to follow many of the facts rather closely -- all the while mixing in not a little provocative speculation.

In the end, inner peace is found by all - on screen and in the audience.

In Hot Summer Nights, Chalamet proves he’s learned Hollywood’s most important trick of all: consistency. His performance here is every bit as good as those past credits — more so, in some respects, thanks to his comedic chops — even if the film’s prestige is dampened by, well, tons of pot, cocaine and gnarly murders.

Luke, who seems to have been marking time since his impressive debut in the title role of Denzel Washington's "Antwone Fisher" four years ago, is fiercely good as this reluctant warrior and devoted family man.

Has buckets of gentle sincerity. Since there aren't any dumb jokes or hip visuals, it's easy to get caught up in the simple messages: Be good to your sister, don't be a bully, use your imagination in a pinch.

De Wilde has a good grasp of Austen’s sense of humor, and she plays it up with some amusing bits

The Edgertons pile on the plot twists a bit thick, but the director steadily ratchets up the tension until a climactic shootout.

Archival footage is combined with somewhat affected-looking re-enactments, but the film achieves its purpose: to remind us that we still have thousands of bombs, and neither they — nor we — have gotten that much smarter.

An unusually well-written and satisfying multilayered drama that conveys the feel of urban India with more vivid accuracy than anything made in the subcontinent in recent years.

At the Professional Bull Riders championships, a rough animal is called "rank." In this skillful documentary, you can almost hear the cracking bones as brave and/or stupid riders attempt to stay on these snorting 2,000-pound monsters for eight seconds.

With a mischievous, metaphysical flourish, Doctor Strange administers some much-needed CPR to the flagging superhero genre. It doesn’t reinvent the wheel — a power-hungry villain (Mads Mikkelsen) tries to unleash hell on Earth, blah blah blah — but it’s a heck of a lot more fun than I’ve had at a Marvel movie lately.

Garrel’s ideas on both are pretty old-fashioned. But he wraps it up with a pleasurable O. Henry-like twist, and a moment of what feels suspiciously like true love.

The show works pretty much the same as "Idol" does, with Afghans voting by cellphone for their favorite performers. But this is Afghanistan, where the Taliban still has power, not America.

Holy ship! Crowe’s grumpy Noah and his dysfunctional clan help God reboot the too-wicked world in this imaginative (but hardly sacrilegious) and visually spectacular elaboration on Genesis.

For my money, Furious 6 is more fun than “Skyfall" and a lot more fun than the deadly dull “Star Trek Into Darkness,’’ both of which ask you to take their silly plots way too seriously.