New York Post's Scores

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For 8,345 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
  1. Positive: 4,335 out of 8345
  2. Mixed: 1,702 out of 8345
  3. Negative: 2,308 out of 8345
8345 movie reviews
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  1. Gypsy
    The overall mood of Gypsy is despair.
  2. Kaboom
    Call it "The Doom Generation II." Gregg Araki's Kaboom returns to the trippy ways of his 1995 erotic head trip.
  3. Mongolian Ping Pong
    Movies don't come any more charming than Mongolian Ping Pong.
  4. Vénus beauté (institut)
    Slight but entertaining and occasionally touching.
  5. Identity
    Builds steadily from its smarter-than-your-average-horror-film beginnings to a genuinely cunning psychological thriller with a third-act twist guaranteed to shock even the most eagle-eyed watchers.
  6. American Psycho
    A misfiring black comedy oddly reminiscent of all those bad 1990s movies about strippers getting killed at bachelor parties.
    • New York Post
  7. Hell House
    The scariest revelation in Ratliff's film is that the Texas Hell House has proved so popular that it's being copied all over the country. Heaven help us!
  8. Intermission
    "Love, Actually" meets "Trainspotting" in Intermission, an edgy Irish romantic comedy that deftly juggles a dozen interconnected story lines.
  9. Team America: World Police
    Who's going to love it? Anyone with a sense of humor: Team America: World Police is hands-down the funniest movie of the year.
  10. Chinese Puzzle
    Cédric Klapisch’s film is meandering and cutesy, but his characters are endearing and every so often he comes up with a deft insight, such as how this city’s streets are like a flayed zombie.
  11. Napoleon
    It’s too bad Scott could not deliver a brilliant character study of one of the world’s great military leaders — and instead settled for letting a self-indulgent Phoenix fly over the cuckoo’s nest.
  12. You Kill Me
    It's the best role in years for Leoni, but You Kill Me really belongs to Kingsley, whose character's deadpan reactions to his new environment are priceless. He really kills.
  13. Killing Them Softly
    I might forgive the slow start if it weren't for the slow middle and slow end.
  14. Downsizing
    Squanders its big ideas in record time.
  15. Brideshead Revisited
    As familiar as the costumes and decoration are, the conflicts are unsettlingly vivid and strange.
  16. Fifty-Fifty
    A stunning drama from that remote former Soviet republic.
  17. Comedy of Power
    At age 76, Chabrol seems to be just going through the motions, but anyone who has helmed 70 films ("Les Bonnes Femmes" and "La Ceremonie," for example) is entitled to an off day. Look for him to dazzle us next time out.
  18. Infinitely Polar Bear
    Cam (based on the director’s real-life father) is so charming and gifted in various ways that it’s easy to enjoy this fanciful look at a bohemian mixed-race family.
  19. Cloverfield
    Combines unpleasantness and stupidity to a degree that would be difficult to match unless you were stuck in bed with a case of the shingles while being forced to watch “The Ghost Whisperer."
  20. Miles Ahead
    Don Cheadle gives one of the best performances of his career as jazz legend Miles Davis in Miles Ahead, even if his debut as a director ends up being an unfocused disappointment.
  21. Fury
    But for all its 21st-century special effects, the characters, dialogue and values of Fury are straight out of the ’50s. The 1650s, maybe.
  22. Tamara Drewe
    A real old-fashioned crowd-pleaser.
  23. The Reception
    Clever, racially and sexually provocative variation on "Who's Afraid of Virginia Woolf?"
  24. Following Sean
    Arlyck spends more time following himself and his own lefty family than checking up on Sean.
  25. The Young Victoria
    The Young Victoria achieves a fine balance. I guess that's what you get when a film is produced by both Martin Scorsese and Sarah Ferguson.
  26. The Road
    Doesn't offer plot or an inquiry into the evil in men's hearts. It simply wallows in the filth and inhumanity that surround a father and his pre-adolescent son as they march across the shattered remains of this country.
  27. Surf's Up
    Doesn't do enough with a righteous premise.
  28. Miss Sloane
    Heavy-handed message movies don’t come more harrumphing than “Miss Sloane,” a clunky dramatization of the gun-control argument liberals still don’t understand is being conducted solely among themselves.
  29. The Luzhin Defence
    One of our best actors, Turturro surpasses his past fine work as Alexander Luzhin.
    • New York Post
  30. The Dancer Upstairs
    It's mostly a political thriller, contingent on a love story. It's kind of noirish, subtly humorous and intermittently confusing.
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