New York Post's Scores

  • Movies
  • TV
For 8,350 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
8350 movie reviews
  1. Some of the plot points are confusingly vague, the tone lurches wildly between genres, and the film's epilogue pushes the bounds of believability - but The Hard Word could never be accused of being predictable.
  2. It's a chaste "Austin Powers," a less ridiculous "Casino Royale," a more subtle "Spy Hard" — in other words, yet another James Bond parody.
  3. A 2 1/2-year-old collection of mediocre stand-up routines and dull backstage chatter, Vince Vaughn's Wild West Comedy Show demonstrates why comedy clubs require you to have a couple of drinks.
  4. Writer-director John Gray, who created "Ghost Whisperer" on TV, is a son of Brooklyn whose love for the borough is as thick as a pint of Guinness, and he keeps finding fresh ways to present familiar plot points.
  5. As a distinctly not-insider, though, I would have benefited more from a broader portrait of the woman herself, and how she became such a legend.
  6. Linklater, a director who usually earns his sentiment, just can’t get the tone right. “Bernadette” is supposed to skewer the norms of family, suburban life and motherhood. While Bernadette should be a creature out of Wes Anderson, Blanchett and her director opt for “The Addams Family” instead. Nothing about it works.
  7. Lazily bopping around to exotic locales in France, Turkey and Qatar, it’s a generic collage of mega-yachts, luxe hotels, fancy parties, disguised identities and tame fights that add up to a big nothing.
  8. Even the great Helen Mirren can do only so much to elevate this relentlessly mediocre, fact-inspired drama.
  9. Easily the worst movie I've seen so far this year.
  10. For all its outré set pieces it never rises above the level of pretentious trash.
  11. What the Charles Darwin biopic Creation mainly creates is a do-over for Paul Bettany: This time he gets to have a beautiful mind.
  12. There's a lot happening here, perhaps too much. At times, the movie threatens to implode under its own weight. At others, it's wickedly funny.
  13. Unfortunately, this ultra-glossy romantic drama derived from a best seller twists into very dark territory — a drastic tonal shift that neither its stars nor debuting director, Thea Sharrock, a respected stage veteran, manage with dramatic credibility.
  14. The three women deliver solid performances, but the film is diluted by the use of flashbacks superimposed over present-time scenes. The result is visual chaos.
  15. There's a geyser of ambition in the visually stunning The Fountain, but the story of a thousand-year quest for the Fountain of Youth eventually trickles out.
  16. A flaccidly pretentious and snooze-inducing trilogy of allegedly racy tales.
  17. Legends is the latest in a long line of terrible “Karate Kid” movies. A passing of the torch, such as it is, to the next inferior rip-off.
  18. Charmingly profane, with a buzzing riot-grrrl soundtrack, “Izzy” is a stylish twist on an ’80s trope: Here it’s the woman as pathetic supplicant, trying to win back someone who’s moved on.
  19. A surprisingly nasty fable about a particularly silly, very English brand of animal-rights extremism.
  20. The originality and intelligence that made Smith's "Clerks" and "Chasing Amy" such refreshing pleasures are all but absent.
  21. One big cliche.
  22. Seems almost like a self-parody of Williams' earlier work.
  23. Thrillers can be a valid Hollywood escape, but this one made me as uncomfortable as its hero is with small talk.
  24. Lee gives his childhood hero altogether too much face time to defend himself against the numerous allegations and charges of assault, both physical and sexual.
  25. About as exciting as watching someone else's home movies -- albeit, beautifully photographed ones.
  26. There are the makings of a funny movie here, but novice director-writer Anna Reeves isn't up to the job. While her cast is talented, Reeves doesn't concentrate long enough on any plotline or character to build viewer interest.
  27. The biggest problem is Wong's decision to cast Norah Jones as Elizabeth, a New Yorker who hits the road after a love affair goes bad. Jones, in her first movie, can't act. (There, I said it!)
  28. “Scratch the surface and there’s only more surface,’’ a character all too accurately observes in this clunky, ugly and dull mash-up of a mystery.
  29. Jane Wants a Boyfriend loses momentum careening between Dushku’s Bianca and Krause’s Jane — the latter of whom is far more interesting.
  30. If Broadway shows had DVD featurettes, the unexceptional documentary Broadway Idiot would be perfect for one.

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