New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. Lacking the requisite post-"Scream" irony, the film is simply a package of gougings, stabbings, drillings and guttings, all tied up with a "twist" ending that anyone with a still-functioning brain could figure out in a matter of minutes.
  2. While there's no fun in mediocrity, ludicrousness is another matter. Boll is the best at what he does, and what he does is make truly terrible films.
  3. Ultraviolet, unscreened for critics, is unfit for consumption.
  4. A painfully flat spoof of the 1961 Bay of Pigs invasion.
  5. Gigli is a disaster.
  6. A shrill, amateurish two-character play that demeans women and leaves men with the quaint notion that the best way to a woman's heart is through enslavement.
    • 18 Metascore
    • 38 Critic Score
    His C-Note is essentially a one-note character. And that note is flat.
  7. Commits the cardinal sin of moviemaking: It leaves you bored.
  8. Serving Sara is D.O.A., with nary a laugh to be found.
  9. As appealing as acid-washed jeans, Kickin' It Old Skool exists solely to provide employment for aggressively abrasive comic actor Jamie Kennedy.
  10. Despite the filmmakers' desperate attempts to scandalize us, the only real shock is that a movie this disastrous ever managed to get made.
  11. Cuba Gooding Jr. can just return his "Jerry Maguire" Oscar right now. He has no excuse for making Boat Trip, a perniciously unfunny comedy.
  12. CRUSHingly unfunny. [24 Dec 1997, p.34]
    • New York Daily News
  13. Do not, in fact, go at all. Because aside from the actual nutcracker, most of the crucial elements are missing from Andrei Konchalovsky's bizarre miscalculation. Magic and joy top the list.
  14. "Vampires" doesn't suck, exactly, but the laziness and lack of imagination kinda bites.
  15. Normally, I'd recommend a movie like this only to diehard fans. But even they may want to wait until it hits cable.
  16. A Mother’s Day movie full of flat jokes, reheated clichés and two hours spent staring at your watch.
  17. Unfortunately, Vardalos has no one else to blame for a shockingly amateurish effort that goes from bad (her oddly insincere performance) to worse (consistently sloppy camera work) to make-it-stop (it would be an insult to television to call the script sitcomish).
  18. Here’s hoping Bruce Willis bought something special with whatever cash he earned from this pointless, brutally ugly rehash of 1973’s “Westworld.”
  19. This slimy, slug-minded mystery thriller starts out dead on arrival and then, like three-day-old fish, gets really bad really fast.
  20. Grim, bloody and relentless, without even a spark of fun or intelligence, Evil is barely good enough for late-night cable.
  21. A superficial tween comedy that mocks celebutantes like the Olsen twins while simultaneously pushing stars Hilary and Haylie Duff as their replacements.
  22. There is a fair share of turkeys at the multiplex this week, but none are quite as overcooked as Extreme Ops.
  23. Rare is the film so ineptly made that it barely deserves the dignity of a review. Which, on the one hand, makes this slapdash horror romance somewhat unusual. On the other, however, you’re wasting valuable time just reading about it.
  24. Should have sold its soul for a little help in the script department.
  25. You won't hear a better soundtrack on a bad movie this year.
  26. Since Bullock coproduced this masochistic venture, it seems she buys into the idea that fluffer-nut ditziness is what she does best. Except it isn't.
  27. This pseudo-punkster hybrid of "Heathers" and "Thelma & Louise" loses its way almost immediately, veering from wannabe-shocking social indictment to stultifyingly obvious yawner.
  28. Filled with second-rate Brian DePalma twists, noirishly blurred lights and usually solid actors mouthing potboiler brine, The Lodger resembles bottom-shelf '80s dreck.
  29. Dreadfully unfunny.
  30. Atrocious dreck that feels sitcomish, only without the polish or panache.
  31. Still, if it gets little else right, at least Epic Movie is accurately titled: It may be only 86 minutes long, but it feels as if it lasts forever.
