New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. What’s most surprising is that this talky dramedy was a massive smash at home in France, outearning blockbusters like “The Avengers.”
  2. Holwerda’s film never bothers to conceal its fawning view of Dawkins and Krauss — or challenge their dogma. And there’s no need for empty celebrity cameos from fans like Cameron Diaz (“Knowledge is power,” she reveals).
  3. The slick but moving Saving Mr. Banks transcends its corporate pedigree to become a great Disney movie about making a Disney movie.
  4. The cast, including Orlando Bloom and Evangeline Lilly as warrior elves, is also excellent (though we don’t get even a glimpse of Andy Serkis’ Gollum). And individually, each escapade does hold its own thrills.
  5. This melancholy documentary shows how championship dreams can turn into a nightmare.
  6. Murder on the Orient Express, this ain’t.
  7. An evocative vision of self-destruction, a gorgeously crafted time capsule, and a fantastic showcase for Oscar Isaac in the title role.
  8. On the bright side, Robinson’s unlucky astronauts are played by Liev Schreiber, Elias Koteas, Olivia Williams and Romola Garai. All of these actors approach their potential demise with impressive conviction.
  9. Despite the revved-up start and a suitably dusty setting, the movie stalls almost immediately. The story is uninspired, Lyons looks lost, and Booth makes for a bland femme fatale. Clarke tries to inject some energy into the action, but even he seems to realize this ride’s going nowhere.
  10. The tragic Balkan conflict of the 1990s is due for a sweeping, important and engaging cinematic remembrance. Twice Born wants to be that movie — a Bosnian “Doctor Zhivago” — but falls short.
  11. The result is cool and semi-comical, but also serious.
  12. Throughout, Hollyman rings true . She’s heartfelt, freaked-out and never too way out.
  13. Like “The Deer Hunter” — from which it swipes its Keystone State milieu, its haunted veterans, and its self-endangerment metaphor — Out of the Furnace gets under your skin.
  14. Leave it to Spike Lee to deliver one of the strangest, most off-putting movies for the Thanksgiving holiday.
  15. What’s crucially missing, however, is a hissable villain. Nor are there any memorable tunes, which is too bad given that Broadway star Menzel is playing Elsa.
  16. A disappointing mess of a genre flick.
  17. The movie doesn’t weave religion into the familiar structure of a comedy or melodrama. Instead, everything works in service to the sermon at the core. For most audience members, that will either be the primary draw or an inescapable drawback.
  18. The movie wouldn’t stand for much of anything without such an effective team to represent the equivocating.
  19. This odd Dickens-meets-Sunday-school movie is as artless as the setup is muddled.
  20. The dissection and discussion, though well-intentioned, winds up lifeless.
  21. Filmed — patiently, beautifully — over that same length of time, the film’s day-to-day aches are quiet and lovingly rendered.
  22. Writer-director Will Slocombe presents a familiar buffet, but there’s good stuff to pick over.
  23. Looking for something unusual to see this weekend? Try this cool time capsule, which premiered in 1972 and then disappeared for decades.
  24. Why does the movie waste so much time on empty adoration from celebrity fans and skim past the significant tragedies that contributed to her complex life? Parental neglect, sexual assault, severe mental illness — all of these factors shaped the woman Page became. But perhaps even today, no one wants to consider the sadness behind her 1,000-watt smile.
  25. Most important, he’s got Vaughn, whose mix of silliness and sincerity is an ideal anchor for the broad premise. Vaughn is one of those actors who tends to autopilot his way through too many mediocre projects. When he goes all in, though, it’s impossible to resist his charm.
  26. The good news is it comes very close, and does it without sacrificing its soul. Despite its sense of been-here-slayed-that, director Francis Lawrence expertly delivers thrills, ideas and spectacle.
  27. We could have lived without another ’90s-influenced exercise in gritty wonderment. But thanks to a perfectly-matched lead, Shia LaBeouf, the movie makes enough impact to justify its existence.
  28. The movie ends with a setup for another sequel, which will undoubtedly be embraced by fans. Let’s just hope we don’t have to wait another 14 years to see it.
  29. Empathy for the all-too-real plight of the working poor drives this heavy but bold indie. Sadly, though, it falters under the weight of too much drama.
  30. Capturing family on film — the real rhythms of family, with all the annoyances, awkwardness and affection — is tough. Tougher still is wrestling a story around the murky emotional waters of Midwestern relatives. Yet one needn’t be cut from that cloth to see the hilarious beauty, and the beautiful honesty, in Nebraska.

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