Mojo's Scores
- Music
For 10,495 reviews, this publication has graded:
-
53% higher than the average critic
-
5% same as the average critic
-
42% lower than the average critic
On average, this publication grades 0.5 points lower than other critics.
(0-100 point scale)
Average Music review score: 72
| Highest review score: | Hundred Dollar Valentine | |
|---|---|---|
| Lowest review score: | Milk Cow Blues |
Score distribution:
-
Positive: 6,850 out of 10495
-
Mixed: 3,611 out of 10495
-
Negative: 34 out of 10495
10495
music
reviews
- By Date
- By Critic Score
-
- Mojo
-
- Critic Score
Full of curios and cameos, My Name Is Buddy falls short of masterpiece but is dense with wonderful music. [Apr 2007, p.100]- Mojo
-
- Critic Score
Sadly, there's little to propel them to radio ubiquity or challenge the Britrock big hitters, but then, maybe, that's the whole point. [Mar 2007, p.95]- Mojo
-
- Critic Score
Perfectly conceived and executed, the album is a beautiful collection of mood music. [May 2007, p.112]- Mojo
-
- Critic Score
This is possibly the most optimistic album about depression ever made. [Mar 2007, p.98]- Mojo
-
- Critic Score
Explosions In The Sky are true masters of their craft. [Apr 2007, p.102]- Mojo
-
- Critic Score
No vintage-gear replicator, he's modern-sounding, fresh, fun--a genuine contender for 2007. [Mar 2007, p.105]- Mojo
-
- Critic Score
Sex Change continues their move away from arena bombast towards streamlined Euro grooves. [Mar 2007, p.103]- Mojo
-
- Mojo
-
- Critic Score
Vividly of-the-moment, rich in melody and wry optimism. [Mar 2007, p.104]- Mojo
-
- Critic Score
It's not perfect--you want it to shift up a gear occasionally, or to try different approaches, but the songs are all stuffed with daffy musicality and charm. [Apr 2007, p.102]- Mojo
-
- Mojo
-
- Critic Score
The result is 31 minutes of constantly surprising music, more absorbing and less conventional than anything on their self-titled 2005 debut. [Feb 2007, p.102]- Mojo
-
- Critic Score
The album's substantial rewards lie in the unorthodox rhythms of drummer Matt Tong. [Mar 2007, p.102]- Mojo
-
- Critic Score
An evocative set of instrumentals, rich in texture and gentle, melancholic beauty. [May 2007, p.103]- Mojo
-
- Critic Score
[It] sees their "spooky American music" get creepier still. [Apr 2007, p.97]- Mojo
-
- Critic Score
What if Lou Reed and Moe Tucker joined forces with the Danielson Family? [Mar 2007, p.104]- Mojo
-
- Critic Score
What Yes, I'm A Witch proves, above all else, is that the world is at last catching up with Ono. [Mar 2007, p.92]- Mojo
-
- Critic Score
While their music does have a Scando smoothness to it, its ramshackle moments recall the Beta Band more than they do Sondre Lerche, The Cardigans, et al. [Sep 2006, p.100]- Mojo
-
- Mojo
-
- Critic Score
It's too mixed a bag of highlights and lowlights to be lovable. [Feb 2007, p.100]- Mojo
-
- Critic Score
The majority of Not Too Late hums with a placid darkness and neurosis which is as delicious as it is unexpected. [Feb 2007, p.104]- Mojo
-
- Mojo
-
- Mojo
-
- Critic Score
The overall effect is a bit off-key, ill-defined and generally incomprehensible yet warm and attractive. [Mar 2007, p.100]- Mojo
-
- Critic Score
Neither the return of the Last Gang In Town, nor the crisp, literate, wonderfully confident pop with which Albarn perfectly crystallised the mid-1990s. Instead, The Good, The Bad & The Queen is a noir-ishly understated suite of songs, further testament to its chief author's need to keep on moving. [Jan 2007, p.98]- Mojo
-
- Critic Score
There are twists, but no clutter, just a gentle lyricism leaving every song lit from the inside. [Feb 2007, p.100]- Mojo
-
- Mojo
-
- Critic Score
Stereolab had similar starting blocks--there's no reason why Fujiya & Miyagi shouldn't become as notable. [Jan 2007, p.110]- Mojo
-
- Mojo