New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. Seen through Demy's eyes (and Raoul Coutard's shimmering black-and-white photography), their extravagance is so effortlessly cool, you feel somehow lucky just to be there with them.
  2. For those who've become increasingly conscious of the connections between strangers sharing a city, it's a challenge that's hard to resist.
  3. Dumb fun is the best way to describe The Independent, and I mean that as a compliment.
  4. Madhur Jaffrey and Faran Tahir fare considerably better as Nina's conservative mother and brother, leaving us confused ourselves: Why didn't Patel focus on them, instead?
  5. Insipid, self-indulgent bit of art-house macabre.
  6. It is an excruciating experience. But then, it would have to be. We're watching the distilled essence of war.
  7. There are movies that are all about the characters, and then there are movies, like Bangkok Dangerous, that are far more about the directors who created those characters.
  8. It's a human drama, drawn in such careful emotional detail, its two acts of violence -- one shown, one not -- are almost incidental.
    • New York Daily News
  9. A waterlogged bagel, hardly the valentine to New York it imagines itself to be.
  10. Along with "The Others," -- represents a welcome diversion from loud, senseless Hollywood extravaganzas.
  11. A ponderously slow experience.
  12. The script provides an excellent payoff, although action fans may not agree, because that payoff is the equivalent of a Cheshire cat's grin.
  13. Dismal time-travel comedy that makes "Big Momma's House" look like "Citizen Kane."
  14. A good-natured, gleefully juvenile comedy in the tradition of such classic snowbound fare as 1984's "Hot Dog: The Movie."
  15. This documentary doesn't probe too deeply, and it presupposes that there is a general interest in Jeremy commensurate with his Q rating among the porn-renting public.
    • New York Daily News
  16. The result is a performance that is neither funny nor empathetic, and the romance that develops between the dentist and the junkie patient is not strong enough to support the mystery.
  17. A riveting story.
  18. The acting runs the gamut, with Daly and Redgrave at the top and a few characters looking as if they wandered onto the wrong movie set.
  19. If the movie doesn't ultimately transport us to places The Wizard of Oz once took us, that may be partly because "The Sorcerer's Stone" is just the first chapter, with more magic waiting to be parceled out in the coming years.
  20. What if you made a pornographic movie with a real story line and better acting but didn't show any sex? You'd get The Fluffer, a movie that sounds and feels like the real thing but isn't.
    • New York Daily News
  21. Commits the cardinal sin of moviemaking: It leaves you bored.
  22. Feels like reading someone else's diary. Undoubtedly, there's some very important stuff in there, but it's most interesting to the person who wrote it.
  23. The movie walks a tightrope between playing this misunderstood malady for laughs and sentiment.
  24. The laughs are there, but the movie's main asset is Paltrow, mournful and always braced for the worst.
  25. While not nearly as elaborate as either film, Heist plays like a combination of "The Sting" and "Mission: Impossible."
  26. May be the biggest gathering of high-decibel performers in one movie. But they work well together and some are truly excellent.
  27. A potent drama.
  28. An almost comically unsuitable title. There's absolutely nothing singular or special about this slapdash sci-fi film featuring martial-arts megastar Jet Li.
  29. As slight as it is sweet.
  30. At its best when it embraces its true identity, as frivolous fun.

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