New York Post's Scores

  • Movies
  • TV
For 8,345 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
8345 movie reviews
  1. For piquing kids’ interest in history and nature, you could do worse than this goofy Ben Stiller franchise. But its third installment is more meh than manic, too reliant on wide shots of the ragtag Museum of Natural History cohorts striding down corridors. You get the feeling returning director Shawn Levy is ready to hang it up.
  2. Like the recent "Sex and the City" movie, this spinoff not so subtly tries to have its cake and eat it by ALSO suggesting that a woman is nothing without a man.
  3. This (hopefully) final chapter's interminable first hour...showcases some of the clunkiest dialogue and wooden acting since the most recent "Star Wars" movies.
  4. I’ve never seen a restaurant documentary that seemed less interested in showing the joy of food.
  5. In the Land of Women is one of those films informed by intimate personal experience - the experience of seeing "Garden State."
  6. Presenting a “true” adventure about a giant whale that supposedly inspired “Moby-Dick” raises tsunami-high expectations about In the Heart of the Sea that are crushed as thoroughly as if star Chris Hemsworth had brought down his “Thor” hammer on the entire enterprise.
  7. The “Transformers” hottie undergoes her very own transformation here, thanks to satanic possession.
  8. Most of the laughs are collected by Lucy Punch as chirpy, borderline-psychotic teacher named Squirrel.
  9. Alfred Molina gives a warm and engaging performance as an occupying British soldier.
  10. The overlong and too-steady movie tries to say so much — about the struggles of being gay in the ‘80s, gender identity, nontraditional relationship structures — that it all comes off as white noise. Albeit white noise that has a borderline oppressive desire to make us cry.
  11. Halle Berry’s latest vehicle is old-fashioned as a leisure suit, but better-looking and a lot more fun.
  12. Big-Hearted and often quite funny if crudely made, Fat Girls cleverly subverts the clichés of high school comedies to serve an autobiographical story about an overweight gay teen in a small Texas town.
  13. I went to a wartime thriller, but then a Poli Sci 101 seminar broke out.
  14. When all is said and done, Lies is just good, dirty fun.
    • New York Post
    • 47 Metascore
    • 63 Critic Score
    Fans will love this quick flick by director Todd Phillips, but it better serves as an introduction for the uninitiated.
    • New York Post
  15. Has a promising start. But it quickly becomes tiresome and cliché-ridden - not to mention depressing and pointless.
  16. Despite its talented and/or attractive cast, Heartbreakers is an ugly movie: The kind that makes you feel slightly soiled afterwards.
    • New York Post
  17. It's so gosh-darned darling it almost turns your stomach.
  18. Tedious and obnoxiously manipulative.
  19. This new low-octane version is hardly going to make anyone forget Robert Aldrich's semi-classic, testosterone-laden original starring Jimmy Stewart.
  20. Though nothing much happens, all of the actors get to do lots of teary close-ups.
  21. Those looking for another "Showgirls" will be disappointed - writer-director Steve Antin avoids the seamy side of the business, and the same-sex flirtation is mostly between guys.
  22. Mia Goth is as fine a name as can be imagined for the actress playing a creepy, hollow waif in A Cure for Wellness, and her name is practically a tag line for this fantastically eerie movie: “Me a Gothic!”
  23. Unlike Van Sant's grittier, less sentimental recent small films, it's twee enough to make your teeth ache. It's the director's biggest miscalculation since "Even Cowgirls Get the Blues" 18 years ago.
  24. The computer-generated flying effects are the only reason to see the movie, but at some point somebody left the computer on too long, so it went ahead and spat out the script.
  25. "The Titanic" is now the second-biggest disaster Kate Winslet has ever been associated with. Her new one, The Dressmaker, is like some hellborn alloy of film noir, campy melodrama, “High Plains Drifter” and the Darwin Awards for people who die in moronic accidents.
  26. Brain-dead political satire/tear-jerker.
  27. CHOKE tries to be dirty but manages merely to be dingy.
  28. Not a bad idea — and one that already worked out pretty well for John Hughes’ “Weird Science” in 1985. But here it’s a single-joke skit that’s too self-aware to be distinctively funny, freaky or thrilling.
  29. What I love about Green’s style is he has both a sense of the grand — he gives Michael’s mask the cinematic weight of Moses’ Ten Commandments slabs — and the goofy.

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