Mojo's Scores
- Music
For 10,495 reviews, this publication has graded:
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53% higher than the average critic
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5% same as the average critic
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42% lower than the average critic
On average, this publication grades 0.5 points lower than other critics.
(0-100 point scale)
Average Music review score: 72
| Highest review score: | Hundred Dollar Valentine | |
|---|---|---|
| Lowest review score: | Milk Cow Blues |
Score distribution:
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Positive: 6,850 out of 10495
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Mixed: 3,611 out of 10495
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Negative: 34 out of 10495
10495
music
reviews
- By Date
- By Critic Score
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- Critic Score
This is an album of winsome alt country charm, like a pleasant cousin of Ryan Adams. [Feb 2004, p.98]- Mojo
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- Critic Score
They've carved a bleak and beautiful album; their best, in fact. [May 2004, p.106]- Mojo
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This is one explosive package no hip hop loving home should be without. [Aug 2004, p.92]- Mojo
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It can't shake off the usual curse of live albums: an underlying sense, in the context of Reed's studio catalogue, of inescapable superfluity. [Apr 2004, p.114]- Mojo
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A swaggering, intoxicating tight-but-loose debut. [Jun 2004, p.107]- Mojo
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Beautifully recorded, this is intimate seduction for voice, elegant finger-picked guitar and not much else. [May 2004, p.93]- Mojo
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The Vines are mostly surface and scratch, a vessel of strangely useless beauty. [Apr 2004, p.114]- Mojo
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Fennesz excels when he squeezes something truly sublime and undeniably human through his gritty, labyrinthine microprocessors. [Jun 2004, p.112]- Mojo
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The flow is smoother, and the whole thing has a more compressed, accessible feel, without compromising the essential psychedelic madness at its heart. [Apr 2004, p.113]- Mojo
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Lean arrangements, never predictable melodic ticks and some of Byrne's most deliciously quirky lyrics ensure an event-packed listen. [Apr 2004, p.99]- Mojo
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So sweet is the harmonic construction that awareness of the ecclesiastical niceties of such as The Transfiguration... is incidental to falling under the divine spell. [May 2004, p.105]- Mojo
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It's perhaps a tad effortful here and there, but it's gloriously impolite. [Apr 2004, p.113]- Mojo
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Slaloms round sing-song pop, day-glo punk and Zappa-style tune transformations. [Jun 2004, p.106]- Mojo
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Edgy, ear-splitting, bonkers, bizarre and, in parts, astounding. [Mar 2004, p.104]- Mojo
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They have an inherent gift for the split-second pause, the cool coda, the scene-stealing lyric. [Feb 2004, p.98]- Mojo
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A Martian mix of space-age sax, sky-high doo wop, seance-strange electronics and the rich, soulful vocals of [Adebimpe]. [Jun 2004, p.116]- Mojo
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The songs feel like they're boiling over, there's so much heat under them. [Mar 2004, p.95]- Mojo
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While this delicately wistful set is hardly a great leap forward for Zero 7, one thing is certain: you'll be hearing it everywhere this year. [Mar 2004, p.104]- Mojo
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This concise yet rewarding selection... allies Beans' oft-celebrated intellectual rigour to commendably rock-solid beats. [Mar 2004, p.104]- Mojo
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The Coopers are adept with lyrics, big on attitude, but often lack that X-factor. [Nov 2003, p.131]- Mojo
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Not quite magic but an impressive attempt at experimental spell-weaving. [Mar 2004, p.101]- Mojo
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Lamb offer the perfect antidote to all manner of vapid pop-cultural vomitus without sounding pretentious or preachy. [Dec 2003, p.118]- Mojo
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There's much to digest here but absolutely no filler--each song is a priceless gem. [Jan 2004, p.110]- Mojo