Mojo's Scores
- Music
For 10,495 reviews, this publication has graded:
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53% higher than the average critic
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5% same as the average critic
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42% lower than the average critic
On average, this publication grades 0.5 points lower than other critics.
(0-100 point scale)
Average Music review score: 72
| Highest review score: | Hundred Dollar Valentine | |
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| Lowest review score: | Milk Cow Blues |
Score distribution:
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Positive: 6,850 out of 10495
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Mixed: 3,611 out of 10495
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Negative: 34 out of 10495
10495
music
reviews
- By Date
- By Critic Score
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- Critic Score
Because Of The Times burns with all the invention and ambition that seemed to have been sucked out of its predecessor. [May 2007, p.108]- Mojo
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- Critic Score
It's conceived, written and designed for the loud appreciation of sweat-drenched pill-poppers at a 'nitespot' nowhere near you. And as such, it succeeds in magnificently silly style. [Feb 2007, p.100]- Mojo
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An energised splicing of riff, declamation and technology that sounds like a thrilling synthesis of 2003's The Real New Fall LP and 2005's Fall Heads Roll, delivered with the highest levels of vigour for some time. [Feb 2007, p.92]- Mojo
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This remains at its essence an album of beguiling, rain-splashed intimacy. [May 2007, p.106]- Mojo
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The influences here are smart, the music smarter. [Feb 2007, p.100]- Mojo
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A fantastic consolidation of everything good about LCD. [Apr 2007, p.108]- Mojo
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A record that sounds like absolutely no one else on the planet. [May 2007, p.102]- Mojo
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A big-tableau statement that combines his musical and ideological passions. [May 2007, p.106]- Mojo
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Overall, the album might not surpass his masterpiece The Mysterious Production Of Eggs, but Armchair Apocrypha proves Bird's knack for the musical hat-trick. [May 2007, p.102]- Mojo
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El-P's portentous delivery lacks poetics. [May 2007, p.110]- Mojo
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The ballads bewitch, reminding us that Tracey is one of the unique British voices, up there with Dusty. [Apr 2007, p.100]- Mojo
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[Introducing] contains her best songs and most relaxed, assured performances. [May 2007, p.112]- Mojo
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Its predominantly midtempo, cleverly crafted pop-Americana sounds even more substantial. [Apr 2007, p.97]- Mojo
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Immediately and huantingly familiar, it circumvents pastiche courtesy of a mischievous cut'n'paste aesthetic. [Feb 2008, p.108]- Mojo
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In a crowded space, The Rakes have a place to call their own. [Apr 2007, p.96]- Mojo
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Winehouse remains one of modern music's most original voices and is now emerging as arguably the finest soul singer of her generation. [Nov 2006, p.116]- Mojo
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Memory Man comes at you with a hesitant rush, portraying bespectacled, nice Mr. Hales as an improbably suburban Jeff Buckley--no glamour, all passion. [Oct 2007, p.94]- Mojo
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The record comes on like a sweaty, amphetamine-fuelled rehearsal room bash that went extraordinarily well. [Oct 2006, p.102]- Mojo
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It's a reversal of the usual wild and weird direction of extra-curricular albums: it's more commercial than Room On Fire! [Nov 2006, p.112]- Mojo
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It's impeccably stylish, idiosyncratic stuff, as ever, but is a little more heart too much to ask for? [Apr 2007, p.108]- Mojo
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Here lies much of the album's magic: whatever ornate turns the music takes, at its heart is the primal stuff of great rock'n'roll. But God, is it big. [Apr 2007, p.94]- Mojo
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On paper, it looks so wide-ranging as to be in danger of coming out gloopy and overdone; as it turns out, Rhys glues everything together with a crisp sense of confidence. [Feb 2007, p.98]- Mojo