New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. Three movies in one: a spaghetti Western, an urban drama and a historical epic. All of them suffer from self-indulgent direction, a convoluted script and awkward acting.
  2. Surprisingly sweet and smart... LaBeouf does an excellent job, and the talented Beeney is one to watch.
  3. Stoked supplies a unique perspective on the hazards of rock-star fame that went with the sport's explosion for a band of rebels who didn't see it coming -- or going.
  4. Evans fumbles through painfully extended homophobic jokes, weak double entendres and agonizingly contorted double-takes.
  5. One of the most honest and harrowing depictions of female adolescence ever put to film.
  6. Though a stickler might ask what's at stake in a fight to the death between two guys who are already dead, the hard-core fans aren't likely to be disappointed.
  7. Frankly, you may prefer the company of cinematic serial killers (Freddy vs. Jason) after you meet the pair at the center of this story.
  8. As inventive as "Being John Malkovich," as psychologically quirky as "Ghost World" and as honest as the day is long.
  9. A flawed but highly entertaining B Western blown up to John Ford scale.
  10. Here's what's missing from Casey La Scala's film: Likable characters, a comprehensible script and any semblance of a good time.
  11. Surely no other has done it quite like this group.
  12. Proving there's always a new way to tell an old story, Stephen Chow pulls out all the stops for one of the silliest, sweetest and most fun family films in recent memory.
  13. What has changed most dramatically over the years is the camera's ability to shoot as if it were stationed on the wall of those rolling pipelines. For some, this is the next best thing to being there.
  14. The French may be guilty of some bad behavior, but that's no reason to punish them with the shapeless, deceptively crass Le Divorce, a Merchant-Ivory production in which all things Gallic are reduced to quirks of snobbery, misogyny and haute selfishness.
  15. The standout in the cast is James Todd Smith, whose acting talent may soon persuade him to shed his adolescent stage name of LL Cool J and concentrate on mainstream film roles.
  16. An unexpected delight.
  17. A speculative re-enactment of the 1999 Columbine slaughter, told from the point of view of two suburban high school nihilists as they videotape themselves preparing for the last and "best day" of their lives.
  18. The whole system was sadistic and indefensible, and the church, looking the other way as long as profits rolled in from the laundries, deserves the scorn that Mullan and his fine cast heap on it.
  19. The tone moves from gently jocular (Irons appears in drag) to mystically morose (a female shaman tries to ululate up a cure), and that creates a jarring effect from which the movie does not recover.
  20. Ultimately, it's a compassionate view of marriage and its stressors. But the filmmaker and actors do their jobs only too well. Watching "Secret Lives" can be as uncomfortable as sitting in the dentist's chair.
  21. There are a couple of surprises in the I-can't-believe-they're-doing-this vein, but mostly, "Pie 3" is an aimless charade of doggy poo, latex breasts and really, really bad language.
  22. Gigli is a disaster.
  23. Though the film, adapted from a novel by Robert O'Connor, is obviously trying to reference "Catch-22," it is far too dark and violent to be funny.
  24. Here's one movie you'll want to see with an audience of squealing, excited, terrified kids, their arms extended greedily to grab, squish or ward off all things exoskeletal and beady-eyed. It's gross, but in the nicest way (meaning no roaches).
  25. Much talking, much sex, much to-do about nothing.
  26. Though buoyed by excellent, unflinching performances, this melancholy drama reflects the dismally monotonous lives of its subjects just a little too well.
  27. Stay through to the end credits, where the two child protagonists (Sabara and Vega) are shown as they were then and as they are now. Rodriguez's best achievement is in spotting the innate talent that would shine through in those two kids.
  28. Competent in the extreme, the talented Jolie would make a great Jane Bond. But mired in this joyless orgy of preposterousness, her biggest challenge is simply keeping a straight face.
  29. This rousing story of the comeback colt comes close to a modern-day Frank Capra film without the pandering or mawkishness. Yes, it's a bit hokey, but if you fight the movie's gait you'll miss the excitement of the race.
  30. The attempt to make this intimate movie more exciting is misguided; we can find plenty of manufactured thrills at the multiplex. What's wrong with a little quiet, old-fashioned charm?

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