New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. What Pete's Dragon lacks in original plot, it makes up for in heart
  2. Credit to Sachs and his co-screenwriter, Mauricio Zacharias, for creating a complex gentrification fight, along with cinematography by Óscar Durán and music by Dickon Hinchliffe that is both gritty and dreamy.
  3. Fans will probably appreciate Suicide Squad for trying something different — and it gets bonus points for diversity — but the weaker characters and generally weak plot keep it from being one of the better comic book movies.
  4. Tallulah is a sensitive and stirring look at motherhood.
  5. If you've birthed a tiny human or know someone who has, it's time to find a babysitter, call the girlfriends and get to Bad Moms — the raucous, sexy and crass comedy packed with loads of mother-funny jokes.
    • 68 Metascore
    • 50 Critic Score
    The always strong Gunn does her best with the very familiar, quickly paced storyline.
  6. Nerve, a thriller set in a world of smartphone-obsessed teens, is clever, exciting, sweet and full of quick twists that never devolve from serving a well-built story.
  7. Once the story drags Bourne out of retirement, it's just a bunch of fights and chase scenes, only occasionally interrupted by a few lines of dialogue.
  8. Like the very asteroid that is hurtling toward Earth in the movie, Ice Age: Collision Course is chunky, clunky and bulky. Unlike the asteroid, the film seems to move at a glacial pace.
  9. As a full-length film this fashion industry over-the-top farce about two hot messes behaving badly — and boozily — is both too much and too little.
  10. Jack and Sam share a wonderful scene when performance and real life blur, which is the whole point of the movie.
  11. While the central visual of the figure in the dark goes a long way to provide the essential scares, the success of the film is just as much about what the filmmakers do to develop the characters that the audience cares about.
  12. It's not only filled with the usual special-effects eye candy, but smart, fan-focused writing.
  13. The rom-dram is wistful and wisecracking, boasts a polished ensemble and is such a period looker you wish you could time-travel to the Jazz Era.
  14. The all-new, mostly female Ghostbusters reboot is in theaters, full of terrific special effects, icky green slime, a horribly haunted Manhattan and, yes, the Stay Puft Marshmallow Man. But the big laughs you’d expect from a "Bridesmaids" reunion of director Paul Feig and stars Kristen Wiig and Melissa McCarthy never materialize.
  15. The movie rises thanks to an ace in the hole: Bryan Cranston, whose stirring star turn hooks us completely.
  16. Gorgeously photographed, and as loosey-goosey as its hero, Captain Fantastic takes some unexpected turns. Is Ben eccentric or irresponsible? Is he raising free-thinking iconoclasts — or training a new generation of Unabombers?
  17. As dumb as "Mike and Dave" can get, it's a surprisingly fun summer comedy and icing on the (wedding) cake for fans of the raunchiest of humor.
  18. Generally, one expects political thrillers to offer a little more suspense or excitement, so when this is such a deathly dull affair, you wonder what you might be missing.
  19. Here's something dog people and cat people can agree on: The Secret Life of Pets is hilarious, sweet and as fun for parents as the brats they take with them to the movies.
  20. After three disturbingly violent films, this may be a concept that deserves to be purged.
  21. Alexander Skarsgard is more abs than actor as the ape man, and Margot Robbie's Jane looks about as 19th-Century as an Aussie surfer girl. Together, they produce all the real-life passion of an Abercrombie & Fitch ad.
  22. Fun and likable, occasionally even delightful.
  23. While the first "Independence Day" was genuinely big, dumb fun, its sequel only manages to be a bigger, dumber bore.
  24. The film gets predictable and loses its firm grip a third of the way in. Too bad, since the film directed and co-written by Gary Ross (“The Hunger Games,” “Seabiscuit”) gets off to a bang-up beginning.
  25. Despite the genre and setting, this is still very much a performance piece, and Lively is more than just a pretty face and bikini bod. She has to do a lot with very little to work with other than a scene-stealing seagull.
  26. Meyers leaves little editorializing in the film, though it seems unusually sympathetic to the band’s manager, Alan Sacks, who often treats the unseasoned musicians like employees instead of kids.
  27. Presumed to be Nicolas Refn's foray into the horror genre, but apparently, no one bothered to tell the filmmaker that.
  28. Swiss Army Man's greatest challenge is to its audience. Just, exactly, how much will we sit still for? Endless scenes of Dano in role-playing drag, sporting a rag-mop wig and giving dating tips to a corpse? Frequent closeups of Radcliffe's furry flatulent buttocks?
  29. The best thing the director has going for this one is the talented young actor playing Ricky Baker, as he constantly tries to emulate his tough "gangsta" heroes like Tupac Shakur. (He even names his dog "Tupac.")

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