New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. To say Spike Lee is repeating himself is itself repetitious -- he is getting B-O-R-I-N-G!
  2. The layered, tuned-in adaptation by Michael H. Weber and Scott Neustadter avoids calculated sentiment.
  3. Kristen Wiig is scary. That’s a good thing. It’s part of her appeal as a comedian, and crucial in the funny-weird comedy-drama Welcome to Me, which uses the working-without-a-net aspect of Wiig’s humor to unsettling effect.
  4. Through it all, Tatum and Hill are totally winning.
  5. Saleem makes clever use of imagery, with the beautiful, snow-filled vistas representing his characters' personal and social isolation. But "Vodka" moves about as fast as the distant ice caps melt.
  6. Redbelt will fascinate those who share David Mamet's interest in mixed martial arts. But its hold may be weaker on those who don't.
  7. Though based on a true story with a well-known outcome, Doug Liman's Fair Game is as suspenseful as any fictional thriller -- and considerably more tragic.
  8. Though he doesn't possess the dangerous confusion of his tragically misguided heroes, veteran director Marco Bellocchio does share their capacity for raising thought-provoking points that end in an ineffectual tangle.
  9. Sadly, once the movie shifts gears, it becomes a timid "Donnie Darko."
  10. As far as its entertainment value goes, the picture should be a smash hit, as its impresario has inveigled so many of the top players of the day to put in an appearance on the screen, that it is the most star-studded film of all time. It is also an eye-filling travelogue, an exciting adventure and a very funny film.
  11. Like Gandolfini, the deep Brooklyn of The Drop is formidable, bona fide and memorable.
  12. The Company Men recalls 1946's great post-World War II drama "The Best Years of Our Lives," and the reason isn't simply its trio of protagonists.
  13. A provocative reflection of its rule-breaking subjects, Brett Morgen's political documentary re-examines the past while drawing unmissable parallels to the present.
  14. Viewers of first-time director Jeong Jae-eun's sober dissection of dismal day-to-day rituals may want to throw themselves into the brackish water long before the movie is over.
  15. Parts of the movie play like French farce, but ultimately Hrebejk uses very simple cadences to unveil, movingly, the big picture.
  16. So well intentioned that its flaws may be generously overlooked by parents desperately planning activities for school breaks.
  17. This long-awaited movie has been unwisely chopped into two pieces -- the second is due in February -- when it really needed to be one long, delirious ride.
  18. A story about people learning to know themselves through relationships to others -- delivered with gentle, offbeat humor.
  19. From the insistently discordant score to each overthought shot, this triad of stories feels self-conscious and deliberately arty rather than heartfelt.
  20. Bertino is just concerned with making you feel for his characters — and that he manages to do competently, despite their deep flaws. Well, that and spill some popcorn along the way.
  21. Talk about style over substance: The sheer volume of musical, comic-strip and video-game influences, riffs and licks in "Scott Pilgrim vs. the World" can get exhausting, but they also are what lift this romantic coming-of-age tale from this world to someplace totally ... else.
  22. Davenport herself seems stunned by how complicated the story turns out to be, which just makes her movie all the more worthwhile.
  23. The sort of discovery meant to be savored by the few who find it, The Go-Getter was made for anyone who ever felt stuck, or alone, or desperate to find their place in the world.
  24. In Crazy Love, friends of Burt and Linda express as much confusion over their relationship as we feel, and the Pugaches themselves make an unconvincing case for theirs being a love that conquered all. On the contrary, love doesn't seem to have had anything to do with them. She married him out of desperation, and he pursued her out of a sense of entitlement.
  25. This quietly poetic little gem contains many beautiful things, not least of which is leading lady Zoe Kazan, who lets every scene billow and swirl around her effortlessly.
  26. This is cheeky sitcom in a minor key, and fated to be a mere footnote on McAvoy's resume.
  27. Some people will want to call it pornography. In one respect, it's the opposite.
  28. By the time you've worked through the allegorical implications, you may be wondering why you didn't just go see "Charlie's Angels."
  29. Stoked supplies a unique perspective on the hazards of rock-star fame that went with the sport's explosion for a band of rebels who didn't see it coming -- or going.
  30. Gets too caught up in its escalating violence and strained-to-bursting moral subtexts. It's the blood of souls drenching the screen, and it's a hideous sight to behold.
    • New York Daily News

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