Mojo's Scores
- Music
For 10,495 reviews, this publication has graded:
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53% higher than the average critic
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5% same as the average critic
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42% lower than the average critic
On average, this publication grades 0.5 points lower than other critics.
(0-100 point scale)
Average Music review score: 72
| Highest review score: | Hundred Dollar Valentine | |
|---|---|---|
| Lowest review score: | Milk Cow Blues |
Score distribution:
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Positive: 6,850 out of 10495
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Mixed: 3,611 out of 10495
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Negative: 34 out of 10495
10495
music
reviews
- By Date
- By Critic Score
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- Critic Score
It's the record that regular Krall devotees demand. So is it churlish to suggest that she's capable of something more? [Oct 2006, p.111]- Mojo
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A triumph of psychedelic melody, drone and eerie groove. [Jul 2006, p.104]- Mojo
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Much will be familiar to JBs devotees... but this time their MOR predilections are more pronounced. [Oct 2006, p.100]- Mojo
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Only problem is, he also wants us to love him for his mind, so he has declared this a concept album. [Nov 2006, p.116]- Mojo
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Another wonderful, intimate love letter to pop. [Sep 2006, p.94]- Mojo
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Anyone possessing their previous output will find little in the way of reinvention. [Oct 2006, p.96]- Mojo
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An album that, by turns, is lacerating and seductive. [Sep 2006, p.106]- Mojo
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What Los Lobos's thirteenth long-player lacks in surprise it makes up for in groove and mood. [Oct 2006, p.103]- Mojo
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As intimate and unforced an album as I've ever heard. [Nov 2006, p.104]- Mojo
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Its rote alternarock thrills are meagre vittles compared to the revolutionary metal the principle players have wrought in the past. [Oct 2006, p.110]- Mojo
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There's little discernable rhyme or reason holding it all together. [Oct 2006, p.110]- Mojo
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The Drones whip up a heady storm of garage-bred blues, post-punk intensity and Crazy Horse-style amp overload, in which they couch fevered narratives worthy of Nick Cave. [Nov 2006]- Mojo
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Crudely put, it is the sequel to Love And Theft, which is to say that a great deal of it is split between 12-bar treatises about love and lust and croonsome ballads about much the same themes.... That said, it is not quite as sharply focused as that record. [Oct 2006, p.94]- Mojo
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[Their] irony is especially trying when it infects the music. [Jul 2006, p.110]- Mojo
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Though it's certainly refreshing after the murk of 2002's Evil Heat, the results are still variable. [Jul 2006, p.104]- Mojo
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Happy Hollow swings with the nutty abandon of Madness, sharpened with the literate punk frenzy of Fugazi. [Oct 2006, p.104]- Mojo
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Every time you think you've got Idlewild figured out, it zips off in a totally unexpected new direction. [Oct 2006, p.97]- Mojo
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Though his nervy, nasal singing style can occasionally grate, the songs are redeemed by his breathtaking lyrical precision and eye for detail. [Oct 2006, p.103]- Mojo
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Starsailor find themselves in danger of being lumped in with the much-maligned 'Keaneplay' school of emote-u-like guitar rock. Yet judged on their own merits they are still producing the goods. [Nov 2005, p.104]- Mojo
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A rich, bright sounding record, albeit etched with Ward's lyrical ruefulness and voice of crumbling, lugubrious regret. [Oct 2006, p.111]- Mojo