New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. Boy
    Waititi retains his quirky style, but it feels meaningful here, a valid effort to explore the difficulties in coming of age during tough times.
  2. Director Wisit Sasanatieng uses every trick imaginable to create surreal postmodern nostalgia. Has he wound up with pure camp, or a cult classic? As he clearly understands, the best B-movies are both.
  3. It's Pucci - who's already won a couple of acting prizes on the festival circuit, including Sundance - who steals the film with a wonderful performance blending the awkward innocence, vulnerability and pain of being a teen.
  4. A fairy tale about the infinite power of film, it boasts all his swaggering trademarks: rapid-fire dialogue, gleeful violence, endless cultural references. But it's the sharp-eyed deliberation that makes the greatest impact.
  5. A film more moving than most but not as devastating as it should be.
  6. A powerful movie that should win all the year's ensemble acting awards. Pitt has never done better dramatic work, Blanchett is as convincing as always, and - in introducing themselves to American audiences - veteran Mexican actress Barraza and Japan's Kikuchi are revelations.
  7. The film is an exasperating bore.
  8. It takes a little while to pick up speed, but once Tony Scott's Unstoppable starts moving, it becomes a lean, efficient action flick.
  9. Gorgeously animated and featuring a tapestry of real-looking wonders, Brave is certainly a thing of beauty. But its emotional layers don't yield the same depth.
  10. With its carefully-chosen soundtrack, funky animation, and enthusiastic interviews, Dean Budnick's affectionate documentary pays apt tribute to Wetlands, a local landmark that closed in 2001.
  11. Satires like this tend to throw a lot of stuff at the wall, and in Undercover Brother, a surprising amount sticks.
    • New York Daily News
  12. Garbus spent three years patiently mining for beauty in the ugliest of environments. The remarkable result stands as a challenge to anyone who would have seen only the worst and walked right by.
  13. Only in its final scenes do the usual WKW themes emerge in full bloom, but purists shouldn't miss it.
  14. As a whole, Sam Mendes' film of Revolutionary Road comes close but falls short of capturing Richard Yates' terrific novel.
  15. The action in this fast-paced, hysterically overproduced and surprisingly entertaining film is as realistic as a Road Runner cartoon.
  16. Michael Wranovics' documentary replays this sorry chapter in all-American greed in glorious detail.
  17. Like most Iranian films, it's a shaggy-dog story that builds so slowly you don't see the quietly shattering climax coming.
  18. Instead of falling into exaggerated exploitation, Coppola always stays true to the essence of adolescence — that sense of waiting, reacting and then waiting some more.
  19. Opposite attracts with its wit.
    • New York Daily News
  20. There's far more to this groundbreaker who built an empire in the face of formidable challenges. So why would you miss it? Go already.
    • 69 Metascore
    • 90 Critic Score
    This amazing true story with remarkable performances by Dev Patel, Rooney Mara, Nicole Kidman and newcomer Sunny Pawar has, like the title would suggest, a blend of brute force and elegance.
  21. When it's all over, we still don't know who Wintour really is.
  22. Early on, the doc is lively, with witty animation. As the music and the fashion trickle up, both getting more polished and produced, the film also settles down. It’s still interesting, just not as much fun.
  23. Fans of Andrew Bujalski's previous mumblecore movies are the likeliest audience for his latest, a modest, slice-of-life indie that doesn't quite live up to his ­earlier efforts.
  24. Without Crowe and Paul Giamatti, this movie would have little in its corner.
  25. Riveting, especially since these animals' population has horrifyingly dropped from 450,000 to 20,000 in a half-century.
  26. When you realize The Cooler is not a comedy but a dark and violent love story, it's hard to reconcile its premise with its mood. The saving graces are the performances of William H. Macy as Bernie and Maria Bello.
  27. it's Van Zandt's family that provides the film's most memorable moments.
  28. Frontrunners is a lot rougher than Nanette Burstein's recent, similar documentary, "American Teen," and its comparable lack of gloss is both an asset and a flaw.
  29. Director Steve James ("Hoop Dreams") has a worthy message, but never makes the case that he needs an entire documentary to deliver it.

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