New York Post's Scores
- Movies
- TV
For 8,350 reviews, this publication has graded:
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44% higher than the average critic
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2% same as the average critic
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54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Patriots Day | |
|---|---|---|
| Lowest review score: | Zombie! vs. Mardi Gras |
Score distribution:
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Positive: 4,339 out of 8350
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Mixed: 1,702 out of 8350
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Negative: 2,309 out of 8350
8350
movie
reviews
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Reviewed by
Megan Lehmann
Some of the plot points are confusingly vague, the tone lurches wildly between genres, and the film's epilogue pushes the bounds of believability - but The Hard Word could never be accused of being predictable.- New York Post
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Megan Lehmann
It's a chaste "Austin Powers," a less ridiculous "Casino Royale," a more subtle "Spy Hard" — in other words, yet another James Bond parody.- New York Post
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Kyle Smith
A 2 1/2-year-old collection of mediocre stand-up routines and dull backstage chatter, Vince Vaughn's Wild West Comedy Show demonstrates why comedy clubs require you to have a couple of drinks.- New York Post
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Kyle Smith
Writer-director John Gray, who created "Ghost Whisperer" on TV, is a son of Brooklyn whose love for the borough is as thick as a pint of Guinness, and he keeps finding fresh ways to present familiar plot points.- New York Post
- Posted Mar 25, 2011
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Sara Stewart
As a distinctly not-insider, though, I would have benefited more from a broader portrait of the woman herself, and how she became such a legend.- New York Post
- Posted Sep 30, 2013
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Johnny Oleksinski
Linklater, a director who usually earns his sentiment, just can’t get the tone right. “Bernadette” is supposed to skewer the norms of family, suburban life and motherhood. While Bernadette should be a creature out of Wes Anderson, Blanchett and her director opt for “The Addams Family” instead. Nothing about it works.- New York Post
- Posted Aug 14, 2019
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Johnny Oleksinski
Lazily bopping around to exotic locales in France, Turkey and Qatar, it’s a generic collage of mega-yachts, luxe hotels, fancy parties, disguised identities and tame fights that add up to a big nothing.- New York Post
- Posted Mar 2, 2023
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Lou Lumenick
Even the great Helen Mirren can do only so much to elevate this relentlessly mediocre, fact-inspired drama.- New York Post
- Posted Apr 1, 2015
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- New York Post
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Kyle Smith
For all its outré set pieces it never rises above the level of pretentious trash.- New York Post
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Kyle Smith
What the Charles Darwin biopic Creation mainly creates is a do-over for Paul Bettany: This time he gets to have a beautiful mind.- New York Post
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V.A. Musetto
There's a lot happening here, perhaps too much. At times, the movie threatens to implode under its own weight. At others, it's wickedly funny.- New York Post
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Lou Lumenick
Unfortunately, this ultra-glossy romantic drama derived from a best seller twists into very dark territory — a drastic tonal shift that neither its stars nor debuting director, Thea Sharrock, a respected stage veteran, manage with dramatic credibility.- New York Post
- Posted Jun 2, 2016
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V.A. Musetto
The three women deliver solid performances, but the film is diluted by the use of flashbacks superimposed over present-time scenes. The result is visual chaos.- New York Post
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Kyle Smith
There's a geyser of ambition in the visually stunning The Fountain, but the story of a thousand-year quest for the Fountain of Youth eventually trickles out.- New York Post
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Lou Lumenick
A flaccidly pretentious and snooze-inducing trilogy of allegedly racy tales.- New York Post
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Johnny Oleksinski
Legends is the latest in a long line of terrible “Karate Kid” movies. A passing of the torch, such as it is, to the next inferior rip-off.- New York Post
- Posted May 28, 2025
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Sara Stewart
Charmingly profane, with a buzzing riot-grrrl soundtrack, “Izzy” is a stylish twist on an ’80s trope: Here it’s the woman as pathetic supplicant, trying to win back someone who’s moved on.- New York Post
- Posted Jun 21, 2018
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Jonathan Foreman
A surprisingly nasty fable about a particularly silly, very English brand of animal-rights extremism.- New York Post
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Jonathan Foreman
The originality and intelligence that made Smith's "Clerks" and "Chasing Amy" such refreshing pleasures are all but absent.- New York Post
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- New York Post
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Lou Lumenick
Seems almost like a self-parody of Williams' earlier work.- New York Post
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Sara Stewart
Thrillers can be a valid Hollywood escape, but this one made me as uncomfortable as its hero is with small talk.- New York Post
- Posted Oct 13, 2016
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Megan Lehmann
Lee gives his childhood hero altogether too much face time to defend himself against the numerous allegations and charges of assault, both physical and sexual.- New York Post
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Lou Lumenick
About as exciting as watching someone else's home movies -- albeit, beautifully photographed ones.- New York Post
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V.A. Musetto
There are the makings of a funny movie here, but novice director-writer Anna Reeves isn't up to the job. While her cast is talented, Reeves doesn't concentrate long enough on any plotline or character to build viewer interest.- New York Post
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V.A. Musetto
The biggest problem is Wong's decision to cast Norah Jones as Elizabeth, a New Yorker who hits the road after a love affair goes bad. Jones, in her first movie, can't act. (There, I said it!)- New York Post
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Lou Lumenick
“Scratch the surface and there’s only more surface,’’ a character all too accurately observes in this clunky, ugly and dull mash-up of a mystery.- New York Post
- Posted Oct 22, 2014
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Sara Stewart
Jane Wants a Boyfriend loses momentum careening between Dushku’s Bianca and Krause’s Jane — the latter of whom is far more interesting.- New York Post
- Posted Mar 24, 2016
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Kyle Smith
If Broadway shows had DVD featurettes, the unexceptional documentary Broadway Idiot would be perfect for one.- New York Post
- Posted Oct 11, 2013
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