New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. The movie raises questions that are on plenty of minds right now, including whether and how much the rules should be bent to wage a war (in this case, on drugs) that cannot be won conventionally.
  2. Hurt and Dancy are terrific in these roles, but the power of the movie is in the tension created by Caton-Jones on the same sites where this historical event unfolded.
  3. Filled with horrific but colorful anecdotes, director Joe Berlinger’s incisive look at the mobster life of Boston career criminal and FBI informant “Whitey” Bulger is essential viewing for fans of lurid, true underworld tales.
  4. To use carnival lingo: Thrilling? Not quite; since Levi's film has no clear goal for Stan to reach. Spectacular? Truth be told, those skeptical of Stan's abilities may still walk out as nonbelievers. Fascinating? Absolutely, because if you take time to listen, everyone's life is a three-ring circus.
  5. After dazzling us with its undersea discoveries, "Aliens" turns downright silly at the end, with a fantasy sequence set in a presumed ocean on Europa, one of the moons of Jupiter.
  6. Hickenlooper does a nice job blending Bingenheimer's flashy past with his somewhat pathetic present, creating a genuinely compelling study in diminishing returns.
  7. Providing a tart balance to such enthusiastic admiration, Gehry's own blunt musings on his motivations, revelations and desires prove especially interesting.
  8. Ultimately, it's too much information coming too fast.
  9. An entertaining, post-modern mulling of the nature of truth, and whether truth is ever so fixed that it can be captured on tape.
  10. Everything you might want in a road movie: an off-the-cuff sense of adventure, a winningly scruffy charm and a whip-smart sense of humor.
  11. The movie's intensity is given crucial depth via Moura's somber and unshowy performance.
  12. Like Stone in "Basic Instinct," van Houten has an audacity to match Verhoeven's. Hers is a role that Bette Davis would have killed Ingrid Bergman for, and she is so good in it that it seems only a matter of time before she'll star in a real Hollywood movie - as opposed to this pretender.
  13. At its best, Girls Trip takes you someplace as entertaining as it is familiar.
  14. It's a pleasure seeing Grant in a great part again, playing the sort of almost-cad he's best at. And Streep - who, in real life, can belt anything from Broadway to Bruce - is clearly having a ball singing badly.
  15. Drinking Buddies is full of relatable dilemmas, guileless moments of kindness and character-based humor.
  16. Rather than go for big ideas, the movie cozies up to small wonders. Instead of an ah-ha moment, we get a sigh of familiarity. Still, in this biopic about Hawking, there’s one explosion that blows your mind: Eddie Redmayne’s performance. Redmayne as Hawking, if the stars align, should be an Oscar lock.
  17. This is one of the scariest movies featuring female heroines since the "Alien" series, and what makes it uniquely scary is where these women are -- in tunnels two miles under ground -- when they realize they are not alone.
  18. Movies about the dawning of female sexuality and its links to mother-daughter competition are tough to pull off, but Rain is a splendid example of how to get it right.
    • New York Daily News
  19. The saga might have worked better as a novel, where we could cast the characters with our imaginations, and keep them straight.
  20. There's enough action to keep us watching, but little incentive to return when the movie's second half - yep, another two hours - hits theaters next week.
  21. Like Brown, the movie is dynamic and entertaining as hell.
  22. Anyone who laments the loss of an older, grittier New York ought to adore this affectionate portrait of Greenwich Village restaurant owner Kenny Shopsin.
  23. The flaws are more than balanced out by the risks the earnest Kelly encourages his excellent cast to take.
  24. The results are amazing, though bittersweet, and demonstrate how complicated and expensive it is (though not impossible) to break the cycle of poverty, crime and lack of education.
  25. Clintonistas may want to look away when Carville and his colleagues lay out their political philosophy for Lozada, or, as he's affectionately known, "Gani." It's pragmatic in a way that defies the needs of the impoverished majority of Bolivians.
  26. The play within the movie is much more entertaining.
  27. This genteel confection skews toward older audiences - those who go for "Calendar Girls," "Ladies in Lavender" and "Mrs. Brown."
  28. Stallone is totally engaging Rocky playing him with a mixture of boyish intensity, lusty sensuality and cheerful innocence. And Shire is equally appealing, slowly blossoming into a vibrant young woman, and Burt Young seethes with anger as her embittered brother.
  29. This absorbing film isn't an apology or an explanation, but it nonetheless holds plenty of answers - including an amusing dissection of that infamously wiry hair-bear 'fro from the man who wore it.
  30. Amanda Micheli's candid documentary introduces us to two of these real-life daredevils, and it is a genuine pleasure.

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