New York Post's Scores

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For 8,345 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
  1. Positive: 4,335 out of 8345
  2. Mixed: 1,702 out of 8345
  3. Negative: 2,308 out of 8345
8345 movie reviews
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  1. The Witches
    Hathaway floats in the air a few times and the sides of her mouth are slit, a la Heath Ledger’s Joker, but even that deformation doesn’t make her frightening or threatening. You’re supposed to believe this woman wants all children dead, and instead, you believe she is sometimes rude to Bergdorf’s employees.
  2. Perrier's Bounty
    A comedy that forgot to install the funny.
  3. Lakeview Terrace
    Lakeview Terrace holds your interest, though the bad faith on all sides makes it something of an endurance test.
  4. Everybody's Fine
    After seeing Everybody's Fine, Paul McCartney offered to write a song that plays over the closing credits. That may be because the whole movie is like a celluloid McCartney tune: warm and playful and sweetly earnest, but lightly funny, too, and crafted with consummate skill.
  5. Lebanon, Pa.
    This mild drama plays out like one of those dull message movies that TV networks used to crank out almost weekly, but the earnestness is at times almost appealingly old-fashioned.
  6. Slipstream
    At 96 minutes, this vanity/insanity project runs a bit long; five minutes would have been plenty.
  7. Alma
    The documentary equivalent of a Southern Gothic novel.
  8. Gypsy 83
    A depressingly predictable journey of self-discovery.
  9. Shazam! Fury of the Gods
    With sub-par material, Levi pretending to be a kid and naively shouting and pouting has turned grating.
  10. Interior. Leather Bar.
    It largely consists of Franco musing about depictions of homosexual activity on film. As well as gay cast members speculating whether Franco will take off his clothes and perform in explicit footage. He doesn’t.
  11. November
    There's no real payoff - artistically or emotionally - in Gregory Harrison's gimmicky and tedious psychological thriller November, shot on ugly digital video.
  12. 44 Inch Chest
    Even a great British cast and obscenity-laden gangland dialogue aren't enough to make what amounts to an extended acting exercise into much of a movie.
  13. Just Like Heaven
    Just Like Heaven isn't far short of a classic among romantic comedies with a teary chaser, sure to please fans of "Ghost" and "Heaven Can Wait."
  14. The A-Team
    Overlong, overblown and utterly forgettable.
  15. The Passion of the Christ
    A highly personal, provocative and in some ways riveting vision with an inspired performance by Jim Caviezel as Jesus.
  16. Just Friends
    There's a line between rogue and jerk, and Reynolds lives on the wrong side of it. As Dusty, Klein is such a smooth operator that he could have been - should have been - the lead.
  17. 24 Hours on Craigslist
    Loads of fun, especially if you use the site yourself. But it plays too much like a paid ad.
  18. The Disappearance of Finbar
    Part of the problem is that the Finbar character is both underdeveloped and unattractive - you don't get a sense of why anyone would miss him, let alone go searching for him in the snow. [17 Mar 2000]
    • New York Post
  19. Phyllis and Harold
    My only question: Why does Kleine -- who's married to Andre Gregory of "My Dinner With Andre" fame -- think that anybody outside her family gives a damn?
  20. Secret Society
    A rare film that depicts a skinny male in a relationship with a plus-size woman. And, small wonder, Brittain's sweet charisma makes her the most lovable big woman on screen since Lynn Redgrave in "Georgy Girl."
  21. The Other Side of the Bed
    Funny and frothy sex comedy from Spain with a very appealing cast -- and mediocre musical numbers.
  22. Hey Arnold! The Movie
    The story is also engaging and hip enough to make it a far easier sit for parents. And it's hard not to like a hero who takes public transportation to a showdown with the bad guy.
  23. Anything But Love
    Comes perilously close to being a vanity production for the obscure singer Isabel Rose, who stars and wrote the autobiographical screenplay with neophyte director Robert Cary, based on her own struggles as a cabaret singer.
  24. In Secret
    Your average episode of “Days of Our Lives” is less soapy (and performed with more restraint).
  25. 3 Dancing Slaves
    If the sight of naked, sweaty French hunks gets you going, well, then, Three Dancing Slaves is a must-see.
  26. Black Rock
    This indie, female-centric riff on “Deliverance” is spare, smartly written and shot through with moments of twig-snapping tension.
  27. The Tenants
    Harry likes Willie's white girlfriend, played by the Australian actress Rose Byrne with a riveting, sad sexiness. So much screen time is devoted to the men that her part is underwritten, but there are novels in her eyes.
  28. Around the Bend
    The longest 85-minute road trip you could imagine.
  29. Autumn
    Autumn wants to do for Jean-Pierre Melville what "Reservoir Dogs" did for Hong Kong cinema, but this new film is a joyless exercise in film appreciation.
  30. The Dilemma
    The movie is much like a really long beer commercial - but a really dark one.
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