  32. Finding a fresh setting for a comedy is difficult, but a Renaissance fair is too broad a target.
  33. The truth is, no review could really do justice to the monumental trashiness of this mess; it really has to be seen to be believed. Although if Lohan is lucky, no one will bother.
  34. His (Kaminski) first feature is so thoroughly awful, it isn't even interesting to look at.
  35. Although it's recycled from start to finish, there are some decent jokes laced throughout, plus enough gore to satisfy the most bloodthirsty tastes.
    • 16 Metascore
    • 25 Critic Score
    Rodman makes former co-star Jean-Claude Van Damme look like Jean-Paul Belmondo.
  36. Reefer mildness.
    • New York Daily News
  37. The story is a mess, some of the images offensive, the acting under par and the dialogue silly.
  38. You can always tell when filmmakers get their ideas from watching other movies. First-time writer David Congalton must be a Christopher Guest fan, because his derivative mockumentary feels like the work of someone who’s seen “Waiting for Guffman” and “Best in Show” too many times.
  39. Deuces Wild is the worst thing to have happened to Brooklyn since the Ice Age severed it from the mainland.
  40. This badly written, badly directed and badly acted little movie about an ordinary guy from Jersey who discovers passion with a fashion plate in Manhattan looks great.
  41. Though Flicker based the story on real events, the execution is so melodramatic that none of it feels remotely true.
  42. It's fitting that the kangaroo gives the most lifelike performance.
  43. An "American Pie" wanna-be that, in trying to be as tasteless as possible, sometimes succeeds.
  44. There isn't a genuine laugh or a character who isn't a stereotype in The Cookout, a lifeless comedy featuring a cast of familiar faces who must have needed the paycheck.
  45. The characters are boring, the violence generic, the suspense nonexistent.
  46. Too solemnly boring to entertain parents or older siblings - but, alas, too loud for a long nap - Yu-Gi-Oh! is basically a feature-length promotion for the trading cards.
  47. Cathy Moriarty and other Scorsese alums pop up, but these mean streets feel too derivative to thrill.
  48. Why would you watch a bad movie about better movies, when you could just rent the originals instead?
  49. Director Uwe Boll wholeheartedly embraces the film's concept, and with some fancy editing and a pulsing soundtrack, the effect really is like watching a video game.
  50. The always beguiling Radha Mitchell can’t save this stunted procedural-horror combo.
  51. The only good thing about this on-the-fly, low-budget quickie is its Cape Cod setting and the in-focus cinematography of Ernst Kubitza. Very pretty. Otherwise, it is a speechifying bore.
  52. The game itself is meaningless, and the movie, much the same way, likes it like that.
  53. Silly, perfect fun.
  54. Close call as to who's career has sunk farthest.
  55. More than awful, more than dreadful, and easily the worst beach movie ever made.
  56. This is the worst performance by a pop star in a dramatic role since Madonna suited up for "Shanghai Surprise."
  57. The special effects work fine for minor acts of magic, but the climactic aerial dragon fight is lame, and most of the performances are at the level of high school plays.
  58. What's most baffling is that such a canny actor is so unable to direct his own cast.
  59. If you're looking for a modern-day "Meatballs" - or, for that matter, "Meatballs 4" - you're out of luck.
  60. Exhaustingly manic but curiously unfunny movie.
  61. James' everyman appeal is stretched to the limits here, like that polyester shirt he wears.
  62. Just another cutesy, rather toothless comedy about the pitfalls of first love.
  63. Preposterous collegiate drama that exists simply to show pretty girls kissing, pretty boys undressing and pretty people of every sexual orientation drinking, doing drugs and otherwise wreaking postadolescent havoc.
  64. This failed epic — really, an epic failure — would barely be noticed, were it not for former Oscar-winner Nicolas Cage taking on a “Sharknado”-quality remake of a Kirk Cameron movie.
  65. The only thing worse than the dialogue is the absurd product placement.
  66. Slackers depends on the pathetic Ethan and the flatulent Sam for most of its laughs, and both characters are more revolting than amusing.
