New Musical Express (NME)'s Scores

  • Music
For 6,302 reviews, this publication has graded:
  • 55% higher than the average critic
  • 4% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 1.6 points lower than other critics. (0-100 point scale)
Average Music review score: 71
Highest review score: 100 Whatever People Say I Am, That's What I'm Not
Lowest review score: 0 Maroon
Score distribution:
6302 music reviews
    • 79 Metascore
    • 80 Critic Score
    It all adds up to an album that holds your full attention even if it isn’t Cyrus’s boldest or most visionary. ‘Endless Summer Vacation’ certainly feels like an accurate reflection of who she is as an artist – and a person – in 2023.
    • 83 Metascore
    • 80 Critic Score
    Sorry’s mystique has never been greater, and they’ve never been more intriguing.
    • 79 Metascore
    • 80 Critic Score
    An onslaught of varied and marvellously good tunes presented in an unexpectedly inventive way. [18 Sep 2004, p.65]
    • New Musical Express (NME)
    • 72 Metascore
    • 80 Critic Score
    I Disagree is her most accomplished record, full of daring theatre and snarling forward motion. While all our favourite rock bands are going pop, Poppy is unapologetically embracing her desire to go heavy. It might be inspired by the bands she grew up listening to, but there’s not a moment on ‘I Disagree’ that feels like a throwback.
    • 86 Metascore
    • 80 Critic Score
    With ‘Smiling With No Teeth’, Genesis Owusu has delivered a riveting album that underscores the power of self-knowledge, perspective and art – one that should be cranked loud.
    • 76 Metascore
    • 80 Critic Score
    Hozier’s vocal abilities are on full display across ‘Unreal Unearth,’ but much like the album’s instrumentals, it’s his understanding of when to give more understated performances, as on gentle ‘I, Carrion (Icarian)’ or to go full-force, like on the end of pared-back ‘Unknown/Nth’, that make the songs triumph.
    • 86 Metascore
    • 80 Critic Score
    Serpentwithfeet’s warmest album yet, ‘DEACON’ is like a kind of blossoming – the result of meticulously excavating through heartbreak, and hitting on the joy waiting beneath.
    • 88 Metascore
    • 80 Critic Score
    Bits of it rule.
    • 74 Metascore
    • 80 Critic Score
    There are no meaty rockers like ‘Inhaler’ or ‘What Went Down’, or slow and sprawling mini epics like ‘Spanish Sahara’, ‘Late Night’ or ‘Neptune’, but we need something else right now. ... Foals are still peaking.
    • 78 Metascore
    • 80 Critic Score
    Though ‘Special’ clocks in at a brisk 35 minutes, it succeeds in capturing all facets of Lizzo’s megawatt personality.
    • 91 Metascore
    • 80 Critic Score
    Ultimately Hadreas has, with this album, proven his own hypothesis: you don’t necessarily have to blow things up to move forward.
    • 79 Metascore
    • 80 Critic Score
    Following on from his eclectic debut, ‘USEE4YOURSELF’ finally etches IDK’s place in rap.
    • 55 Metascore
    • 80 Critic Score
    While ‘Music Of The Spheres’ feels like quintessential Coldplay, there are some more surprising moments buried in its tracklist.
    • 84 Metascore
    • 80 Critic Score
    This record comes to cement her place. With it, marks the next chapter in Dean’s career, one as a popstar risen.
    • 80 Metascore
    • 80 Critic Score
    Us
    A joyous slice of orchestral prozac.
    • 60 Metascore
    • 80 Critic Score
    Miley Cyrus And Her Dead Petz is surely the weirdest album made by a massive pop star in recent memory, but more impressively, it's also an essential listen.
    • 71 Metascore
    • 80 Critic Score
    [A] collection of well-crafted bangers, most of which are begging to be blasted out of a subwoofer as debauchery rages.
    • 75 Metascore
    • 80 Critic Score
    Cuba is just another tool for Mala, an outlet for his name-making style, which remains instantly recognisable and consistently listenable throughout.
    • 82 Metascore
    • 80 Critic Score
    Absolutely stunning. [4 Feb 2006, p.29]
    • New Musical Express (NME)
    • 85 Metascore
    • 80 Critic Score
    With ‘Topical Dancer’, they have created an album that works just as well as the soundtrack to a killer house party as it does a necessary act of rebellion against the negative forces in our society.
    • 84 Metascore
    • 80 Critic Score
    The music that Ghost make over twelve tracks, more than ever before, is a truly delicious pop-rock proposition.
    • 83 Metascore
    • 80 Critic Score
    It is a serious album for serious rock fans, even though taking anything seriously isn’t exactly Andy Falkous, Jack Egglestone, Jimmy Watkins and Julia Ruzicka’s strong point.
    • 79 Metascore
    • 80 Critic Score
    It’s easy to confuse simplicity with triteness, but the pair have a knack for magnetic and clearly considered ditties.
    • 73 Metascore
    • 80 Critic Score
    The sheer scale, pop-pomp and balls on show here render their survival an absolute victory. Resistance may be futile, but the Manics continue to advance.
    • 66 Metascore
    • 80 Critic Score
    Hopeless Fountain Kingdom might be defiantly ambitious, but it’s surprisingly cohesive.
    • 85 Metascore
    • 80 Critic Score
    The Ghost Inside’s self-titled, fifth album is a towering statement of positivity, transforming pain into catharsis, determination and hope.
    • 77 Metascore
    • 80 Critic Score
    ‘Open Up Your Head’ is an accomplished debut that takes Sea Girls’ brand of indie-rock on countless new adventures, and leaves plenty of doors ajar for further exploration for a genre in dire need of a kick up the backside.
    • 77 Metascore
    • 80 Critic Score
    The swagger is really what drives that point home. Casual, not-bothered insouciance drips from Go Tell Fire To The Mountain.
    • 80 Metascore
    • 80 Critic Score
    Considering it was made during a time when we couldn’t go anywhere, this album is at worst a fittingly scenic trip through the places that inspired it, and at best a fresh new sonic chapter for Albarn and a wonderful way for you to leave all the nonsense behind; blissfully reminded that there’s a beautiful world out there.
    • 86 Metascore
    • 80 Critic Score
    The Blackest Beautiful is a strong, focused record from beginning to end.