Mojo's Scores
- Music
For 10,495 reviews, this publication has graded:
-
53% higher than the average critic
-
5% same as the average critic
-
42% lower than the average critic
On average, this publication grades 0.5 points lower than other critics.
(0-100 point scale)
Average Music review score: 72
| Highest review score: | Hundred Dollar Valentine | |
|---|---|---|
| Lowest review score: | Milk Cow Blues |
Score distribution:
-
Positive: 6,850 out of 10495
-
Mixed: 3,611 out of 10495
-
Negative: 34 out of 10495
10495
music
reviews
- By Date
- By Critic Score
-
- Critic Score
[Kozelek] has never sounded more inspired, achieving a rich balance of haunting atmosphere and twangy grit. [Feb 2004, p.101]- Mojo
-
- Mojo
-
- Critic Score
The four tracks on which they collaborate are timely reminders of The Stooges' initial impact and their ongoing influence. [Oct 2003, p.106]- Mojo
-
- Critic Score
Top-down pop that sparkles like a lifeguard's teeth. [Jul 2003, p.109]- Mojo
-
- Critic Score
P.O.D. have evolved into one of the more inventive bands among metal's dimwitted hierarchy. [Dec 2003, p.112]- Mojo
-
- Critic Score
The Strokes come across as a world-sized band that's tethering itself.... Nonetheless, this record is good. [Nov 2003, p.124]- Mojo
-
- Critic Score
The tribute album of the year, a cavalcade of orch-pop joy, an object lesson in songwriting smarts. [Dec 2003, p.106]- Mojo
-
- Mojo
-
- Mojo
-
- Mojo
-
- Critic Score
A similar osmosis of Bunneymen and Chameleons' dramarama as Interpol. [Mar 2004, p.106]- Mojo
-
- Critic Score
A collision of punk-fuelled cacophony, halting balladry and guttersnipe sensibility. [Dec 2003, p.112]- Mojo
-
- Critic Score
Streetcore is an amalgam of all that made Joe Strummer, the musician and the man, so great. [Nov 2003, p.131]- Mojo
-
- Critic Score
Their patchwork approach to psychedelia recalls the shoestring ingenuity of cult mid-'90s act Neutral Milk Hotel. [Jan 2005, p.104]- Mojo
-
- Critic Score
If The Rapture haven't quite transcended their influences yet, they are at least making a thrilling, febrile noise on the way. [Sep 2003, p.106]- Mojo
-
- Critic Score
It sears through the essence of what makes this band special, the brave voice and ebullient delivery of singer-songwriter-guitarist James Mercer. [Apr 2004, p.98]- Mojo
-
- Critic Score
Coral Fang finds The Distillers aping the bloodless Hollywood impotence of Hole's Celebrity Skin, their 'punk rock' inoffensive and utterly forgettable. [Dec 2003, p.113]- Mojo
-
- Critic Score
A clear rejuvenation, the occasional triteness that softened earlier work largely absent from these close-woven songs. [Nov 2003, p.125]- Mojo
-
- Critic Score
They're a little short on the kind of tunefulness necessary to make these chorus-less songs stand out. [Dec 2003, p.112]- Mojo
-
- Critic Score
An extended groove workout, akin to Erykah Badu's Worldwide Underground EP. [Jan 2004, p.102]- Mojo
-
- Critic Score
Gorky's play it spare and (mostly) live, placing further emphasis on their long-established pastoral bent. [Sep 2003, p.100]- Mojo
-
- Critic Score
A modern soundtrack for city life--an aural survival pack that pulls out moments of delicate beauty from all the shit and cacophony. [Dec 2003, p.122]- Mojo
-
- Mojo
-
- Mojo
-
- Critic Score
Less exotic perhaps than the West Coast, Brazilian, German and Franco-Italian musical forays of the past, but even more remarkably musical, intriguingly textured and affecting. [Nov 2003, p.130]- Mojo
-
- Critic Score
Arguably the band's most magical record to date. [Nov 2003, p.123]- Mojo
-
- Critic Score
Although Evening... has this unexpected core of angry commitment, she's still slick with Californian cruisers. [Nov 2003, p.123]- Mojo
-
- Mojo
-
- Mojo
-
- Critic Score
A further suite of touching vignettes, choice observations and killer lines. [Dec 2003, p.122]- Mojo