New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. A black comedy that some viewers may take as an assault. The disconnect between the realism of its violence and the near-slapstick tone of some of its comedy is too much to be framed within one movie.
  2. At times, the giddy tone makes it feel like a musical set on the eve of Pearl Harbor, but the acting is uniformly good and it's an absolutely gorgeous film to watch.
  3. Warm and engaging.
  4. The laconic Lemarquis does a solid job carrying off Kári's dryly mordant wit, making this eccentric story well worth watching.
  5. Long stretches go by without dialogue or discernible action. But there are significant rewards for those willing to accept the movie's deliberate pace.
  6. With lots of cool gadgets, plenty of silliness and a clever concept guaranteed to appeal to preteens, this should be an unflagging, high-octane romp.
  7. It's a slight story to begin with, and the movie teeters on camp with its jokey filler material -- the typical King stuff including colorful locals, small puns and asides and a faint whiff of the supernatural.
  8. If I were in the sign business, I'd produce a bumper sticker that reads "Even smart people make dumb movies" -- and give the first one to David Mamet.
  9. Bergman and his gifted cast do an excellent job portraying the wounded, but still vital, connections that help these people heal even as they fervently believe it's time to give up.
  10. Filmmaker Josell Ramos has his heart in the right place, but his camera is usually in the wrong place, complete with bad lighting and all-around lousy tech credits.
  11. If you're at all curious about what it feels like to be inside a race car going 200 miles per hour at Daytona International Speedway, I don't think there's a better, quicker or safer way to find out than Simon Wincer's documentary.
  12. A story about people learning to know themselves through relationships to others -- delivered with gentle, offbeat humor.
  13. This is as cheesy and irrelevant as political documentaries get. Horvath, who is openly critical of the invasion of Iraq, makes game of a handful of Iowans and Nebraskans who are either too dumb, too drunk or too uninterested to have an informed opinion about it.
  14. The new buddy comedy movie that assumes the names of the series' characters and features the same hot-to-trot, tomato-red and shocking-white 1974 Ford Gran Torino is more fun than a Heidi Fleiss open house.
  15. It's a bit of an oddball story, but surely there was a less plodding way to elaborate on it.
  16. Has something to add about the toll Western society takes on spiritual values, and the ugliness of consumerism.
  17. Even Isabelle Huppert Lite is more profound than the best work of most other actresses.
  18. Has so many ideas working in it that they all but suffocate its thin plot.
  19. The final image of the snow-covered landfill, having consumed the debris, provides a kind of closure for Sauret. But for the firemen, the nightmare continues.
  20. Pure dumb fun -- horror slapstick that rudely parodies both the arterial violence of slasher films and the topless hedonism of the spring-break ritual.
  21. Has some good music and hot dancing -- filmed choppily -- but it completely lacks the magic of its predecessor.
  22. It's an old maxim that you can't make a good movie from a bad script. But with the suspense thriller Twisted, Philip Kaufman shows that you can make one that looks like it should be good.
  23. Essentially a home movie, nicely shot but dull.
  24. Wolfgang Becker's premise is absurdist and makes great sense as political satire.
  25. The film's only dialogue is composed of Young's songs lip-synched and acted out by the cast. This makes for a very literal, somewhat stilted experience.
  26. Mel Gibson's The Passion of the Christ is the most virulently anti-Semitic movie made since the German propaganda films of World War II. It is sickening.
  27. Features an absurdist sensibility that ultimately melts your heart. It's certainly one of the stranger movies you'll see.
  28. As a boxing movie, Against the Ropes is perfunctory, with a well-muscled Omar Epps diligently enduring predictable montages showing his rise to fame as Jackie's first protégé. As a biopic, it's likewise uninspired stuff.
  29. A safely sanitized comedy with an important message about loyalty and individuality, plays to Lohan's strengths and gives the target audience a chance to live it up vicariously.
  30. A string of sketches. Some are better than others -- or, at least, less bad -- but they exist as extended, stand-alone jokes within an enveloping framework.

Top Trailers