For 6,911 reviews, this publication has graded:
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42% higher than the average critic
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3% same as the average critic
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55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Fruitvale Station | |
|---|---|---|
| Lowest review score: | The Fourth Kind |
Score distribution:
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Positive: 2,885 out of 6911
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Mixed: 2,801 out of 6911
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Negative: 1,225 out of 6911
6911
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Joe Neumaier
A dramatic tale of survival and horrific memories struggles against distracting melodrama in Sarah's Key, and unfortunately, melodrama wins.- New York Daily News
- Posted Jul 22, 2011
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Elizabeth Weitzman
It's cute and funny and sweet, which - as any woman can attest - puts it way ahead of most Friday night options.- New York Daily News
- Posted Jul 22, 2011
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Joe Neumaier
This muscular, red-blooded adventure has a decent heart and the stuff of Saturday afternoon serials running through its veins.- New York Daily News
- Posted Jul 21, 2011
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Joe Neumaier
Director Oliver Schmitz's rhythms take a while to ease into, and admittedly, there is never a bright moment.- New York Daily News
- Posted Jul 15, 2011
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Joe Neumaier
Unfortunately, its present-day tale, involving a career woman seeking to mend her 20-year bond with a girlfriend injured in an accident, is lax and clunky, and its story-within-a-story - a tale of two laotong, or soul sisters, in oppressive mid-1800s China - is gorgeous but simplistic.- New York Daily News
- Posted Jul 15, 2011
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Joe Neumaier
Falls short of being revelatory, yet has a mysterious, sturdy power that grows on you.- New York Daily News
- Posted Jul 15, 2011
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Joe Neumaier
There's no bells and whistles here, no 3-D or useless grey fluff, just Pooh as he's always been, silly and true.- New York Daily News
- Posted Jul 15, 2011
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Elizabeth Weitzman
Loosely adapting Larry Beinhart's darker novel, Ratliff and co-writer Douglas Stone indulge in so many cheap shots and caricatures, their disdain drips off the screen.- New York Daily News
- Posted Jul 15, 2011
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Elizabeth Weitzman
It's all compelling, in the way reading trashy gossip usually is. But without any new perspectives, what's the point?- New York Daily News
- Posted Jul 15, 2011
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Elizabeth Weitzman
It's wonderful. Epic and heartbreaking and just as grand as it needs to be.- New York Daily News
- Posted Jul 12, 2011
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Elizabeth Weitzman
But oy, such terrible jokes and choppy direction. Would it have killed her to share the credits with someone else?- New York Daily News
- Posted Jul 8, 2011
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Joe Neumaier
If only this were a media-fueled tall tale and not one poor creature's lifelong nightmare.- New York Daily News
- Posted Jul 8, 2011
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Joe Neumaier
Even those who never joined the cult of A Tribe Called Quest will find this clear-eyed chronicle of their career irresistible.- New York Daily News
- Posted Jul 8, 2011
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Elizabeth Weitzman
Though Wilson tries hard, none of the actors - including Terrence Howard as the detective who unravels this story in flashback is able to overcome the script's considerable deficiencies.- New York Daily News
- Posted Jul 8, 2011
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Elizabeth Weitzman
Breillat, seemingly inspired as much by C.S. Lewis and Hans Christian Andersen as by original author Charles Perrault, doesn't really make the most of her subversive premise.- New York Daily News
- Posted Jul 8, 2011
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Joe Neumaier
Carpenter's economical but mundane chiller is possessed more by previous ghoul-friend flicks than it is by his better work.- New York Daily News
- Posted Jul 8, 2011
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Joe Neumaier
A children's comedy about talking animals that feels as if it were written by children or, perhaps, by talking animals.- New York Daily News
- Posted Jul 8, 2011
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Elizabeth Weitzman
All those who have to drag themselves to work every morning will surely find some comfort in Seth Gordon's cheerfully outrageous revenge comedy, Horrible Bosses.- New York Daily News
- Posted Jul 7, 2011
