New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. Occasionally exhilarating documentary.
  2. It would have been helpful had Smith put his words into some sort of context, allowing others to assess his theories. Instead there's simply Ruppert, talking, raging and warning, as if his very life depended on it.
  3. O'Connor plays Fanny with an appealingly direct, unflinching gaze.
  4. Warm and engaging.
  5. Never shies away from either the beauty or the cruelty of the hunt.
  6. Something sexy this way comes. With an electrifying Michael Fassbender and Marion Cotillard headlining Macbeth, there’s going to be heat. Even more so since they’re both magnetic and silver-tongued in this jaggedly beautiful but sometimes jarring film.
  7. Has moments of power that push through a fake-out script.
  8. DuVernay's feature debut is simple and almost proudly plain. But such a stripped-down approach allows its authenticity to shine.
    • 71 Metascore
    • 100 Critic Score
    Director Thomas Vinterberg’s romantic rollercoaster honors Hardy’s rustic vibe. Remarkably, too, he’s made a thoroughly modern film anyone can relate to — it’s like a “what a woman wants” discussion set in Victorian times. It’s also an instant classic.
  9. Birbiglia is a great storyteller, but not a natural actor. Matt should really be played by someone with more skill - and by someone in his 20s, rather than a 33-year-old who pretends to be in his 20s by acting as clueless as possible.
  10. Giddily inventive.
  11. Locks in on its self-destructive subjects so precisely, it's almost unbearable to watch.
  12. A neat, twisty little domestic drama about smart people, foolish choices.
  13. The film treats kids' inner lives as more than a fantasy, which is a rare and beautiful thing.
  14. Dull it is not, but Wong's trademark sense of romantic melancholy fails to jell amid all the excess, and the film turns frankly silly once the mute starts imagining himself in love with a can of sardines. [21 Jan 1998, Pg.37]
    • New York Daily News
  15. Peake provides the solid center for a movie that would otherwise melt into indie formula. The quirky supporting characters, slow pacing and predictable plotting intermittently threaten to overwhelm such a modest story. But then Ted secretly turns his camera back toward Vanetia and, like him, we’re smitten again.
  16. The story's Hitchcockian plot loses steam quickly, though Pinon's salty presence keeps things from getting totally bloodless.
  17. Works on several playful levels. Most obviously, it is a horror movie in which life imitates art on a movie set.
  18. An amazingly self-assured movie, it percolates with themes and ideas, all held together by the gift of the bull's parts.
  19. Has the gentlest feel of any movie I can remember.
  20. Babenco does a better job with place than with people: His explosively overcrowded jail is a teeming tenement, which makes the inevitable climax feel, finally, like something real.
  21. The whole movie is something of a joke, a feature-length prank that mixes stark violence and shock humor in the mold of Quentin Tarantino's "Pulp Fiction." Though it is a far less ambitious entertainment than Tarantino's masterpiece, it has its moments.
  22. It's a sad, rich story, full of misunderstandings, bad bargains, odd parallels.
  23. The results are impressive. Maybe, as the U.S. falls abysmally behind other nations in the sciences, it will get kids interested in that field again.
  24. Jasmila Zbanic's poignant drama reminds us that the aftershocks of war linger for generations.
  25. A haunting, emotionally devastating movie. [04 Nov 1983, p.C21]
    • New York Daily News
  26. All the popcorn movies you're planning to see will still be at the multiplex if you wait another week. This shimmering beauty will be gone in a flash. Catch it while you can.
  27. With his second film, Alvarez has mastered the tension of Hitchcock and the misdirection of a magician, proving himself to be a filmmaker of merit even when dealing with more realistic horrors.
  28. Moving, intelligent documentary.
  29. Compared to a really great poker game, sometimes “Molly’s” comes up a little short. It definitely keeps you too long at the table. And there are times — like every Sorkin script — where it won’t stop talking. Really, buddy, shut up and deal...But when the chips are down, its stars come through. And in the end, we all walk away winners.

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