New York Post's Scores

  • Movies
  • TV
For 8,345 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
8345 movie reviews
  1. What Bombshell has going for it is a jaunty pace. The film by Jay Roach — the “Austin Powers” director who’s had rotten luck with dramas — clips along and is always watchable. But it misguidedly mimics other annoying, ripped-from-the-headlines movies, such as “The Big Short” and “Vice,” that rely on Elvis-impersonator acting, smug narration and quick cuts. Sometimes, you just want to see a tough topic taken seriously.
  2. If you were wondering what “12 Years a Slave” might have been like as a two-part episode of “Masterpiece Theatre,” you might want to check out this unsatisfying but not uninteresting oddity. It renders another historical story about race with exquisite taste but not much in the way of passion.
  3. Director Luca Guadagnino pirouettes far from the easy-living, Italian-countryside romance of last year’s masterpiece “Call Me By Your Name” for an arthouse-meets-Grand Guignol reboot of one of the freakiest horror movies to come out of the 1970s. And he pulls it off in delicious, gut-punching style.
  4. The photographs on view are dazzling; the way they are shown here is somewhat less so.
  5. A lightweight French comedy worth watching only for Cecile de France. The gamine actress - decked out in short reddish hair, black tights and a thigh-high mini - is charming as Jessica.
  6. Sharp little psychological thriller.
  7. Uses the compelling true story of the triumph of the Enigma code-breakers as background for an invented but believable story of love, betrayal and heroism.
  8. The whole thing is shot in an irritating, self-conscious way.
  9. Makhmalbaf finds room for moments of humor and humanity.
  10. There's also enough laconic humor, warming camaraderie and hopeful stabs at dignity to keep the story from assuming the glum gunmetal gray of its setting on the coast of northwestern Spain.
    • 64 Metascore
    • 88 Critic Score
    (Osment) delivers what may be the greatest performance ever by a child actor.
  11. It's hard to go wrong with documentary subjects as articulate and intriguing as childhood friends John Flansburgh and John Linnell.
  12. The most gut-bustingly funny movie so far this year.
  13. These were people willing to take chances. Would that Trank had taken chances in telling their stories.
  14. Daniel Radcliffe continues to propel himself further from his Harry Potter past, this time via straight-up flatulence: Swiss Army Man nearly makes up with juvenile glee what it lacks in plot and coherence.
  15. In one of Hugh Hefner’s least creepy moments ever, he describes how they became friends later in life; with his help, she finally obtained the legal rights to her rampantly used image.
  16. The French affection (affectation?) for conversational film reaches absurd proportions in the talkathon Domain.
  17. Feeble comic one-liners and slow pacing combine for a routine fangfest in this remake of the 1985 film.
  18. Che
    You can't spell cliché without Che. And as I endured this mad dream directed - or perhaps committed - by Steven Soderbergh, I wondered where I'd seen it all before. The booted stomping through the greensward, the jungly target shooting? It's a remake of Woody Allen's "Bananas," right?
  19. Seldom has any movie shown so much geriatric sex and full-frontal nudity (male and female). But, thanks to Dresen, it is all done with taste and sensitivity.
  20. Michael Caine and Harvey Keitel do some of the best work of their careers playing longtime friends navigating their twilight years in Paolo Sorrentino’s witty, wise and swooningly beautiful dramatic comedy Youth.
  21. The film is hard on the eyes, having been shot in a low-budget style with the ubiquitous digital palette of gray-beige-taupe. Fortunately, it’s also hilarious, full of humor that is understated, wry and dependent on familiarity with interests as wide as Houellebecq’s own.
  22. Works its way to an improbably cheerful ending, but getting there is a slow trip.
  23. The movie is passionately retro, but Barta shows his methods can create a world every bit as engrossing as the latest CGI.
  24. A good documentary uses judicious editing to make an important addition to your knowledge of a subject, and Mitt does so in a big way.
  25. Wiig and Adebimpe give appealing, naturalistic performances — it’s Silva’s character who grate.
  26. In Born To Be Blue, Ethan Hawke plays the heroin-addicted jazz trumpeter Chet Baker as a kind of guy version of Marilyn Monroe — breathy, fragile, a country naif struggling to stay anchored in this world instead of drifting off into the next.
  27. The kind of small gem that's becoming increasingly rare in American films.
  28. A movie that runs on jet fuel and confetti, Elvis is a tribute to Presley’s innovative spirit, deep passion for fusing blues, country and gospel music and the intense connection he had with his audience
  29. In short: Too Many Cooks plus too many minutes.

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