New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. If someone else had made "My Son," it would be just another crime thriller based on a true story. But with Werner Herzog behind the camera, it's a head-scratcher from start to finish.
  2. It's a decent Valentine's date-night flick, and should earn Reynolds the attention he'll need to snare stronger leading roles.
  3. Gentle, funny and full of the lessons one expects from the scions of the late Jim Henson.
  4. "Grimm's Fairy Tales" were pretty grim, but Criminal Lovers crosses the line and sexualizes your worst fears.
  5. Unapologetically graphic and slightly marred by an artistic awkwardness, this is a rare and worthwhile glimpse into another nation's historical legend.
  6. The title's accurate; there are lots of minor but magical moments, like witnessing the accidental invention of tie-dye.
  7. Miller takes Chekhov's themes and checks them off, but he never gets under his egocentric characters' thin skins.
  8. Though there's too much movie-style self-deception, Sheridan is excellent, and his scenes with the consistently engaging, criminally underemployed Campbell Scott are subtle and serene.
  9. Anyone looking for a date-night flick will be inclined to fall for Michael Dowse’s aggressively adorable What If. Just be warned: The single-minded determination to win you over may wind up pushing you away.
  10. Fanning and Russell are a perfect, sweet-and-sour pair. And, of course, the horse is absolutely beautiful - which, in the end, is what this all comes down to, anyway.
  11. As a premise, this is thinner than a strand of cotton candy, but fairy tales have been hung from less, and what keeps this one together is the surprisingly easy chemistry between Grant and Barrymore.
    • 59 Metascore
    • 40 Critic Score
    Unfortunately, the engine underneath that gloss is woefully familiar, offering the same jump scares we’ve seen a thousand times before.
  12. Directors Jon Hart and Matthew Kaufman don’t delve deeply enough into the psyche of club founder Larry Levenson or the culture he exploited. But they do present an entertaining snapshot of his brief reign as New York’s self-appointed King of Swing.
  13. There's a funny movie scratching at the edges of This is 40. Unfortunately, writer-director Judd Apatow sees himself as the John Cassavetes of Comedy, so every time that funny movie starts to emerge, Apatow tramples it with scenes of domestic irritation.
  14. There's magic afoot, even if the movie is more serviceable than magical.
  15. Makes you appreciate opera, or NoDoz.
  16. Charming, funny and poignant. But it's also a reminder that if we want an intelligent teen romance, we have to import it.
  17. As a love story, Wimbledon is a washout. As a meditation on sports psychology, it might help improve your game.
  18. While "Cars" may have the most elaborate CGI effects of the season, and "Monster House?" the most original character (the house), The Ant Bully can lay claim to the most entertaining story and most rewarding ending.
  19. This well-made, elegant doc follows the British actress as she travels and discusses life, art, fashion, sex and death with various friends and collaborators, including novelist Paul Auster and photographer Peter Lindbergh.
  20. The cast gives it all a good go, and pip-pip and all that for noticeable intelligence and a bit of the old British satire. Yet Salmon Fishing takes patience and rewards with no bite.
  21. Seeing unexplored parts of our natural world in state-of-the-art 3-D is great. Listening to James Cameron explain how wonderful he is, while we see all that, is not.
  22. Viva needed to be shaved down to about 70 minutes, the better to really let loose and jettison some over-the-top jokiness.
  23. Frankly, after watching writer-director Timur Bekmambetov's grim fantasy - the first leg of a trilogy adapted from the sci-fi novels of Sergei Lukyanenko - I'm still a little confused.
  24. To see these children of waitresses, salon workers and fathers on disability burdened because they stepped up is humanizing and heartbreaking.
  25. There are no villains here, no attempts to sway opinions or even stake out political ground. Some will find that a disappointment. But the truth is that this effort is both more evenhanded than most dramas with similar themes, and more open-hearted.
  26. There is no doubting Jonathan Demme's admiration for our 39th President: It's apparent from the opening scenes.
  27. The always reliable Kingsley and Shaw are hilarious, and if the movie isn't quite a triumph, it's still far better than the junk food currently cluttering movie screens.
    • New York Daily News
  28. Stocked with an impressively high-quality collection of New York actors. Unfortunately, in asking them all to play such unlikable characters, Walsh flushes too much of that talent down the drain.
  29. If you're at all curious about what it feels like to be inside a race car going 200 miles per hour at Daytona International Speedway, I don't think there's a better, quicker or safer way to find out than Simon Wincer's documentary.

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