Mojo's Scores
- Music
For 10,495 reviews, this publication has graded:
-
53% higher than the average critic
-
5% same as the average critic
-
42% lower than the average critic
On average, this publication grades 0.5 points lower than other critics.
(0-100 point scale)
Average Music review score: 72
| Highest review score: | Hundred Dollar Valentine | |
|---|---|---|
| Lowest review score: | Milk Cow Blues |
Score distribution:
-
Positive: 6,850 out of 10495
-
Mixed: 3,611 out of 10495
-
Negative: 34 out of 10495
10495
music
reviews
- By Date
- By Critic Score
-
- Critic Score
No great surprises, then, but as aurally seductive as ever. [Mar 2004, p.101]- Mojo
-
- Critic Score
A varied, febrile affair more often than not in pursuit of the lunatic. [Feb 2004, p.93]- Mojo
-
- Critic Score
This time there's noticeably less fuzz and extraneous squall piled on top. [Feb 2004, p.92]- Mojo
-
- Mojo
-
- Critic Score
Makes you smile without even really listening because the whole sound is such a cheering mix of grunt and grin. [May 2004, p.104]- Mojo
-
- Critic Score
Keeps an unsteady path between fine altered-state atmospherica and irritating cosmic twittering. [Feb 2004, p.100]- Mojo
-
- Mojo
-
- Critic Score
Molina's darkest, most achingly desolate work so far. [Apr 2004, p.102]- Mojo
-
- Mojo
-
- Critic Score
Legion of Boom is more like the soundtrack to a horror movie than a night of DJ breaks and body shakes. [Feb 2004, p.102]- Mojo
-
- Critic Score
The whole affair comes off like a desperate bit of trend trawling. [Feb 2004, p.99]- Mojo
-
- Critic Score
No self-indulgence, no grandstanding, just excellent. [Mar 2004, p.100]- Mojo
-
- Mojo
-
- Critic Score
Throughout, Splinter's sound is powerful and dense, with The Offspring weaving and surging within it like the experts they've become. [Dec 2003, p.109]- Mojo
-
- Critic Score
Aside from a handful of instrumental snatches... Democrazy's main events are six or seven tantalising sketches. [Jan 2004, p.96]- Mojo
-
- Critic Score
An hour of heartful, artful singing enhanced by dense, yet fuss-free arrangements. [Jan 2004, p.106]- Mojo
-
- Critic Score
Thematically thin and, consequently, lyrically disappointing. [Jan 2004, p.96]- Mojo
-
- Critic Score
Her melodies are stirring but the headstrong album only works to a limited degree. [Dec 2003, p.122]- Mojo
-
- Critic Score
[Korn] sound both out of focus and curiously out of date. [Feb 2004, p.95]- Mojo
-
- Mojo
-
- Critic Score
These are songs to admire rather than lose oneself in. [Jan 2004, p.116]- Mojo
-
- Critic Score
The heart of the album sticks closely to their well-tried formula: sing-song melodies and puerile lyrics set against a steady backdrop of numbingly bland riffage. [Jan 2004, p.106]- Mojo
-
- Critic Score
The cleaning up, editing and resequencing has brought out a warmth and depth of colour we've not heard before and allows the album to stand up to scrutiny next to modern records that aim for this kind of down-homeness and simplicity. [Dec 2003, p.134]- Mojo
-
- Mojo
-
- Critic Score
Top heavy with gleeful dysfunctional relationship songs, though eventually stalling via forgettable '80s rock mediocrity. [Dec 2003, p.109]- Mojo
-
- Mojo
-
- Mojo
-
- Critic Score
Some of the best songs he's written since Heartbreaker. [Jan 2004, p.98]- Mojo
-
- Critic Score
Upbeat and jubilant... a showcase for Wyclef the songwriter. [Dec 2003, p.107]- Mojo
-
- Mojo