Mojo's Scores
- Music
For 10,505 reviews, this publication has graded:
-
53% higher than the average critic
-
5% same as the average critic
-
42% lower than the average critic
On average, this publication grades 0.5 points lower than other critics.
(0-100 point scale)
Average Music review score: 72
| Highest review score: | Hundred Dollar Valentine | |
|---|---|---|
| Lowest review score: | Milk Cow Blues |
Score distribution:
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Positive: 6,859 out of 10505
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Mixed: 3,612 out of 10505
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Negative: 34 out of 10505
10505
music
reviews
- By Date
- By Critic Score
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- Critic Score
MC Dalek's indignant imagery can be tricky to unpick, yet his barbed lines are hard to dislodge on Weapons And Battlecries. [Oct 2017, p.96]- Mojo
Posted Aug 30, 2017 -
- Mojo
Posted Aug 29, 2017 -
- Critic Score
Just occasionally the jangles get repetitive; sometimes, good things do go on too long. [Oct 2017, p.96]- Mojo
Posted Aug 29, 2017 -
- Critic Score
Tragedy and regret, all captured in beautifully glowering analogue. [Oct 2017, p.93]- Mojo
Posted Aug 29, 2017 -
- Critic Score
The best moments find Deerhoof unadulterated, like the angular tropicalia of Begin Countdown, or drummer Greg Saunier's Prefab Sprout-like Ay That's Me. [Oct 2017, p.94]- Mojo
Posted Aug 29, 2017 -
- Critic Score
Classic OMD tropes are almost overdone on this, their 13th studio album. [Oct 2017, p.88]- Mojo
Posted Aug 29, 2017 -
- Mojo
Posted Aug 28, 2017 -
- Critic Score
American Dream feels like a strong re-statement of what they do, and what they can mean, a record that, despite its fear of death, feels very much alive. [Oct 2017, p.86]- Mojo
Posted Aug 28, 2017 -
- Critic Score
As striking as her career-defining 2010 album, The Brothel. [Sep 2017, p.92]- Mojo
Posted Aug 24, 2017 -
- Critic Score
This is vaulting, widescreen soundscaping of the first water. [Oct 2017, p.92]- Mojo
Posted Aug 23, 2017 -
- Critic Score
[His bathroom's] natural reverb add a wobbly-otherworldly feel. [Sep 2017, p.96]- Mojo
Posted Aug 23, 2017 -
- Critic Score
This new material finds them in [a] more experimental mode. [Oct 2017, p.90]- Mojo
Posted Aug 22, 2017 -
- Critic Score
Strong synth tunes and beats, bristling with vocal angst. [Oct 2017, p.98]- Mojo
Posted Aug 22, 2017 -
- Critic Score
Gogol Bordello's passport-abusing, transcontinental musical journeying occasionally feels like being faced with an over-ambitious tapas plate. [Oct 2017, p.96]- Mojo
Posted Aug 22, 2017 -
- Critic Score
Hippopotamus is never anything less than wildly entertaining. [Oct 2017, p.88]- Mojo
Posted Aug 22, 2017 -
- Critic Score
At times, it recalls the late-'60s acid blues experiments on Leigh Stephens' Red Weather and Peter Green's The End Of The Game but with a shimmering summer optimism and textural complexity all MacKay's own. [Oct 2017, p.92]- Mojo
Posted Aug 22, 2017 -
- Critic Score
The once-lairy Scots' high-volume potency remains beyond question. [Oct 2017, p.92]- Mojo
- Posted Aug 22, 2017
- Read full review
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- Critic Score
Scum is a joyous mash-up of cheap beats, precinct-loitering aggro punk and youthful vim; it's by no means a classic, but you suspect Cardy may well have one in him soon. [Oct 2017, p.94]- Mojo
Posted Aug 22, 2017 -
- Critic Score
Invitations rushes of feeling are rich and real. Filthy Friends are a genuine supergroup surprise. [Oct 2017, p.96]- Mojo
Posted Aug 22, 2017 -
- Mojo
Posted Aug 22, 2017 -
- Critic Score
Her more organic songs stand out melodically amid layers of modern production mulch. [Sep 2017, p.96]- Mojo
Posted Aug 22, 2017 -
- Critic Score
Holiday Destination needs to be uncomfortable and it is, a beautifully realised disturbance of any remaining peace. [Sep 2017, p.92]- Mojo
Posted Aug 21, 2017 -
- Critic Score
Dwyer's crew are oft-cited as the world's most exciting live rock band; they're also making some of its most exciting rock records. [Sep 2017, p.93]- Mojo
Posted Aug 18, 2017 -
- Critic Score
May can be schmaltzy, yes; but also needle-sharp. [Sep 2017, p.94]- Mojo
Posted Aug 17, 2017 -
- Critic Score
The Right To Love is a heartbreaker from the beautifully phrased, opening reading of Hoagy Carmichael's Skylark through to a final I Get Along Without You Very Well. [Sep 2017, p.91]- Mojo
Posted Aug 17, 2017 -
- Critic Score
Knowingly nostalgic, it's an album with a very strong sense of itself. [Sep 2017, p.86]- Mojo
Posted Aug 15, 2017 -
- Critic Score
Despite the eclectic material, the slow tempos and monochrome tone gets wearing. [Sep 2017, p.94]- Mojo
Posted Aug 14, 2017 -
- Critic Score
A taut, fraught dalliance with '90s trip-hop melancholy vivified by spidery Sisters Of Mercy-esque guitar figures and a gruff cameo from Massive Attack's Daddy G. [Sep 2017, p.91]- Mojo
- Posted Aug 14, 2017
- Read full review
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- Critic Score
It's a long time since Kelly drank at this well, and Life Is Fine is a deep, deep draft. [Sep 2017, p.90]- Mojo
Posted Aug 10, 2017 -
- Critic Score
It's both organic and future-facing. A true metamorphosis, this album sees Queens Of The Stone Age shedding an old identity to discover new ways of playing the same song. [Sep 2017, p.84]- Mojo
Posted Aug 10, 2017