New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. A stunner of a movie. But all those gorgeous images never add up to a full picture.
  2. Foster seems to be having real fun, twitching and skittering around, that steel jaw of hers comically tense. But this family movie shouldn't be about a shut-in trying to get from A to B; it needs to be about an unconventional girl growing up and helping an equally unconventional grownup cut loose on a volcanic island. Sadly, Nim's Island is a missed opportunity.
  3. In a fair universe, Sex and Death 101 would end its miserable life after one episode as a TV show. But this unfunny "dark comedy" goes on for two hours.
  4. Jagger is often shot straight-on, veiny arms outstretched, white-hot lights illuminating his skinny form (and, um, bared belly). Suddenly, Scorsese turns what seemed familiar into genuinely iconic. From then on, the movie is on fire.
  5. With no adults to add melodrama, the sweet Water Lilies depends on the emotion in its young performers' faces to move forward.
  6. In the diamond-heist thriller Flawless, there aren't a lot of diamonds, heists or thrills. But there is a nice sense of style, and appreciation for tense face-to-face confrontations among characters trying to ignore the temptations around them.
  7. Every ounce of comedy is so forced and full-on ridiculous that when characters express even a smidgen of sentiment, it feels like a parody. That's because nothing in "Fatboy" feels real.
  8. 21
    The early scenes are flashy fun, and Sturgess (handsome Jude in "Across the Universe") makes a convincing math geek. But the requisite romance and Hollywood-style ending feel as fake as the air allegedly pumped into casinos to revive flagging players
  9. It's a transformative role, but how widely seen it is depends on how strong a stomach one has for wall-to-wall paranoid ravings.
  10. Though Weddell's accomplishments are inspiring, we would have been better served by a more impartial portrait. With its reverent tone, the movie often feels more like it was made by a doting granddaughter than a pro filmmaker.
  11. Dirty, kinda-rotten scoundrels Elmaleh and Tautou make an engaging pair.
  12. Despite several attempts, we're still waiting for the drama that convincingly captures the experienc of soldiers who've fought in Iraq. Stop-Loss" isn't that film, but at the very least its efforts are honorable.
  13. Even if this movie doesn't quite hit the highs of its predecessor, it's nice to know that there are still filmmakers ready to respect the eternal struggles of freaks and geeks.
  14. A ridiculous poseur thriller that seems to be made up of the slow moments from Hong Kong action films and Euro-flashy stuff like "Run Lola Run."
  15. Nearly every actor has his or her moments of hilarity, but it's the surprises, like Herzog's terrific turn as a bunny-loving sadist, that make the biggest impact.
  16. The Hammer benefits from Carolla's low-energy, low-impact style. He doesn't so much deliver quips as let them dribble out the side of his mouth.
  17. So French you may have to buy your ticket in euros, Christophe Honoré's musical trifle feels ready-made for emotionally woozy undergraduates.
  18. Though he doesn't break any new documentary ground, Lee knows how to shoot his subjects. Their stories are moving, and their moves are thrilling.
  19. Actors Trevor Wright and Brad Rowe are good enough to turn a formulaic coming-out tale into a sweet romance.
  20. Many of the cast members originated their roles onstage, and the ensemble scenes capture the spirited sense of fun that is Perry's trademark.
  21. Plays like a throwback to gritty-but-softhearted English dramas of the 1980s like "Mona Lisa" and "Sammy and Rosie Get Laid."
  22. Listen closely: It's the sound of a million Who fans cheering.
  23. By the time ever-noble, ever-watchable Djimon Hounsou shows up to teach earnest young Jake honor and roundhouse kicks, the power-rock and smashmouth idiocy become like a fever dream, sweaty and hard to shake off.
  24. But the regularly overlooked Stahl burrows honestly into this unpleasant place, adding another worthy portrait to his indie gallery of interesting losers. He's still an actor worth keeping your eyes on. Assuming you can keep them open.
  25. The archival footage here is great, and the cosmos-conquering craziness will satisfy space-race nuts.
  26. The Colombian tourist board won't be too happy about Antonio Negret's intermittently compelling thriller, which presents his native country as a cesspool of corruption and violence.
  27. With its carefully-chosen soundtrack, funky animation, and enthusiastic interviews, Dean Budnick's affectionate documentary pays apt tribute to Wetlands, a local landmark that closed in 2001.
  28. A patronizing, self-satisfied piece of work, Funny Games is Michael Haneke's way of chastising us for blindly following the traditional rules of entertainment.
  29. Feels like a VH1 slice-of-life with all the toppings. Yet it benefits from the fact that even a slice of it's title subject is a full meal.
  30. 10,000 B.C. tries, but never catches fire.

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