New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. There are too many familiar faces in this story, from kindhearted whores to street-urchin bullies. But even if circumstances edge toward the unlikely, Kravchuk and Spiridonov make an effective team, exploring the realities that lead to so much heartbreak for so many children.
  2. Made for $1 million, its production values are raw and Nicholas makes at least one too many obvious choices himself. But its very rawness adds to its creepiness and keeps us in suspense in ways most studio movies don't.
  3. Who would have thought that a real-life tale of sex, drugs and murder could be so instantly forgettable?
  4. So, yes, the story is bland and predictable and disappointing. But here's the thing about dance movies (or cheerleading movies, or even marching band movies): All that really matters is the action.
  5. Spellbinding.
  6. Narrated by Nicole Kidman, this poignant documentary tells only half the story of three Sudanese "lost boys" who emigrate to America. Though it doesn't delve as deep as it should, this movie will still break your heart.
  7. Director Wisit Sasanatieng uses every trick imaginable to create surreal postmodern nostalgia. Has he wound up with pure camp, or a cult classic? As he clearly understands, the best B-movies are both.
  8. Draggy for long stretches, and never funny, Comedy of Power is a showcase - as if she needed another - for Huppert's chameleon qualities. She's an actress who can make a phone-book reading interesting, and that is pretty much the challenge she meets here.
  9. While the cast members, Dick and Prinze in particular, have fun with Robert Moreland's sassy script, the exaggerated, unappealing animation seems to belong to another movie altogether.
  10. I say bring 'em on, if the stories can be told as well, as convincingly and as inspirationally as Richard LaGravenese's Freedom Writers, an educational fantasy that happens to be mostly true.
  11. How do films this stale and generic continue to get made, let alone with topflight talent? Cedric has been stealing scenes from bigger names for nearly a decade; he deserves better than a few amusingly-improvised minutes at the end of his own movie. And so do we.
  12. A pretty run-of-the-mill B suspense movie.
  13. Best of this trio is Bruno's 50-minute Sacrifice, a series of vivid and heartbreaking interviews with girls and young women who have been sold or drafted out of rural Burma into sexual bondage at Thai brothels.
  14. Maybe Miss Potter will be best appreciated on video when you will intuitively know when to turn it off. On the other hand, Potter's pastel illustrations, which often come to life to her and to the camera's eye, deserve the larger canvas. Tough call.
  15. A critic trots out the word "masterpiece" at his own peril, but there it is.
  16. This is a crazy, gorgeous, disturbing, darkly comic horror story about an early-18th-century Frenchman born in a Paris fish market without any odor of his own but with a sense of smell that would make a pack of bloodhounds wail with envy.
  17. Darker than the shadow of death.
  18. Luc Besson, a sort of French version of Steven Spielberg without the intuition, has tried a lot of genres in his young career and has had his greatest success with slick action films like "The Fifth Element" and "La Femme Nikita." Animated movies for kids he should stay away from.
  19. Miller and Pearce are admirably determined to do their complex characters justice, but the generic script turns them into enigmatic symbols, locked in a hollow time capsule.
  20. Benigni clearly intends to make some impassioned statements about the futility of war, the power of romance, the enduring strength of optimism. However, the once-appealing innocence of his exuberant persona has become curdled over time.
  21. For a much better film about a similar story, rent "The World's Fastest Indian," with Anthony Hopkins on a motorcycle.
    • New York Daily News
  22. As the relationship between the two British schoolteachers begins (quietly), builds (deceptively) and dissolves (spectacularly), Dench and Blanchett give a master class in acting. Pick your own sports metaphor, but watching them go at each other is the match of the year.
  23. Where the first film was a seminal forerunner of early stalker classics like "Halloween," this version feels as stale as old gingerbread.
  24. CuarĂ³n relies on his ample visual style, and he has indeed created a film you cannot tear your eyes away from.
  25. Even with its first-rate cast, current political relevance and tangled mysteries, The Good Shepherd remains as remote as Wilson himself. But frankly, if the lives of CIA spies are really this dreary, they may as well keep their secrets to themselves.
  26. Night at the Museum takes a can't-miss comedy premise and misses by a country mile.
  27. We Are Marshall is less a movie than a commemoration.
  28. Peter O'Toole, looking frail beyond his 74 years, gives what may be his farewell performance as a leading movie actor in Roger Michell's Venus. It's one for the books - and maybe the Oscars, too.
  29. Chinese director Zhang Yimou has made some of the most beautiful movies of the last 20 years, and with his latest, Curse of the Golden Flower, he has also made one of the most deliciously nutty.
  30. "Letters" isn't about numbers or the battle or even the morality of war. It's about the sanctity of life and how we value our own.

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