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Joe Neumaier
Has raw action and urgent performances, but loses power due to an amateur approach.- New York Daily News
- Posted Jul 1, 2011
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Elizabeth Weitzman
This story doesn't go well with popcorn, and you won't be able to shake it off like so many blockbusters. That said, it's likely to be the most unforgettable film you see all summer.- New York Daily News
- Posted Jul 1, 2011
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Elizabeth Weitzman
With all of the city available, she made the curious choice to follow couples who are neither unique nor especially memorable.- New York Daily News
- Posted Jul 1, 2011
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Elizabeth Weitzman
Some of the shocks are way too broad, and the enclosed perspective suggests the material would better suit a play. But Crawford radiates charisma, and Pierce sells even the nuttiest moments.- New York Daily News
- Posted Jul 1, 2011
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Joe Neumaier
Maddeningly mundane, this Romanian drama aims for an antiseptic look at random violence and, unfortunately, achieves it.- New York Daily News
- Posted Jul 1, 2011
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Joe Neumaier
If one performance could tilt a movie the direction it needs to go, John C. Reilly's expertly left-of-center turn in Terri is it.- New York Daily News
- Posted Jul 1, 2011
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Elizabeth Weitzman
If you are a 12-year-old girl, you are the perfect audience for Monte Carlo.- New York Daily News
- Posted Jul 1, 2011
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Joe Neumaier
It put-puts along like a moped in busy traffic, content to amble around but not go anywhere.- New York Daily News
- Posted Jul 1, 2011
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Elizabeth Weitzman
Anyone hoping to engage even a single brain cell, however, is out of luck. Which is too bad, since popcorn blockbusters don't actually have to be mind-numbingly stupid or soul-suckingly empty.- New York Daily News
- Posted Jun 28, 2011
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Joe Neumaier
Riding in to save almost every scene, though, are recent Tony Awards host Harris and the wild and woolly Sedaris, who goes too far, but in a good way. Shelov could learn from them.- New York Daily News
- Posted Jun 24, 2011
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Joe Neumaier
Director Michel Leclerc's comedy plays like one of those foreign-movie spoofs Jerry and the gang would go to see on a "Seinfeld" episode. Only here, there's no "young girl's journey from Milan to Minsk" - just from madcap to moronic.- New York Daily News
- Posted Jun 24, 2011
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Joe Neumaier
It can sometimes be hard to sit through, but another song is coming soon, and anyway, close your eyes and imagine you're on vacation, sipping vino in a piazza, soaking in the street life.- New York Daily News
- Posted Jun 24, 2011
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Joe Neumaier
Full of unenlightening snippets and blithe but banal asides, what the movie is missing is edge.- New York Daily News
- Posted Jun 24, 2011
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Elizabeth Weitzman
A far cry from 2010's shallow rom-com of the same name, this Leap Year is a haunting portrait of loneliness in its starkest state.- New York Daily News
- Posted Jun 24, 2011
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Elizabeth Weitzman
Feels more earnest than real. Still, its sincerity is admirable, and often touching.- New York Daily News
- Posted Jun 24, 2011
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Elizabeth Weitzman
Despite their efforts to address most sides of this complex story, each new interview leaves us wanting to know even more. Of course, that's the sign of a compelling film - but in this case, not an altogether satisfying one.- New York Daily News
- Posted Jun 24, 2011
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Joe Neumaier
This savvy and sensitive company has unapologetically made a movie for (very) young moviegoers.- New York Daily News
- Posted Jun 24, 2011
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- New York Daily News
- Posted Jun 23, 2011
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Joe Neumaier
Director Sue Bourne belabors the judges' final decision to such an excruciating length, it makes the whole movie feel a bit more cloddish than it should.- New York Daily News
- Posted Jun 17, 2011
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Joe Neumaier
Emphasizing the importance of new media, Stelter is ready to bring the paper back to the future, though this terrific tale of an establishment in transition ultimately plays like "All the President's Men," with the intrigue coming from inside the building.- New York Daily News
- Posted Jun 17, 2011
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Joe Neumaier
