New York Post's Scores

  • Movies
  • TV
For 8,350 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
8350 movie reviews
  1. Superfly escapes superficiality thanks largely to strong performances from Jackson; Jason Mitchell as Priest’s workmanlike partner, Eddie, and Michael Kenneth Williams as Priest’s mentor, Scatter.
  2. Considering that Gracie says nothing that hasn't been said in dozens of films, one does wonder whether Hollywood is being as diligent as it could be in digging up fresh story ideas.
  3. If you can check your brain at the popcorn stand and keep your expectations low, Dark Water is an OK genre exercise that maintains a consistently creepy tone.
  4. Like its synthetic heroine (Scarlett Johansson), the live-action Ghost in the Shell is a feast for the eyes. With its killer-robot geishas, Godzilla-size hologram ads and nearly nude fighting gear, it’s a cyberpunk wonderland — but there isn’t much ghost left in this smokin’ hot shell.
  5. Most of the humor, though, is wan, exemplified by letters like “Dear General Lee: Sounds great! Please proceed with your plan.”
  6. Donna Summer’s disco classic “Last Dance” does a good job of summing up Steven Soderbergh’s new movie Magic Mike’s Last Dance: When it’s bad it’s so, so bad.
  7. [Director Kaye's] dedication to the material is admirable, but his tactic of following one dismal development with an even more depressing one comes to seem monotonous and pointless.
  8. While Murphy never manages to make this crazy quilt dramatically credible, he does hit the mark for laughs and has written some juicy scenes for his excellent cast.
  9. There’s such a genuine sweetness to Johnson you can’t help digging the shtick.
  10. A thoroughly mediocre dramedy.
  11. Creepy spirits in old-timey dress, ear-stabbing sound cues, slamming doors and bloody handprints: The horror flick Insidious isn't scared to be trite.
  12. As always, Dracula sucks blood. But his latest movie simply sucks.
  13. With stakes so high, the movie should pack a punch. But while it keeps its eye on the stars, its feet never leave the ground.
  14. The shallow, derivative and contrived British heist thriller Wasteland lives down to its unfortunate name.
  15. Markopolos repeatedly tells us he was scared for his life -- accompanied by hokey archival clips and music -- though nothing actually happened to him.
  16. Sincerely directed by one woman (Phyllida Lloyd, who did "Mamma Mia!") and smartly written by another (Abi Morgan), the film stars an unsurpassable Meryl Streep, whose ability to empathize with her characters has never been more gloriously impassioned than it is in this titanic performance.
  17. Basically it's an acting exercise - a one-set rendition of that old stage and movie standby, the ex-convict struggling to go straight who's tempted to attempt one last score.
  18. Occasionally funny but more often hackneyed, schmaltzy, predictable and overdone fairy tale that seems longer than 100 choruses of ''Supercalifragilisticexpialidocious."
  19. The seething passions of Flaubert’s characters are absent, except when Rhys Ifans (as a greedy merchant) or the splendidly ruthless Marshall-Green are in the room.
  20. Centering around a stoic woman who elbowed her way to the top of her field in a world of men in tweed suits, only for it all to be put at risk, the plot has heavy shades of 2022’s “Tar,” which is a much better movie.
  21. Its characters are likable enough to settle in with for a pleasant hour and a half.
  22. It’s not without its quirks (and occasional pacing issues), but Sister Aimee is a true original — apparently, just like its namesake.
  23. An utterly clueless, relentlessly grim and rambling action epic guaranteed to displease devout Jews, Christians and Muslims alike, amuse atheists — and generally bore everyone.
  24. What you get instead of soccer is almost two hours of late-stage syphilis.
  25. Medina has taken a series of vignettes and fashioned them into a feature film as aimless as Luciano’s life. There’s no buildup or payoff; still, Hendler’s laid-back performance makes Medina’s film worth seeking out.
  26. Really it's just a trashy bid to be the "Scarface" of Mesopotamia.
  27. Grindelwald gives us a proper villain and a purpose for this series of — gulp — five eventual movies.
  28. Finally, someone took the source material at its terribly written word and stopped treating the whole affair so seriously.
  29. 80 for Brady would be close to worthless were it not for the prodigious talents and chemistry of its marvelous cast.
  30. If you’re into seeing Johnny Depp and Robert Pattinson play truly despicable government officials, have I got a movie for you!

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