New York Post's Scores

  • Movies
  • TV
For 8,350 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
8350 movie reviews
  1. Amazingly amateurish, the film lands wide of satirical targets that should be impossible to miss.
  2. Even if this film may irritate some people who remember "the movement" differently, it's nevertheless a fascinating and often moving document of recent history.
    • New York Post
  3. What is astonishing is that husband-and-wife writers Wally Wolodarsky (who also directed) and Maya Forbes, with combined credits that include "The Simpsons" and "The Larry Sanders Show," could churn out something this nasty and ludicrous.
  4. Has funny moments, but it also has a lot of drag time.
  5. Nancy Meyers is known for her obsession with kitchens — sun-drenched, timelessly chic architectural marvels that provide a safe haven for all the director’s characters. The Intern puts a new spin on this trope: Robert De Niro is the kitchen.
  6. A bland look at professional surfing.
  7. Where else can you get to hear Otto sing "Crazy"?
  8. The film is as tender and endearing as a lamb, a lamb at rest in a fragrant atmosphere. It’s a film that has a determined, unironic respect for things past. It’s as if millennial hipsterism, with its feigned fascination for all things retro, took a surprising further step: actual respect for learning, for experience, for wisdom.
  9. I wanna feel the HEAT … but I don’t. On the contrary, the animatronic new Whitney Houston biopic “I Wanna Dance With Somebody” left me shivering from a gust of arctic air as it so clinically and lazily examines the tragic life of the famous singer.
  10. Slicker than most attempts to document Monroe's successes and tragic trajectory, but even her own words don't provide much more of an insight into what made this troubled icon tick.
  11. More wobbly moments of Woman Walks Ahead seem to teeter on the edge of both white-saviorism and becoming a Harlequin romance.
  12. Five minutes before The Golden Compass started, I was wondering when it was going to start. Forty minutes into it, I was wondering exactly the same thing.
  13. Less than compelling as drama -- but boy is this an impressive collection of wildly ugly hairstyles, moustaches, clothing and "earth tone" furniture from 1983.
  14. A Walk in the Woods is broad as a barn door, with two stars who have minimal chemistry — and there’s not much in the way of reflection about mortality.
  15. “Fallen Kingdom” is a more interesting, and less obvious, story than the usual Tyrannosaurus romps, which tend to be death-defying games of hide-and-seek.
  16. an overlong and surprisingly dull documentary.
  17. Endearingly offbeat romantic comedy with a great meet-cute gimmick.
  18. Gets pinned down in a barrage of schmaltz, cliché, stereotype and racial condescension - not to mention a historically dubious premise.
  19. It's in the teenage section where the film goes seriously wrong and veers from an absorbing family story.
  20. Hyperactive.
  21. One of the oddest movies I've seen in a while - and that's a good thing.
  22. Stick around till the end. You don't want to miss an unexpected cameo from a filmmaker I won't name. Hint: He's short, likes younger women and isn't Woody Allen.
  23. This overlong drama is the first (mostly) English-language film from the talented Swedish filmmaker Moodysson (“Lilya 4-Ever”). Any semblance of subtlety was unfortunately lost in translation.
  24. If animal slaughter makes you queasy, this movie isn't for you. Along with several cockfights, there's a long scene in which a pig is butchered. The folks at PETA would be most unhappy. People don't fare much better than the animals, with blood flowing in a seemingly unending barrage of violence.
  25. Could easily have become a schmaltzy variation on “Whiplash.” But it’s not, thanks to astringent direction by François Girard (“The Red Violin’’), an excellent cast and heavenly young voices.
  26. It’s too bad there’s already a movie out this week called “The Shallows”; it would work so perfectly for the new film from Nicholas Winding Refn (“Drive”).
  27. Writer-director Todd Robinson is the victim of his own noble intentions, turning each and every moment into an ice bucket of sentiment.
  28. Contraband aims to be dumb fun but gets only the first half right.
  29. For a movie called Breathe, Andy Serkis’ directorial debut is curiously airless — or maybe just quintessentially British, all stiff upper lip and light on emoting.
  30. Seriously lost in the woods. This aimless epic about a pair of charlatan brothers sinks under the weight of a problematic script, questionable star casting, hamfisted editing -- and penny-pinching by Gilliam’s latest patrons, the Brothers Weinstein.

Top Trailers