A gripping documentary about how unnecesary real estate development can change the soul of New York, brings us inside the lives it touches.- New York Daily News
- Posted Jun 17, 2011
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- New York Daily News
- Posted Jun 17, 2011
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Reviewed by
Elizabeth Weitzman
There is something infectious about the old-fashioned innocence of Mark Waters' comedy.- New York Daily News
- Posted Jun 17, 2011
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Elizabeth Weitzman
Even if we can't live his cowboy life, Buck Brannaman's world is well worth visiting.- New York Daily News
- Posted Jun 16, 2011
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Joe Neumaier
The effects are so omnipresent it's like Reynolds' perfect hair is floating in CGI limbo. Yet when they need punch, as in a "Superman"-ish display-of-powers scene involving a helicopter, there's no flair.- New York Daily News
- Posted Jun 16, 2011
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Joe Neumaier
This hard-working film may not be a balm, but it can help.- New York Daily News
- Posted Jun 10, 2011
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Joe Neumaier
Unfortunately, despite the sweaty, tense atmosphere, Viva Riva becomes derivative of the duller scenes in other gangster flicks.- New York Daily News
- Posted Jun 10, 2011
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Joe Neumaier
This is what happens when the Norwegians try to make their own "Blair Witch Project": We get three-headed trolls that hate Vitamin D and references to "Deliverance."- New York Daily News
- Posted Jun 10, 2011
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Elizabeth Weitzman
The biggest flaw is the casting: only Shannyn Sossamon delivers a performance of even modest depth.- New York Daily News
- Posted Jun 10, 2011
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Elizabeth Weitzman
The plotlines are clichéd and the score overbearing, but uniformly strong turns go a long way towards shaping the lush, nostalgic atmosphere. Don't forget to bring tissues.- New York Daily News
- Posted Jun 10, 2011
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- New York Daily News
- Posted Jun 10, 2011
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Reviewed by
Joe Neumaier
A young Aussie actress who seems as all-American as a Magic 8 ball, successfully walks the tightrope from precocious to exuberant, never once falling into obnoxiousness. That could describe this crackerjack of a kids' movie as well.- New York Daily News
- Posted Jun 10, 2011
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Joe Neumaier
This uneven but often charming movie produced by Spielberg gets so many things right, including its practiced naivete. What's missing, however, is a crucial sense of connection to itself.- New York Daily News
- Posted Jun 9, 2011
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Elizabeth Weitzman
Its straightforward approach is notably lacking the divine inspiration of its subject. But Don McGlynn's gospel documentary delivers so many moments of artistic ecstasy, we can forgive the plain wrapping.- New York Daily News
- Posted Jun 3, 2011
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Elizabeth Weitzman
Designed as their own entity, the brief subtitles convey so little that to get the full experience you won't only need to understand Godard's language. You'll also have to speak French.- New York Daily News
- Posted Jun 3, 2011
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Elizabeth Weitzman
The most interesting threads aren't political but personal, with a melodramatic romance providing some well-earned tears. Your final thoughts, however, are likely to concern Jennifer Tilly, who's so bizarrely miscast as a severe missionary that her presence becomes its own distraction.- New York Daily News
- Posted Jun 3, 2011
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Elizabeth Weitzman
What's most baffling is that such a canny actor is so unable to direct his own cast.- New York Daily News
- Posted Jun 3, 2011
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Elizabeth Weitzman
So what we're left with is a sort of contact high, drifting gently over to our seats in the back row.- New York Daily News
- Posted Jun 3, 2011
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Joe Neumaier
A charming indie that combines dreamy aspiration with mucky, hilarious reality.- New York Daily News
- Posted Jun 3, 2011
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Joe Neumaier
Actors are left with too much time to play emotional symphonies, while inevitably having to hit too many required notes.- New York Daily News
- Posted Jun 3, 2011
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Joe Neumaier
Beginners is filled with crises of identity, but underneath it all is a beautifully humane, sweet and intelligent movie that knows exactly what it is at every moment.- New York Daily News
- Posted Jun 3, 2011
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Elizabeth Weitzman
