New York Post's Scores
- Movies
- TV
For 8,345 reviews, this publication has graded:
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44% higher than the average critic
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2% same as the average critic
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54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Patriots Day | |
|---|---|---|
| Lowest review score: | Zombie! vs. Mardi Gras |
Score distribution:
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Positive: 4,335 out of 8345
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Mixed: 1,702 out of 8345
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Negative: 2,308 out of 8345
8345
movie
reviews
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Reviewed by
Johnny Oleksinski
What Bombshell has going for it is a jaunty pace. The film by Jay Roach — the “Austin Powers” director who’s had rotten luck with dramas — clips along and is always watchable. But it misguidedly mimics other annoying, ripped-from-the-headlines movies, such as “The Big Short” and “Vice,” that rely on Elvis-impersonator acting, smug narration and quick cuts. Sometimes, you just want to see a tough topic taken seriously.- New York Post
- Posted Dec 9, 2019
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Lou Lumenick
If you were wondering what “12 Years a Slave” might have been like as a two-part episode of “Masterpiece Theatre,” you might want to check out this unsatisfying but not uninteresting oddity. It renders another historical story about race with exquisite taste but not much in the way of passion.- New York Post
- Posted Apr 30, 2014
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Sara Stewart
Director Luca Guadagnino pirouettes far from the easy-living, Italian-countryside romance of last year’s masterpiece “Call Me By Your Name” for an arthouse-meets-Grand Guignol reboot of one of the freakiest horror movies to come out of the 1970s. And he pulls it off in delicious, gut-punching style.- New York Post
- Posted Oct 24, 2018
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Farran Smith Nehme
The photographs on view are dazzling; the way they are shown here is somewhat less so.- New York Post
- Posted Aug 27, 2014
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V.A. Musetto
A lightweight French comedy worth watching only for Cecile de France. The gamine actress - decked out in short reddish hair, black tights and a thigh-high mini - is charming as Jessica.- New York Post
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- New York Post
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Jonathan Foreman
Uses the compelling true story of the triumph of the Enigma code-breakers as background for an invented but believable story of love, betrayal and heroism.- New York Post
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Jonathan Foreman
The whole thing is shot in an irritating, self-conscious way.- New York Post
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- New York Post
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Reviewed by
Megan Lehmann
There's also enough laconic humor, warming camaraderie and hopeful stabs at dignity to keep the story from assuming the glum gunmetal gray of its setting on the coast of northwestern Spain.- New York Post
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- Critic Score
(Osment) delivers what may be the greatest performance ever by a child actor.- New York Post
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Reviewed by
Megan Lehmann
It's hard to go wrong with documentary subjects as articulate and intriguing as childhood friends John Flansburgh and John Linnell.- New York Post
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Lou Lumenick
The most gut-bustingly funny movie so far this year.- New York Post
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V.A. Musetto
These were people willing to take chances. Would that Trank had taken chances in telling their stories.- New York Post
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Sara Stewart
Daniel Radcliffe continues to propel himself further from his Harry Potter past, this time via straight-up flatulence: Swiss Army Man nearly makes up with juvenile glee what it lacks in plot and coherence.- New York Post
- Posted Jun 23, 2016
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Sara Stewart
In one of Hugh Hefner’s least creepy moments ever, he describes how they became friends later in life; with his help, she finally obtained the legal rights to her rampantly used image.- New York Post
- Posted Nov 22, 2013
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Kyle Smith
The French affection (affectation?) for conversational film reaches absurd proportions in the talkathon Domain.- New York Post
- Posted Jan 13, 2012
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Reviewed by
Kyle Smith
Feeble comic one-liners and slow pacing combine for a routine fangfest in this remake of the 1985 film.- New York Post
- Posted Aug 19, 2011
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Reviewed by
Kyle Smith
You can't spell cliché without Che. And as I endured this mad dream directed - or perhaps committed - by Steven Soderbergh, I wondered where I'd seen it all before. The booted stomping through the greensward, the jungly target shooting? It's a remake of Woody Allen's "Bananas," right?- New York Post
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V.A. Musetto
Seldom has any movie shown so much geriatric sex and full-frontal nudity (male and female). But, thanks to Dresen, it is all done with taste and sensitivity.- New York Post
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Lou Lumenick
Michael Caine and Harvey Keitel do some of the best work of their careers playing longtime friends navigating their twilight years in Paolo Sorrentino’s witty, wise and swooningly beautiful dramatic comedy Youth.- New York Post
- Posted Dec 3, 2015
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Farran Smith Nehme
The film is hard on the eyes, having been shot in a low-budget style with the ubiquitous digital palette of gray-beige-taupe. Fortunately, it’s also hilarious, full of humor that is understated, wry and dependent on familiarity with interests as wide as Houellebecq’s own.- New York Post
- Posted Mar 26, 2015
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Lou Lumenick
Works its way to an improbably cheerful ending, but getting there is a slow trip.- New York Post
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Farran Smith Nehme
The movie is passionately retro, but Barta shows his methods can create a world every bit as engrossing as the latest CGI.- New York Post
- Posted Sep 7, 2012
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Kyle Smith
A good documentary uses judicious editing to make an important addition to your knowledge of a subject, and Mitt does so in a big way.- New York Post
- Posted Jan 28, 2014
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Sara Stewart
Wiig and Adebimpe give appealing, naturalistic performances — it’s Silva’s character who grate.- New York Post
- Posted Oct 21, 2015
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Kyle Smith
In Born To Be Blue, Ethan Hawke plays the heroin-addicted jazz trumpeter Chet Baker as a kind of guy version of Marilyn Monroe — breathy, fragile, a country naif struggling to stay anchored in this world instead of drifting off into the next.- New York Post
- Posted Mar 24, 2016
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Reviewed by
Lou Lumenick
The kind of small gem that's becoming increasingly rare in American films.- New York Post
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Johnny Oleksinski
A movie that runs on jet fuel and confetti, Elvis is a tribute to Presley’s innovative spirit, deep passion for fusing blues, country and gospel music and the intense connection he had with his audience- New York Post
- Posted Jun 23, 2022
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- New York Post
- Posted Jan 26, 2026
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