New Musical Express (NME)'s Scores

  • Music
For 6,302 reviews, this publication has graded:
  • 55% higher than the average critic
  • 4% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 1.6 points lower than other critics. (0-100 point scale)
Average Music review score: 71
Highest review score: 100 Whatever People Say I Am, That's What I'm Not
Lowest review score: 0 Maroon
Score distribution:
6302 music reviews
    • 82 Metascore
    • 80 Critic Score
    Their most daring and collaborative record to date. Featuring the likes of Damon Albarn, Holly Humberstone, Jay Som and, er, Chaka Khan, the results are as eclectic as this list would suggest, spanning across indie, pop, hip-hop and even garage.
    • 72 Metascore
    • 80 Critic Score
    The lyrical complexity of this mostly killer, little filler debut suggests that the singer, prone to pop bangers and searing confessionals, will dig up more compelling insecurities for whatever’s next.
    • 72 Metascore
    • 80 Critic Score
    Not since Bon Iver’s "For Emma, Forever Ago" has there been such an accomplished album of torch songs.
    • 74 Metascore
    • 80 Critic Score
    Peanut Butter sees Joanna Gruesome relishing the power of refusal, bending the tropes of macho rock and relationships to their own twisted whims.
    • 80 Metascore
    • 80 Critic Score
    These songs, Molina’s living animals, continue to make their way through the world, ensuring that their creator’s legacy lives on.
    • 75 Metascore
    • 80 Critic Score
    There is no mistaking that ‘Hickey’ is Royel Otis at their most self-assured. .... We can’t help but question if slightly more hunger to push the boundaries would add a greater sense of depth to an otherwise satisfying album.
    • 82 Metascore
    • 80 Critic Score
    This album is the work of a man with no time for big cash reunions or the squabbling that prevents them. Instead, he has turned in a record fuelled by soul and new ideas.
    • 74 Metascore
    • 80 Critic Score
    ‘Written And Directed’ is a thrilling step up from a band quietly coming into their own.
    • 72 Metascore
    • 80 Critic Score
    An hour of intuitive improvised excellence.
    • 73 Metascore
    • 80 Critic Score
    American flower-punks Black Lips are purists when it comes to scuzz, and Good Bad, Not Evil is a perfect tapestry of sordid pleasure.
    • 87 Metascore
    • 80 Critic Score
    It’s a wildly successful take on the world at large as the band enter a new decade. Far from just indie survivors, it seems like these Jets have still got plenty of fuel left in the tank.
    • 77 Metascore
    • 80 Critic Score
    Lust For Life deals with themes that’ll be familiar to Lana devotees; faded Hollywood glamour, skewed Americana and terrible love. But this time around, Lana is even more grandiose than usual, with lush, sweeping orchestration draped elegantly over each of the album’s 16 tracks.
    • 85 Metascore
    • 80 Critic Score
    An honest, innovative collection that bolsters her reputation as a stellar songwriter, Yanya “undiluted” makes for an absorbing listen.
    • 74 Metascore
    • 80 Critic Score
    'Impeach My Bush' is no great sonic leap forward, but it is a near-perfect distillation of Peaches' "thing".
    • 74 Metascore
    • 80 Critic Score
    She asserts herself not just as a global star, but as a fully realised artist, shaping her sound and vision with an intentionality that signals real growth.
    • 82 Metascore
    • 80 Critic Score
    After Laughter comes over like the earnest, fist-pumping soundtrack to a long-lost John Hughes coming-of-age film.
    • 77 Metascore
    • 80 Critic Score
    They’ve certainly lost none of the delicious oddball energy that comfortably pitches their carefree electronic and romance-heavy tunes as the work of a lounge Yeah Yeah Yeahs.
    • 71 Metascore
    • 80 Critic Score
    It comes a little unstuck by the end of course, but overall this is a delight, going bump in the night in more ways than one.
    • 74 Metascore
    • 80 Critic Score
    A brutal and beauteous slither from the grave.
    • 77 Metascore
    • 80 Critic Score
    Part Brooklyn-punk, part folk-troubadour, ‘The Baby’ marks the coming-of-age of an intriguing songwriter, who isn’t afraid to take on the anxieties and uncertainties that keep you awake in the small hours.
    • 74 Metascore
    • 80 Critic Score
    A modern, commercially-viable, carefully crafted rock record that also sounds violent, deranged and desperately, incurably sad all at the same time.
    • 84 Metascore
    • 80 Critic Score
    With ‘Songs’ and ‘Instrumentals’ – the first comprised of acoustic singer-songwriter ditties, the latter a musical sound collage with no vocals – Lenker fashioned timeless, tender snapshots of grief that are grounded in healing.
    • 83 Metascore
    • 80 Critic Score
    Where his previous projects felt sprawling, ’uknowhatimsayin¿’ succeeds in feeling compact while delivering a powerful project that is expertly produced and concisely executed.
    • 62 Metascore
    • 80 Critic Score
    There's really only one salient truth about "Ersatz GB" – that The Fall, even at nearly 30 albums old, still stand alone and aloft.
    • 79 Metascore
    • 80 Critic Score
    ‘Ugly Season’ might be indulgent, but Hadreas is still able to weave in the tender and immediate songwriting that made ‘Set My Heart On Fire’ so engaging (just as he wove his experimental streak into that record).
    • 84 Metascore
    • 80 Critic Score
    Never afraid to push boundaries or show vulnerability, James creates a compelling world of sound with ‘Gentle Confrontation’, and does so with grace. An incredible achievement.
    • 80 Metascore
    • 80 Critic Score
    Peace & Magic marks the duo out as genuine oddities, music makers full of irreverence, wit, silliness, wild experimentalism, genuine musical brilliance and weirdness.
    • 81 Metascore
    • 80 Critic Score
    Distance Inbetween is a cohesive, imaginative psych-rock record that grows with every listen. Welcome back, boys.
    • 68 Metascore
    • 80 Critic Score
    There are ballsy moments--they just happen to be coated in the trio’s signature icy cool.
    • 76 Metascore
    • 80 Critic Score
    The result is a maelstrom of noise, both ominous and ecstatic, doomy minor chords and cloud-parting major riffs.