It's big, bright, savvy, and so expansive you'll undoubtedly leave feeling you got your money's worth.- New York Daily News
- Posted Jun 2, 2011
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Elizabeth Weitzman
The parts are ultimately greater than the whole, but Adam Reid's offbeat debut suggests a talent worth watching.- New York Daily News
- Posted May 27, 2011
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Joe Neumaier
Like so much in this astounding, consistently beautiful and challenging movie, the answer depends on what you bring to it. Think of it as the Ultimate Anti-Summer-Blockbuster.- New York Daily News
- Posted May 27, 2011
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Joe Neumaier
Kung Fu Panda 2 plunks down squarely in the spot marked for "chop-socky action with heart."- New York Daily News
- Posted May 26, 2011
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Elizabeth Weitzman
Phillips sticks so close to the formula of his original that even the characters are given to saying things like, "I can't believe this is happening again."- New York Daily News
- Posted May 25, 2011
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Elizabeth Weitzman
There can never be too many stories of human grace and perseverance like those of Nova, or Nate, or Adam, all teens who've been encouraged to channel their resentments and desires into art.- New York Daily News
- Posted May 20, 2011
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Joe Neumaier
Though it's rough around the edges, it is also, undeniably, a nervy, confident debut.- New York Daily News
- Posted May 20, 2011
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Joe Neumaier
As in "Purple Rose," the film works best when tweaking the disparate worlds thrown together, though "Midnight" is frothier, and so Wilson shines.- New York Daily News
- Posted May 20, 2011
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Elizabeth Weitzman
Despite Sparrow's ongoing flashes of charm, Depp himself seems to know he's coasting.- New York Daily News
- Posted May 19, 2011
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Joe Neumaier
It appears that turning the John Ford/John Wayne classic "The Searchers" into the church-vs-vampire adventure Priest was not an altogether god-awful idea. As long as we don't get "The Man Who Shot Liberty Valance" as an elegiac zombie drama, this adaptation of a graphic novel has some bite.- New York Daily News
- Posted May 13, 2011
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- New York Daily News
- Posted May 13, 2011
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Joe Neumaier
Murphy also reveals one more gem when she interviews the New York couple who gave their friend Nell Harper Lee a financial gift in the '50s that allowed her to quit her job and finish the book, an act of generosity that is also one more kindness surrounding this most humane of artworks.- New York Daily News
- Posted May 13, 2011
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Joe Neumaier
Director Justin Chadwick ("The Other Boleyn Girl") shows admirable restraint bringing this true story to the screen, and Litando does much with glimmers of emotion and wells of dignity.- New York Daily News
- Posted May 13, 2011
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Joe Neumaier
Any way you slice it, writer-director Spencer Susser's movie is bad company, full of wanna-be-outrageous anecdotes from the fringe.- New York Daily News
- Posted May 13, 2011
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Elizabeth Weitzman
If this sounds like a typical date movie, worry not. It's very much an Apatow production-though the crasser additions, like his already-notorious food poisoning scene, feel painfully forced.- New York Daily News
- Posted May 12, 2011
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Joe Neumaier
Alba certainly tries her best at portraying not just a beauty but also a beautiful mind, yet very few things add up despite director Marilyn Agrelo's efforts.- New York Daily News
- Posted May 6, 2011
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Joe Neumaier
Nonetheless, if you're a Force completist, this is as crucial as a bootleg of 1978's "Star Wars Holiday Special." Which, by the way, was awesome.- New York Daily News
- Posted May 6, 2011
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Joe Neumaier
History can be an equalizer, so director Roland Joffe ("The Killing Fields," "The Mission") makes sure saints and sinners all get painted with the same uninteresting brush in this fact-based drama.- New York Daily News
- Posted May 6, 2011
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Joe Neumaier
Writer-director Michael Goldbach fills the story with too many distractions, but Dennings, known for "Nick and Nora's Infinite Playlist," is feline and fun.- New York Daily News
- Posted May 6, 2011
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Elizabeth Weitzman
Knightley and Canet make a far more compelling pair. As they wander through the city after hours, doing nothing more than talking, they generate the kind of romantic heat that's all too rare onscreen.- New York Daily News
