New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. Gloriously inventive, delightfully nutty comic treasure is unlike anything you've ever seen. It's lunatic.
  2. The most gripping based-on-fact film so far this year.
  3. This year’s foreign language Oscar scandal – there is always at least one – is the snub of director Cristian Mungiu’s disturbing, masterful realist drama following two college roommates as they carry out plans for one’s black market abortion in Communist Romania.
  4. The movie is set in a gloriously creepy and crumbling Venice. It's the off-season, and every deserted canal and alleyway reeks of bad vibes. Roeg plays masterfully with this menacing atmosphere, jangling the nerves with quick cuts and quixotic possibilities. [16 Oct 1998, p.72]
    • New York Daily News
  5. If you've had a hole in your heart since "Everybody Loves Raymond" ended, Tom Caltabiano's low-key documentary about star Ray Romano ought to fill the gap nicely.
  6. In the year of the animated movie, this one soars above them all.
  7. If you don’t love monkeys already — and really, we all should — then Monkey Kingdom will swing you in the right direction.
  8. Spielberg's direction and Melissa Mathison's script never lose sight of the realistic, low center of gravity world of childhood, in which such marvelous adventures happen every day that an alien knocking around the garage is not really such an unusual occurrence. [2002 re-release]
  9. A great big sloppy kiss of entertainment for audiences weary of explosions, CGI effects and sequels, sequels, sequels.
  10. While the vocal performances of Hanks, Allen and company make up a perfect ensemble, and its visual leaps astound, TS3's real power sneaks up on you.
  11. Director Werner Herzog's latest cinematic mind trip blows you away with its beauty.
  12. The suspense of the story is magnificently sustained throughout the film, which didn't surprise us, as maintaining suspense in a story has always been Director Hitchcock's forte
  13. Andrew Bujalski's considerable gifts begin with his deep appreciation of the miserable, hilarious awkwardness of real life.
  14. Handsome, passionate and fun. It's everything we go to the movies for.
  15. The result is a stunningly nervy sequel that vaporizes any worries that Abrams’ terrific 2009 reboot was a fluke.
  16. The film slowly, slowly blossoms into an emotional wildflower by the end, leaving us with a scene that is kind of spontaneous road baptism, an unsure note of spiritual birth.
  17. Though Borat has been likened to "Jackass," there's a huge difference. The "Jackass" movies are about extreme stunts. Borat is about interaction and gullibility, and its success is unique to both Cohen and to this one-time-only movie.
  18. Remains funnier than almost any comedy made in this generation. And since we are, once again, embarked in global warfare, it's as timely as it has ever been. [24 Apr 2004, p.67]
    • New York Daily News
  19. Perfectly delightful screen entertainment. The film is as charming as it is novel in conception and execution and it is so bound to appeal as strongly to grown-ups as to youngsters.
  20. Every moment feels human and true, from the naive optimism of the trip's sendoff to its unsparingly realistic conclusion, which trades reckless hope for quiet honor.
  21. Borderline brilliant. Tackles the war on drugs from a kaleidoscope of perspectives.
  22. In this picture, the screen’s greatest dancer contributes some of his art of choreography for the special pleasure of movie audiences.
  23. Outstanding performances are turned in by Karl Malden in the role of a priest who makes the waterfront characters his particular charge, by Lee J. Cobb, as the big bully who bosses the boys, by Rod Steiger, John Hamilton and a couple of well-known pugilists, Tony Galento and Tami Mauriello.
  24. Inside Out is the year’s best film so far. After you see it, you’ll say that’s a no-brainer.
  25. The sunny, funny, toe-tapping Lagaan is the answer to those who ask why they don't make movies like they used to: They do, but in India.
  26. One of the most original and ultimately confounding mind games to reach the screen since "The Usual Suspects."
    • 71 Metascore
    • 100 Critic Score
    It's action-packed, darker, more epic and thankfully schmaltz-free. And it's the best "Harry Potter" film yet.
  27. Most impressive of all, The Avengers makes superhero movies new again - a colossal task indeed.
  28. Mary's search drives The Tillman Story, and throughout this taut, true epic, we see a smart, sometimes angry, always loving family find their destiny: to speak truth to power, to call wartime myths what they are and to show how the American character is not about blind obedience.
    • 58 Metascore
    • 100 Critic Score
    Among the ties with the past, the opening portion introduces a comic orgy that is deliberate parallel cantina scene in “Star Wars” and among the new thrills there is an airborne vehicle chase through a forest, projected at a speed to leave audiences dizzy.

Top Trailers