Mojo's Scores
- Music
For 10,495 reviews, this publication has graded:
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53% higher than the average critic
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5% same as the average critic
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42% lower than the average critic
On average, this publication grades 0.5 points lower than other critics.
(0-100 point scale)
Average Music review score: 72
| Highest review score: | Hundred Dollar Valentine | |
|---|---|---|
| Lowest review score: | Milk Cow Blues |
Score distribution:
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Positive: 6,850 out of 10495
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Mixed: 3,611 out of 10495
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Negative: 34 out of 10495
10495
music
reviews
- By Date
- By Critic Score
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- Critic Score
A typical case of slack self-editing... Kelis was here too long, frankly. [Nov 2006, p.101]- Mojo
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- Critic Score
This is the far meaner, angrier and punkier [of the two post-Libertines albums] [Jun 2006, p.98]- Mojo
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Plays like a budget price homage to ELO and early '70s Beach Boys, full of pocket symphonies and childlike wonder. [Jan 2006, p.132]- Mojo
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The new, not-so-great English translations hurt more than help. [Jun 2006, p.102]- Mojo
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A record designed to ensnare the as-yet-uncommitted listener without abandoning their extant fan base. [Aug 2006, p.103]- Mojo
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Highway Companion abounds with Dylanesque first-, second- and third-person stories of rolling stones with no direction home, and how wear and tear is grinding them to a halt. [Sep 2006, p.90]- Mojo
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What's most remarkable is just how like the old Dolls this new record sounds. [Aug 2006, p.92]- Mojo
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An 11-song set that's melodically insidious and swings like a noose. [Apr 2006, p.90]- Mojo
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Multi-layered backing vocals and summery hooks tickle the spine with every listen. [Aug 2006, p.90]- Mojo
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Another electrifying statement of unrest from the underground. [Nov 2006, p.118]- Mojo
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As with Sufjan Stevens' Illinois, we're dealing with an invigorating, many-faceted work of diverse instrumentation and durability. [Jul 2006, p.106]- Mojo
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A typically heartfelt and demonstrative record given to wistful glances backward. [Aug 2006, p.90]- Mojo
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Wield[s] both a wistful poignancy and raw emotional undertow. [Aug 2006, p.94]- Mojo
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Chemist eschews masturbatory scratch showcases in favour of artfully constructed, utterly oddball 'songs'. [Aug 2006, p.103]- Mojo
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What this record lacks is a couple of the screamalong anthems at which Muse have become renowned. [Aug 2006, p.88]- Mojo
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The trio's shared vocals are a unifying factor, finessing the outre music into gently hypnotic melodies. [Sep 2006, p.94]- Mojo
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This whets the appetitie for whatever Stevens' formidable talent fixes upon next. [Aug 2006, p.96]- Mojo
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The Eraser is less crabbed, cryptic or violently bitter than Hail To The Thief... and is often more satisfying for that. [Aug 2006, p.86]- Mojo
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It finds the band stranded in the middle-of-the-road, spinning its wheels amid a mass of musical cliches and Dave Pirner's overwrought lyricism. [Aug 2006, p.104]- Mojo
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The dignity and sharp poetic instincts on American V are all classic Cash. [Aug 2006, p.89]- Mojo
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Lacking the wit and lyrical dexterity of a Jill Scott or the raw power of Angie Stone, the songs can feel airless and unengaged. [Sep 2006, p.98]- Mojo
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[An] underwhelming collection of moderately sweeping, mildly elegant arena pop. [Jun 2006, p.108]- Mojo