- Posted May 6, 2011
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Elizabeth Weitzman
Director Salim Akil has found actors skillful enough to enhance Elizabeth Hunter and Arlene Gibbs' conventional screenplay.- New York Daily News
- Posted May 6, 2011
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- New York Daily News
- Posted May 6, 2011
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Elizabeth Weitzman
Even if you've got a soft spot for silly rom-coms, know that this one is as empty-headed as it gets.- New York Daily News
- Posted May 6, 2011
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Joe Neumaier
No matter how the filmmakers move Heaven and Earth, this comic-book adaptation looks cool but contains very little thunder. The fault is a script by a five-headed beast which contains fateful missteps.- New York Daily News
- Posted May 5, 2011
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Joe Neumaier
A movie that's so anachronistically mushy and awkward, it earns extra credit simply for being so innocent.- New York Daily News
- Posted Apr 29, 2011
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Joe Neumaier
Director Werner Herzog's latest cinematic mind trip blows you away with its beauty.- New York Daily News
- Posted Apr 29, 2011
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Joe Neumaier
Though Bloom feels like he dropped in from another movie, it all spins on screenwriter Thornton's charismatic performance, which also accounts for the survival instinct inside the film.- New York Daily News
- Posted Apr 29, 2011
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Elizabeth Weitzman
Perry's characters have always been drawn with broad strokes, as heroes or villains. In this case, all the villains are young women, and all the young women in this film-without exception--are monstrous.- New York Daily News
- Posted Apr 22, 2011
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Elizabeth Weitzman
The story has heat, even if the movie is more entranced with its subjects than in what they're trying to achieve.- New York Daily News
- Posted Apr 22, 2011
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Joe Neumaier
This sweet if limited film has an agreeable attitude.- New York Daily News
- Posted Apr 22, 2011
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Joe Neumaier
Only the extremely naive will be shocked, shocked by director Morgan Spurlock's dissection of product placement in movies.- New York Daily News
- Posted Apr 22, 2011
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Joe Neumaier
Filled with striking images and the ghosts of lives lived in hardship and war, Incendies is tough but impactful.- New York Daily News
- Posted Apr 22, 2011
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Joe Neumaier
An earnest but undeniably eye-rolling documentary about the denizens of this odd pocket of show business.- New York Daily News
- Posted Apr 22, 2011
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Joe Neumaier
African Cats, while often adorable and at times gripping, is more of a TV-ready experience.- New York Daily News
- Posted Apr 22, 2011
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Elizabeth Weitzman
The primary drawback is the lack of chemistry between the leads, Reese Witherspoon and "Twilight's" Robert Pattinson.- New York Daily News
- Posted Apr 22, 2011
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Elizabeth Weitzman
Rickards tries hard in a difficult role and Greg Germann offers nice support as an empathetic neighbor. But like her character, it's Broderick who keeps things from falling apart.- New York Daily News
- Posted Apr 15, 2011
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Joe Neumaier
Haroun is achingly conscious of day-to-day decisions that seem small when they're made but can suddenly loom large.- New York Daily News
- Posted Apr 15, 2011
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Joe Neumaier
Sometimes a bit of befuddlement is exactly what you need. That's the driving idea behind writer-director Steven Peros' off-kilter, off-the-beaten path comedy, which owes a lot to 1980s indie cinema.- New York Daily News
- Posted Apr 15, 2011
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Joe Neumaier
A streak of "Cinema Paradiso" runs through this Italian dramedy - and while it lacks that film's overflowing emotion, it's filled with its own artfulness and warmth.- New York Daily News
- Posted Apr 15, 2011
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Joe Neumaier
A twisty Italian thriller that takes some liberties with its now-you-see-'em/now-you-don't plot points, but no matter; the way director Giuseppe Capotondi keeps us guessing is deliciously, maliciously deft.- New York Daily News
- Posted Apr 15, 2011
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Elizabeth Weitzman
The cast and crew render every detail so exquisitely that there's almost too much to take in at once. Repeat viewings will be required.- New York Daily News
- Posted Apr 15, 2011
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