Mojo's Scores

  • Music
For 10,505 reviews, this publication has graded:
  • 53% higher than the average critic
  • 5% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 0.5 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Highest review score: 100 Hundred Dollar Valentine
Lowest review score: 10 Milk Cow Blues
Score distribution:
10505 music reviews
    • 76 Metascore
    • 80 Critic Score
    The album's eight, unusually varied essays largely eschew sonic wallpaper stereotype, invested as they are with playfulness and a genuine sense of Eastern-flavoured spiritual uplift. [Dec 2017, p.92]
    • Mojo
    • 83 Metascore
    • 60 Critic Score
    The delivery is folk emo. [Dec 2017, p.92]
    • Mojo
    • 76 Metascore
    • 60 Critic Score
    It's no double-set, however, its sprawl contained within 10 tracks and 42 minutes. [Dec 2017, p.91]
    • Mojo
    • 76 Metascore
    • 80 Critic Score
    The sprawling Montreal ensemble [is] nback at their most spirited, their Weltschmerz poured into wordless music of soaring transcendence and, on occasion, fierce beauty. [Dec 2017, p.91]
    • Mojo
    • 64 Metascore
    • 60 Critic Score
    Strip away the wearying kung-fu skits and there'a s hard-boiled 12-tracker at The Saga Continues' core. [Dec 2017, p.90]
    • Mojo
    • 84 Metascore
    • 80 Critic Score
    A densely orchestrated album that, even by his standards, is full of reflective melancholy. [Dec 2017, p.90]
    • Mojo
    • 72 Metascore
    • 80 Critic Score
    End Of The World could be Don't Fear The Reaper Mk II while a fad cover of NRBQ's I Want You Bad delivers Heart-racing teenage kicks. [Dec 2017, p.89]
    • Mojo
    • 83 Metascore
    • 80 Critic Score
    Allen is inspirational throughout, creating a range of personalised drum patterns, and hey! You can dance to every darn thing. [Dec 2017, p.88]
    • Mojo
    • 84 Metascore
    • 80 Critic Score
    The Curious Hand is that rare thing in folk: original, self-contained and unencumbered by the genre. [Dec 2017, p.88]
    • Mojo
    • 71 Metascore
    • 60 Critic Score
    It doesn't quite blow the emotional lid off, but Open is rich in subtle variations. [Dec 2017, p.88]
    • Mojo
    • 70 Metascore
    • 80 Critic Score
    Never one to be soul-bearing or crass, Corgan pulls off his "Songer" task with enigmatic, starlit aplomb. [Dec 2017, p.86]
    • Mojo
    • 79 Metascore
    • 80 Critic Score
    Lotta Sea Lice feels like a happy and deliberate mind-meld, rather than the work of two competing songwriters duking it out knee-to-knee over their guitars. [Dec 2017, p.84]
    • Mojo
    • 82 Metascore
    • 80 Critic Score
    SpiderBeetleBee is part history lesson, park New World exploration; the familiar made strange by glistening harmonics. [Nov 2017, p.102]
    • Mojo
    • 84 Metascore
    • 80 Critic Score
    An exquisite, meditative experience. [Nov 2017, p.108]
    • Mojo
    • 99 Metascore
    • 100 Critic Score
    The whole thing only underline what a ferocious rock band they had become. [Nov 2017, p.106]
    • Mojo
    • 75 Metascore
    • 80 Critic Score
    Pulsing, hazy, addictive. [Nov 2017, p.100]
    • Mojo
    • 82 Metascore
    • 80 Critic Score
    All American Made maintains Price's status as honky-tonk's most compelling new flame. [Nov 2017, p.97]
    • Mojo
    • 81 Metascore
    • 80 Critic Score
    Musical touches such as Stephen Large's baroque harpsichord solo on Patchouli and the little three0note 'now boarding' motif that opens Departure lounge cement the sens e of an act that know exactly how to proceed. [Nov 2017, p.94]
    • Mojo
    • 81 Metascore
    • 80 Critic Score
    Lillies is an album which the solo Siouxsie Sioux would have been proud to record. [Nov 2017, p.96]
    • Mojo
    • 71 Metascore
    • 80 Critic Score
    [The Selecter] haven't sounded so energised since their 1979 debut, Too Much Pressure. [Nov 2017, p.100]
    • Mojo
    • 72 Metascore
    • 80 Critic Score
    [A] powerful debut. [Nov 2017, p.103]
    • Mojo
    • 84 Metascore
    • 60 Critic Score
    For Carry Fire, Plant has written Lion In Winter love songs. [Nov 2017, p.96]
    • Mojo
    • 82 Metascore
    • 80 Critic Score
    The resulting sound is suitably celestial, mysterious and awe-inspiring. [Sep 2017, p.93]
    • Mojo
    • 77 Metascore
    • 60 Critic Score
    Their third album keeps an open mind. [Nov 2017, p.97]
    • Mojo
    • 80 Metascore
    • 60 Critic Score
    Marshall's irregular flashes of idiosyncratic brilliance impress, though The OOZ's 19 tracks contain many longueurs that merely baffle or bore, so tread carefully. [Nov 2017, p.100]
    • Mojo
    • 85 Metascore
    • 80 Critic Score
    The cast of Beautiful fits with unforeseen subtlety. [Nov 2017, p.103]
    • Mojo
    • 86 Metascore
    • 80 Critic Score
    For Sale ratchets up the band's ever-present anxiety with a dose of on-stage adrenaline to make this the Holy Grail 'Mats fans have hankered after for decades. [Nov 2017, p.109]
    • Mojo
    • 88 Metascore
    • 80 Critic Score
    Dark, intense and utterly compelling record. [Nov 2017, p.98]
    • 72 Metascore
    • 60 Critic Score
    It's a messy, vibrant record, and if his palette occasionally blurs into muddiness, at least he's still trying for a rainbow. [Nov 2017, p.102]
    • Mojo
    • 74 Metascore
    • 80 Critic Score
    [It's Alright Between Us as It Is] finds the Stavanger native matching more vocals to his grandiose productions. [Nov 2017, p.99]
    • Mojo