  67. This is a washout lacking jokes or scares.
  68. Eddie Murphy's latest comedy, The Adventures of Pluto Nash, takes place in the year 2087, which is about the earliest he can hope to be forgiven.
  69. The individual scenes are just random, uninspired riffs by Carvey or awkwardly flat cameos by the likes of Jesse Ventura and Olympic sprinter Michael Johnson.
  70. Ever fast-forward through a late-night cable romance just to get to the good parts? This amateurish relationship dramedy features all the stuff you'd skip, and nothing else.
  71. Dumber than the worst UPN sitcom.
  72. This needlessly vulgar exercise in overuse of the n-word bills itself as a comedy. Even the outtakes over the closing credits don't live up to that.
  73. It wastes no time getting to the punching, kicking, stomping and zapping that passes for a cinematic event. [22Nov1997 Pg. 35]
    • New York Daily News
  74. "Comedy is hard," said Steve Martin. For the writers of Date Movie, it's apparently impossible.
  75. The most bizarre cinematic experience of 2002. So misguided as to be utterly mystifying, this shameless vanity project is almost surreal enough to be entertaining. Almost.
  76. Luckily, folks like Snoop and good sports like Sheen and, yes, Lohan, break up the monotony. Until, like an undead beastie, the boredom and dumb jokes come roaring back.
  77. This is the kind of junky, hard-to-watch thriller that apologists claim is part of a long line of tough, grindhouse-style thrillers, but which is actually just amateurish gristle.
  78. Profoundly depressing.
  79. This god-awful, unfunny, stinkingly putrid sketch-comic movie has exactly one snicker-worthy moment, involving Kevin Nealon and a stolen grape. But watching the rest of it will make you whine.
  80. One of the darkest, ugliest, most uninvolving and incomprehensible major-studio fantasies I've ever seen.
  81. Features even more toddlers acting in a way only collectors of velvet paintings will consider irresistible.
  82. It's bluntly written, poorly shot and edited, and cruel without being clever.
  83. No better than whatever you might pick up while wearing a blindfold at Blockbuster, even if you happen to reach into a trash can.
  84. The movie equivalent of a medical experiment gone horribly wrong and kept in a jar of formaldehyde as a warning to others: Comedy can be a deadly weapon in the wrong hands.
  85. The cinematic equivalent of a gangsta rap song, State Property is little more than a marketing tool for Roc-A-Fella Records.
  86. In this unpleasant mess of a movie, a heroin-like drug called "blue" is said to be "more addictive than air."
  87. Even if we had never heard of Woody Allen or Adam Sandler, this schlocky effort would feel about as fresh as a week-old bagel.
  88. An early and daunting contender for worst movie of the year, writer-director Irving Schwartz's amateurish melodrama stars a hollow-eyed Piper Perabo as a self-loathing young woman who has every reason to hate herself.
  89. It takes a really bad stupid comedy to make you appreciate well-done stupid comedies. And boy is Miss March a stupid comedy.
  90. You've got to give Norm Macdonald credit. When he cheats his audience, he warns them first.
  91. You've got to admire Hilton's complete conviction in herself as the center of all that is beautiful and good. And maybe such unwavering self-regard is actually kind of hot. Or not.
  92. It all makes Nat Lamp's recent "Van Wilder" look like an instant classic.
    • 5 Metascore
    • 20 Critic Score
    Neither Scary nor eye-rollingly fun, The Human Centipede 3 (Final Sequence) is the dullest entry in an atrocious trilogy.
  93. Features amateurish acting and direction, and a going-nowhere script.
  94. You may need fortification for this astonishingly bad movie.
  95. After languishing unseen for years, Laurent Firode's long-delayed comedy is finally getting its day in the sun. Too bad there's such a heavy shadow hanging over it.
  96. Best of this trio is Bruno's 50-minute Sacrifice, a series of vivid and heartbreaking interviews with girls and young women who have been sold or drafted out of rural Burma into sexual bondage at Thai brothels.
  97. A convoluted mess of a horror movie.

Top Trailers