New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. With its video game upgrade, Jumanji: Welcome to the Jungle manages to match the silly fun of its predecessor — even without Williams — and that’s no small achievement unlocked.
  2. Unless you live and breathe exhaust fumes, there isn't much to sustain a viewer through a lame story and dialogue so pathetic.
  3. Feels like a VH1 slice-of-life with all the toppings. Yet it benefits from the fact that even a slice of it's title subject is a full meal.
  4. Fans of the book may resist the efforts of director Tran Anh Hung ("The Scent of Green Papaya"), simply because it would be impossible to capture the essence of Murakami's prose. But this exquisitely filmed, often haunting tragedy is worth taking on its own terms.
  5. It feels like a high-end perfume ad.
  6. The skiers' explanations, on the order of "no risk, no adventure," won't wash with people born without the daredevil gene and watching them fly down these vertical blankets of snow, often out of control, is a little like watching a train wreck
  7. Smith turns it on with co-star Eva Mendes in a manner that will have George Clooney taking notes.
  8. The actress' [Julianne Moore's] goodwill, alone, holds this schizophrenic story together - if just barely.
  9. A collision of sci-fi, drama and horror, Before I Fall earns points for ambition.
  10. There are dull spots, as with any other day, yet "Life" aims to be, and occasionally is, like a YouTube-y "Our Town," giving a sense of what it is to be alive on planet Earth.
    • 58 Metascore
    • 80 Critic Score
    No one over age 10 will flip for this sequel to the 2011 hit “Dolphin Tale.” But that doesn’t mean only kids will enjoy this gentle, moving family drama.
  11. If you embrace the overkill, you’ll enjoy it. But if extravagance isn’t your thing, move swiftly on to something lighter and more digestible.
  12. With all the brooding, stylized closeups of blood, crosses and cigarettes, the overall effect is fashion-mag chic -- not, as intended, intellectual thriller.
  13. Though Weddell's accomplishments are inspiring, we would have been better served by a more impartial portrait. With its reverent tone, the movie often feels more like it was made by a doting granddaughter than a pro filmmaker.
  14. So maybe this movie should serve as his introduction to a larger series, in which each artist gets the individual portrait Neville so clearly wants them all to have.
  15. The brutally ironic ending, I might add, won't make anybody very happy about having chosen The Mist for their evening's entertainment.
  16. Ratner is unable to maintain the emotional intensity that has made this series so deeply epic. But he sure knows how to put on a show.
  17. Racing enthusiasts will appreciate historical footage, while a thread about a new student overwhelmed by his responsibilities has promise. But after a decent start, Marquet stumbles, never making it across the finish line.
  18. The movie has some of the washed-out look of David O. Russell's excellent "Three Kings," but none of the edge. That's part of the point - that nothing leads to anything, at least not in this particular war.
  19. There are plenty of ideas to gnaw on, given that Cronenberg has adapted Don DeLillo's intense novel of a New York on the verge of dystopian breakdown. But frustratingly bland work from lead Robert Pattinson results in an awfully watery stew.
  20. Reeder makes a compelling lost soul, so that even the most soddenly moralistic moments are worth watching.
  21. Oddly, Craig Brewer has softened the tone for his remake. But nearly everything else remains intact, and -- surprisingly -- that's just enough to win us over.
  22. Once the story drags Bourne out of retirement, it's just a bunch of fights and chase scenes, only occasionally interrupted by a few lines of dialogue.
  23. It's a great performance that's a horror to watch. Of all the bleak year-end movies, Love Liza is the bleakest; of all the sad characters you've seen lately, Hoffman's Wilson Joel is the saddest. And he goes home with you.
  24. Rush has never played anyone this starkly unsympathetic, and he proves to be very good at playing very bad.
  25. Jazz is a good metaphor for Robert Altman's movies they're often improvisational, free-form and full of unexpected dissonance. Unfortunately, his movies also fall prey to the hazards of jazz they can be boring, screechy and endless. Thus, Kansas City. [16 Aug 1996, p.49]
    • New York Daily News
  26. It may take a half-hour to get one's bearings, but there's a payoff in the subsequent charm of this nearly wordless, surreal comedy set in a decrepit bathhouse in Bulgaria.
    • New York Daily News
  27. Tries to capture that moment -- complete with air guitar-playing deejays -- and unapologetically rides a wave of nostalgia, but ultimately sinks due to a bloated, watery script.
  28. Provocatively intentioned, The Reader is a movie worth seeing - the kind of film you'll think about for days afterward. But when all is said and done, you're likely to wonder why the impact wasn't greater still.
  29. A movie about identity that can't quite pinpoint its own, Andrew Douglas' road-trip documentary about the Deep South does eventually meander toward audience enlightenment.

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