For 6,911 reviews, this publication has graded:
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42% higher than the average critic
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3% same as the average critic
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55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Fruitvale Station | |
|---|---|---|
| Lowest review score: | The Fourth Kind |
Score distribution:
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Positive: 2,885 out of 6911
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Mixed: 2,801 out of 6911
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Negative: 1,225 out of 6911
6911
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Elizabeth Weitzman
What’s most surprising is that this talky dramedy was a massive smash at home in France, outearning blockbusters like “The Avengers.”- New York Daily News
- Posted Dec 12, 2013
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Reviewed by
Elizabeth Weitzman
Holwerda’s film never bothers to conceal its fawning view of Dawkins and Krauss — or challenge their dogma. And there’s no need for empty celebrity cameos from fans like Cameron Diaz (“Knowledge is power,” she reveals).- New York Daily News
- Posted Dec 12, 2013
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Joe Neumaier
The slick but moving Saving Mr. Banks transcends its corporate pedigree to become a great Disney movie about making a Disney movie.- New York Daily News
- Posted Dec 12, 2013
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Reviewed by
Elizabeth Weitzman
The cast, including Orlando Bloom and Evangeline Lilly as warrior elves, is also excellent (though we don’t get even a glimpse of Andy Serkis’ Gollum). And individually, each escapade does hold its own thrills.- New York Daily News
- Posted Dec 11, 2013
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Jordan Hoffman
This melancholy documentary shows how championship dreams can turn into a nightmare.- New York Daily News
- Posted Dec 6, 2013
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- New York Daily News
- Posted Dec 5, 2013
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Reviewed by
Elizabeth Weitzman
An evocative vision of self-destruction, a gorgeously crafted time capsule, and a fantastic showcase for Oscar Isaac in the title role.- New York Daily News
- Posted Dec 5, 2013
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Elizabeth Weitzman
On the bright side, Robinson’s unlucky astronauts are played by Liev Schreiber, Elias Koteas, Olivia Williams and Romola Garai. All of these actors approach their potential demise with impressive conviction.- New York Daily News
- Posted Dec 5, 2013
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Elizabeth Weitzman
Despite the revved-up start and a suitably dusty setting, the movie stalls almost immediately. The story is uninspired, Lyons looks lost, and Booth makes for a bland femme fatale. Clarke tries to inject some energy into the action, but even he seems to realize this ride’s going nowhere.- New York Daily News
- Posted Dec 5, 2013
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Jordan Hoffman
The tragic Balkan conflict of the 1990s is due for a sweeping, important and engaging cinematic remembrance. Twice Born wants to be that movie — a Bosnian “Doctor Zhivago” — but falls short.- New York Daily News
- Posted Dec 5, 2013
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- New York Daily News
- Posted Dec 5, 2013
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Joe Neumaier
Throughout, Hollyman rings true . She’s heartfelt, freaked-out and never too way out.- New York Daily News
- Posted Dec 5, 2013
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Joe Neumaier
Like “The Deer Hunter” — from which it swipes its Keystone State milieu, its haunted veterans, and its self-endangerment metaphor — Out of the Furnace gets under your skin.- New York Daily News
- Posted Dec 3, 2013
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Joe Neumaier
Leave it to Spike Lee to deliver one of the strangest, most off-putting movies for the Thanksgiving holiday.- New York Daily News
- Posted Nov 26, 2013
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Elizabeth Weitzman
What’s crucially missing, however, is a hissable villain. Nor are there any memorable tunes, which is too bad given that Broadway star Menzel is playing Elsa.- New York Daily News
- Posted Nov 26, 2013
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- New York Daily News
- Posted Nov 26, 2013
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Reviewed by
Elizabeth Weitzman
The movie doesn’t weave religion into the familiar structure of a comedy or melodrama. Instead, everything works in service to the sermon at the core. For most audience members, that will either be the primary draw or an inescapable drawback.- New York Daily News
- Posted Nov 26, 2013
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Elizabeth Weitzman
The movie wouldn’t stand for much of anything without such an effective team to represent the equivocating.- New York Daily News
- Posted Nov 21, 2013
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Joe Neumaier
This odd Dickens-meets-Sunday-school movie is as artless as the setup is muddled.- New York Daily News
- Posted Nov 21, 2013
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Joe Neumaier
The dissection and discussion, though well-intentioned, winds up lifeless.- New York Daily News
- Posted Nov 21, 2013
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Joe Neumaier
Filmed — patiently, beautifully — over that same length of time, the film’s day-to-day aches are quiet and lovingly rendered.- New York Daily News
- Posted Nov 21, 2013
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Joe Neumaier
Writer-director Will Slocombe presents a familiar buffet, but there’s good stuff to pick over.- New York Daily News
- Posted Nov 21, 2013
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Elizabeth Weitzman
Looking for something unusual to see this weekend? Try this cool time capsule, which premiered in 1972 and then disappeared for decades.- New York Daily News
- Posted Nov 21, 2013
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Elizabeth Weitzman
Why does the movie waste so much time on empty adoration from celebrity fans and skim past the significant tragedies that contributed to her complex life? Parental neglect, sexual assault, severe mental illness — all of these factors shaped the woman Page became. But perhaps even today, no one wants to consider the sadness behind her 1,000-watt smile.- New York Daily News
- Posted Nov 21, 2013
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Elizabeth Weitzman
Most important, he’s got Vaughn, whose mix of silliness and sincerity is an ideal anchor for the broad premise. Vaughn is one of those actors who tends to autopilot his way through too many mediocre projects. When he goes all in, though, it’s impossible to resist his charm.- New York Daily News
- Posted Nov 21, 2013
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Joe Neumaier
The good news is it comes very close, and does it without sacrificing its soul. Despite its sense of been-here-slayed-that, director Francis Lawrence expertly delivers thrills, ideas and spectacle.- New York Daily News
- Posted Nov 19, 2013
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Elizabeth Weitzman
We could have lived without another ’90s-influenced exercise in gritty wonderment. But thanks to a perfectly-matched lead, Shia LaBeouf, the movie makes enough impact to justify its existence.- New York Daily News
- Posted Nov 14, 2013
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Elizabeth Weitzman
The movie ends with a setup for another sequel, which will undoubtedly be embraced by fans. Let’s just hope we don’t have to wait another 14 years to see it.- New York Daily News
- Posted Nov 14, 2013
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Joe Neumaier
Empathy for the all-too-real plight of the working poor drives this heavy but bold indie. Sadly, though, it falters under the weight of too much drama.- New York Daily News
- Posted Nov 14, 2013
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Joe Neumaier
Capturing family on film — the real rhythms of family, with all the annoyances, awkwardness and affection — is tough. Tougher still is wrestling a story around the murky emotional waters of Midwestern relatives. Yet one needn’t be cut from that cloth to see the hilarious beauty, and the beautiful honesty, in Nebraska.- New York Daily News
- Posted Nov 14, 2013
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