Mojo's Scores

  • Music
For 10,505 reviews, this publication has graded:
  • 53% higher than the average critic
  • 5% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 0.5 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Highest review score: 100 Hundred Dollar Valentine
Lowest review score: 10 Milk Cow Blues
Score distribution:
10505 music reviews
    • 77 Metascore
    • 60 Critic Score
    When he slows for a stroll through You Ain't Going Nowhere and offers up the obscure Abandoned Lover as a wonderfully interpreted finale, you're hit by the realisation that Willie has actually pulled off what is unquestionably a daunting challenge. [Sep 2017, p.94]
    • Mojo
    • 81 Metascore
    • 80 Critic Score
    The album's ethos is about teamwork rather than individuals, and on that level it succeeds magnificently. [Sep 2017, p.89]
    • Mojo
    • 72 Metascore
    • 80 Critic Score
    Tremendous fun throughout. [Sep 2017, p.87]
    • Mojo
    • 66 Metascore
    • 60 Critic Score
    Even the Hey Jude-y crowd singalong works. ... The album as a whole also has a coldness that threatens to undermine the point that Everything Now strives to make. [Sep 2017, p.87]
    • Mojo
    • 70 Metascore
    • 80 Critic Score
    The album ebbs and flows with a winning fluidity. [Sep 2017, p.86]
    • Mojo
    • 75 Metascore
    • 80 Critic Score
    The effect is a bit like pleasantly nodding off to a Mazzy Star record and, like the smoke off the titular post-coital gaspers, the intoxicating atmosphere lingers long after the tracks have played out. [Sep 2017, p.88]
    • Mojo
    • 76 Metascore
    • 80 Critic Score
    In general the Heaton touchstones are all present here--shortage of definite articles, politics, wrinkles, a rockabilly number--with an energy and a sly melodic wit which puts Crooked Calypso up with his best work. [Sep 2017, p.90]
    • Mojo
    • 80 Metascore
    • 60 Critic Score
    Save for a couple of re-edits, this deeply satisfying blend of emotional techno, Afro rhythms and stripped back house comprises all Daphni Originals. [Sep 2017, p.93]
    • Mojo
    • 74 Metascore
    • 80 Critic Score
    All told: a summer soul smash. [Sep 2017, p.93]
    • Mojo
    • 77 Metascore
    • 80 Critic Score
    One seriously heavyweight record, even by Boris' far-reaching standards. [Sep 2017, p.92]
    • Mojo
    • 68 Metascore
    • 60 Critic Score
    Odd tracks recall Animal Collective, but these immersive 63 minutes mostly ripple with hallucinatory effect, overdubs virtually free of beats. [Sep 2017, p.92]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    Claustrophobic ambient, minimal techno and orchestral themes for waiting for the axe to fall. 100 per cent Laibach. [Sep 2017, p.96]
    • Mojo
    • 83 Metascore
    • 80 Critic Score
    Sets a high bar. But she clears it, with soulful, oddball, Jersey-girl-in-Nashville aplomb. [Sep 2017, p.96]
    • Mojo
    • 74 Metascore
    • 60 Critic Score
    It's unfair he no longer sounds unique. As a transmitter for cute. stylistic oddness, though, he remains staunch. [Sep 2017, p.96]
    • Mojo
    • 69 Metascore
    • 60 Critic Score
    Two distinct personalities: Death LP (dark and groovy) and the titular short film soundtrack (disjointed and upsetting). [Aug 2017, p.96]
    • Mojo
    • 70 Metascore
    • 60 Critic Score
    Occasionally overwrought but never dull. [Sep 2017, p.96]
    • Mojo
    • 77 Metascore
    • 80 Critic Score
    Musically simpler and less baroque than The Graceless Age, the album's autobiographical arc is conversely harder to glean, its lyrics more oblique. Murry's greatest ability, however, is to make the listener wince uncomfortably while peeking through their fingers at his captivating, compulsive honesty. [Aug 2017, p.88]
    • Mojo
    • 78 Metascore
    • 80 Critic Score
    Raskit junks its predecessor’s egregious schmaltz for marauding bass and spartan trap backings. They amplify a biting double-time flow his nearest rivals would readily trade jaws for, Dizzee slaying his competition on Focus and Wot U Gonna Do? and literally eating them for dinner on Space (“Can’t find enough time to dine on rappers / All these MCs are looking like tapas”). There’s depth, too.
    • 76 Metascore
    • 80 Critic Score
    Minor key, acoustic introspection done so beautifully it's as if they're singing to one another in the dustlight of a pub backroom. [Aug 2017, p.97]
    • Mojo
    • 62 Metascore
    • 60 Critic Score
    It's a highly-strung record--tiringly so sometimes--but The Dears walk its emotional tightrope with an acrobat's grace. [Aug 2017, p.93]
    • Mojo
    • 74 Metascore
    • 80 Critic Score
    Titular peaceful intent is achieved. [Aug 2017, p.97]
    • Mojo
    • 83 Metascore
    • 80 Critic Score
    This debut long-player has been greatly anticipated, and does not disappoint. Skating an agreeably fine line between conscious dancehall and complex nu-roots, Chronixx delivers 15 deeply personal explorations of Jamaica and the challenges it faces.
    • 81 Metascore
    • 60 Critic Score
    Occasionally it feels a little too theatrical--as on Willie O' Winsbury--but its roots are in the right place. [Aug 2017, p.95]
    • Mojo
    • 78 Metascore
    • 60 Critic Score
    Few of his collaborations stick or turn out to be more than the sum of their parts. [Aug 2017, p.88]
    • Mojo
    • 77 Metascore
    • 80 Critic Score
    The result is a thrilling excursion, possessing an otherworldly ambience and substance you'll spend months decoding, every spin yielding something new. [Aug 2017, p.88]
    • Mojo
    • 68 Metascore
    • 60 Critic Score
    The songs remain sweet and sad, delicately picked folk foregrounding a serene voice. [Aug 2017, p.97]
    • Mojo
    • 69 Metascore
    • 80 Critic Score
    Years of sideman work have given Smith a certain world-weariness; that grit makes this newfound joy ring clear as a bell. [Aug 2017, p.93]
    • Mojo
    • 77 Metascore
    • 80 Critic Score
    Born on a Gangster Star is the more accessible volume. ... The result is a thrilling excursion, possessing an otherworldly ambience and substance you'll spend months decoding, every spin yielding something new. [Aug 2017, p.88]
    • Mojo
    • 73 Metascore
    • 60 Critic Score
    Amid all these tribulations, Toro Y Moi still quarries a few gems. [Aug 2017, p.89]
    • Mojo
    • 78 Metascore
    • 80 Critic Score
    Sparkling banjos arpeggios; freak-out saxophjone; John Parish's inventive production; a wealth og strong, beautifully-enunciated vocal melodies--tons has gone into the latest work from Kate Stables, aka This Is The Kit, and all of it is good. [Aug 2017, p.91]