Mojo's Scores

  • Music
For 10,505 reviews, this publication has graded:
  • 53% higher than the average critic
  • 5% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 0.5 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Highest review score: 100 Hundred Dollar Valentine
Lowest review score: 10 Milk Cow Blues
Score distribution:
10505 music reviews
    • 77 Metascore
    • 80 Critic Score
    MC Dalek's indignant imagery can be tricky to unpick, yet his barbed lines are hard to dislodge on Weapons And Battlecries. [Oct 2017, p.96]
    • Mojo
    • 79 Metascore
    • 60 Critic Score
    Powerful to the point of brutality, but affecting. [Oct 2017, p.98]
    • Mojo
    • 77 Metascore
    • 60 Critic Score
    Just occasionally the jangles get repetitive; sometimes, good things do go on too long. [Oct 2017, p.96]
    • Mojo
    • 82 Metascore
    • 80 Critic Score
    Tragedy and regret, all captured in beautifully glowering analogue. [Oct 2017, p.93]
    • Mojo
    • 79 Metascore
    • 60 Critic Score
    The best moments find Deerhoof unadulterated, like the angular tropicalia of Begin Countdown, or drummer Greg Saunier's Prefab Sprout-like Ay That's Me. [Oct 2017, p.94]
    • Mojo
    • 71 Metascore
    • 60 Critic Score
    Classic OMD tropes are almost overdone on this, their 13th studio album. [Oct 2017, p.88]
    • Mojo
    • 78 Metascore
    • 80 Critic Score
    Big, brave and laudably odd it is, then. [Oct 2017, p.93]
    • Mojo
    • 86 Metascore
    • 80 Critic Score
    American Dream feels like a strong re-statement of what they do, and what they can mean, a record that, despite its fear of death, feels very much alive. [Oct 2017, p.86]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    As striking as her career-defining 2010 album, The Brothel. [Sep 2017, p.92]
    • Mojo
    • 75 Metascore
    • 80 Critic Score
    This is vaulting, widescreen soundscaping of the first water. [Oct 2017, p.92]
    • Mojo
    • 81 Metascore
    • 80 Critic Score
    [His bathroom's] natural reverb add a wobbly-otherworldly feel. [Sep 2017, p.96]
    • Mojo
    • 85 Metascore
    • 80 Critic Score
    This new material finds them in [a] more experimental mode. [Oct 2017, p.90]
    • Mojo
    • 79 Metascore
    • 80 Critic Score
    Strong synth tunes and beats, bristling with vocal angst. [Oct 2017, p.98]
    • Mojo
    • 71 Metascore
    • 60 Critic Score
    Gogol Bordello's passport-abusing, transcontinental musical journeying occasionally feels like being faced with an over-ambitious tapas plate. [Oct 2017, p.96]
    • Mojo
    • 81 Metascore
    • 80 Critic Score
    Hippopotamus is never anything less than wildly entertaining. [Oct 2017, p.88]
    • Mojo
    • 77 Metascore
    • 80 Critic Score
    At times, it recalls the late-'60s acid blues experiments on Leigh Stephens' Red Weather and Peter Green's The End Of The Game but with a shimmering summer optimism and textural complexity all MacKay's own. [Oct 2017, p.92]
    • Mojo
    • 79 Metascore
    • 80 Critic Score
    The once-lairy Scots' high-volume potency remains beyond question. [Oct 2017, p.92]
    • 74 Metascore
    • 60 Critic Score
    Scum is a joyous mash-up of cheap beats, precinct-loitering aggro punk and youthful vim; it's by no means a classic, but you suspect Cardy may well have one in him soon. [Oct 2017, p.94]
    • Mojo
    • 73 Metascore
    • 80 Critic Score
    Invitations rushes of feeling are rich and real. Filthy Friends are a genuine supergroup surprise. [Oct 2017, p.96]
    • Mojo
    • 80 Metascore
    • 60 Critic Score
    Clever, unflinching, experimental and catchy. [Oct 2017, p.98]
    • Mojo
    • 69 Metascore
    • 60 Critic Score
    Her more organic songs stand out melodically amid layers of modern production mulch. [Sep 2017, p.96]
    • Mojo
    • 81 Metascore
    • 80 Critic Score
    Holiday Destination needs to be uncomfortable and it is, a beautifully realised disturbance of any remaining peace. [Sep 2017, p.92]
    • Mojo
    • 79 Metascore
    • 80 Critic Score
    Orc
    Dwyer's crew are oft-cited as the world's most exciting live rock band; they're also making some of its most exciting rock records. [Sep 2017, p.93]
    • Mojo
    • 79 Metascore
    • 80 Critic Score
    May can be schmaltzy, yes; but also needle-sharp. [Sep 2017, p.94]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    The Right To Love is a heartbreaker from the beautifully phrased, opening reading of Hoagy Carmichael's Skylark through to a final I Get Along Without You Very Well. [Sep 2017, p.91]
    • Mojo
    • 74 Metascore
    • 60 Critic Score
    Knowingly nostalgic, it's an album with a very strong sense of itself. [Sep 2017, p.86]
    • Mojo
    • 75 Metascore
    • 60 Critic Score
    Despite the eclectic material, the slow tempos and monochrome tone gets wearing. [Sep 2017, p.94]
    • Mojo
    • 79 Metascore
    • 80 Critic Score
    A taut, fraught dalliance with '90s trip-hop melancholy vivified by spidery Sisters Of Mercy-esque guitar figures and a gruff cameo from Massive Attack's Daddy G. [Sep 2017, p.91]
    • 80 Metascore
    • 80 Critic Score
    It's a long time since Kelly drank at this well, and Life Is Fine is a deep, deep draft. [Sep 2017, p.90]
    • Mojo
    • 81 Metascore
    • 80 Critic Score
    It's both organic and future-facing. A true metamorphosis, this album sees Queens Of The Stone Age shedding an old identity to discover new ways of playing the same song. [Sep 2017, p.84]
    • Mojo