New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. A two-hour, one-joke comedy that never gets old, Stuck on You is the most mature, consistently funny and satisfyingly sweet movie in the rollicking careers of brother filmmakers Bobby and Peter Farrelly.
  2. To Devlin's great credit, he keeps us rapt throughout.
  3. But Burton and August have added ­anger to the mix, and it sours much of the otherwise wondrous tone.
  4. A by-the-numbers, let's-put-on-a-show quasi-musical that has absolutely nothing going for it, except Alba.
  5. Cruise isn't horribly miscast, a la Tony Curtis in "The Son of Ali Baba" or John Wayne as Genghis Khan in "The Conqueror," but he doesn't miss by far.
  6. Feels a little too much like a film-school project, but it does offer an informative look at a timely issue.
  7. Omar Sharif certainly doesn't disappoint in Monsieur Ibrahim. The casting alone promises something extraordinary.
  8. Digital video is both the blessing and the curse of writer-director A. Dean Bell's well-conceived but underachieved What Alice Found.
  9. Some consider Leigh Bowery a visionary performance artist. Others will see a selfindulgent narcissist. You may want to decide for yourself.
  10. Susan Tom has her hands full in Jonathan Karsh's documentary My Flesh and Blood -- she's dealing with her 13 children, most adopted, some with serious maladies. Rarely does one encounter such capable hands.
  11. The town's entrenched racism is impossible to ignore, but the efforts toward change make a compelling history.
  12. All three leads grow on you.
  13. If you're looking for a bit of an uplift, you could do worse among the gloom of so many holiday dramas.
  14. An insanely delicious animated feature.
  15. "Ghost World" director Terry Zwigoff, working with a depraved script by John Requa and Glenn Ficarra, has fashioned the sickest -- and funniest -- black comedy in years.
  16. A tepid comedy whose only saving grace is the face of Jennifer Tilly in a crystal ball.
  17. An instant contender for cult status on the midnight-movie circuit, where lines like "Do we look like quantum wormhole specialists?" will be given the respect they deserve.
  18. When you realize The Cooler is not a comedy but a dark and violent love story, it's hard to reconcile its premise with its mood. The saving graces are the performances of William H. Macy as Bernie and Maria Bello.
  19. As darkness falls over the movie landscape comes the year's darkest and best movie of them all - Alejandro González Iñárritu's 21 Grams.
  20. Everything to treasure about that magical, slightly malevolent feline of childhood verse is obliterated in the coarse, charmless Dr. Seuss' The Cat in the Hat.
  21. French director Mathieu Kassovitz Frenches this flimsy tale to death. No scene goes underplayed, no performance (save one, from Robert Downey Jr.) lacks volume, no horror cliche is forgotten.
  22. A deeply felt celebration of the life force, as embodied in Girard's fierce performance as a man who may not have done all he could, but had an enviably great time on the way.
  23. Reeder makes a compelling lost soul, so that even the most soddenly moralistic moments are worth watching.
  24. A lovely little coming-of-age story, this Taiwanese romance was directed by Chih-Yen Yee with a skillful subtlety enhanced by his young cast.
  25. Given the subject matter, the movie is almost fatally lacking in passion.
  26. It's a big snooze because we can't take the main characters seriously.
  27. Not to be cruel, but the aspirations of the movie and its principals are so far beyond their reach" not to mention budget"that it arrives in theaters dependent on the kindness of strangers.
  28. As gorgeous and gripping as it is faithful to the spirit of Patrick O'Brian's celebrated series of historical novels.
  29. I've laughed harder during a single "Road Runner" cartoon than I did throughout Back in Action.
  30. Mostly, it's a story of violence, and it's superbly told.

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