Nothing’s wrong with a few buckets of blood, but Perkins’ movie waters them down with its repetitious plot and weak attempts at humor. “The Monkey” strains to be a comedy as much as a horror film and effectively works as neither.

Wilkinson's reflective and regretful searcher, burdened by secrets, is also touching, as are Dench and Nighy's creations, so it's easy to cheer them on as they inch toward revelations and rebirth.

Nicely acted and stylishly photographed.

It pains me to report that his Zebraman is a disappointment.

In a captivating climax, the movie turns attractively freaky, though somewhat marred by cheesy special effects, and there’s a huge debt to the immense leaps of “2001.” An abrupt ending feels frustrating and leaves questions floating in space. Then again, I’m using only 3 to 5 percent of my capacity, so what do I know?

If you can tell the difference between a mule and a pump, attendance at The Devil Wears Prada is mandatory. You might have to reach back to "Funny Face" to find a fashion movie so on-trend.

There are some catches, including a breathy-voiced indie-rock soundtrack so bad you wonder if it's contributing to Amy's malaise. But overall, the comedy is a lovely showcase for Lynskey and the rest of the cast.

This well-intentioned drama — writer/director Paul Dalio has spoken publicly about his own struggles — veers into a common pitfall of films that portray mental illness: Romanticizing it.

A pretentious Euro-snore that should occasion a fraud prosecution for any marketer who calls it a thriller -- and which stars an actor who seems to wish his name were Jorg Clooné.

Kids will love African Cats, which is full of "aw" moments. Their parents will appreciate that narrator Samuel L. Jackson keeps things from getting too schmaltzy in this true-life depiction of the circle of life.

Despite the allure of the actors and some witty lines, it's ultimately quite wearying to be confronted with such determination to turn youth and good looks into existential burdens.

Fluffy, inconsistent, but enjoyable.

Delpy's good at keeping Marion's complaints sharp and funny, rather than wan and whiny. Even so, the movie's a bumpy ride as her good farcical instincts vie with the yen for cheap laughs.

As phony as a re-enactment with finger pup pets.

You'll want to catch this clever movie before Hollywood ruins everything with a dumb remake.

The transition from the DreamWorks CGI version from 2010, one of the best family flicks in years, to real human actors is thankfully smoother and not as off-putting as most of Disney’s recent, pitiful princess efforts.

Courageous, convincing performance by Dunst.

Delivers one of those classic movie moments in which two screen legends go toe to toe, both barrels metaphorically blazing.

Pietro Sibille is exceptional as Santiago, and the rest of the cast turn in dynamic performances.

It's easy to understand why so many people have been obsessed with this story for so long. When the paintings are finally found, the story will make a great Hollywood movie.

A glacially paced, emotionally frosty epic (with a top-drawer cast).

It could be set during the war in Iraq, but the brutal French film Intimate Enemies takes place in 1959, at the height of the Algerian struggle against French rule.

Visually striking but portentous and pretentious.

Even after he manages to get out of the car and slowly starts recovering his memory, Wrecked keeps you guessing.

It's an exciting, charming and often quite funny family film.

Gibran’s book was huge in the 1960s, and it feels fresher here than it has in ages, although the visuals are stronger than the music.

For anyone looking for a shot of vengeance adrenaline while waiting for “John Wick 3” to come down the pike, Braven will probably fit the bill.

Many modern teen issues are touched upon — depression, anxiety, eating disorders — and because of the honest performances from Smith and Fanning, you ache for them.