Mojo's Scores

  • Music
For 10,509 reviews, this publication has graded:
  • 53% higher than the average critic
  • 5% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 0.5 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Highest review score: 100 Hundred Dollar Valentine
Lowest review score: 10 Milk Cow Blues
Score distribution:
10509 music reviews
    • 85 Metascore
    • 80 Critic Score
    This is a mellifluous and hook-laden, brimming with Russell's quotidian snapshot lyrics. [Jan 2020, p.99]
    • Mojo
    • 73 Metascore
    • 80 Critic Score
    Te brushed drums, vintage electronics and hushed vocals on Memory Of a Cut Off Head play like they were recorded in a bunker under siege. [Dec 2017, p.94]
    • Mojo
    • 64 Metascore
    • 80 Critic Score
    A mixture of old-school smarts and mellifluous modernism. [Apr 2006, p.103]
    • Mojo
    • 83 Metascore
    • 80 Critic Score
    The young seven-piece have since progressed at warp-speed, here passing the full-length test with confidence. [Mar 2021, p.90]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    The music nods obviously in the direction of Fela Kuti, Sun Ra, and Bruce Lee. [Mar 2020, p.93]
    • Mojo
    • 82 Metascore
    • 80 Critic Score
    More sharp work from these urban outfitters. [May 2015, p.91]
    • Mojo
    • 75 Metascore
    • 80 Critic Score
    This is an album that expands upon a growing body of work. [Dec 2014, p.92]
    • Mojo
    • 78 Metascore
    • 80 Critic Score
    It's still one giant leap into the unknown, with all the notions of genre once again gleefully sidestepped. [Dec 2012, p.82]
    • Mojo
    • 84 Metascore
    • 80 Critic Score
    Héritage is a triumphant return, a complete rewriting of what their purpose and apprach were a decade ago. [Feb 2015, p.85]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    The most satisfying Melvins-related release since Nude With Boots in 2008, Crystal Fairy also makes for a fine entry-point into Teri Gender Bender's dark, gnarly and theatrical oeuvre. [Mar 2017, p.97]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    It all adds up to more willful magic from Plant. [Oct. 2010, p. 94]
    • Mojo
    • 77 Metascore
    • 80 Critic Score
    Possessed of hazily catchy and irresistible choruses, the end result is an endearingly affectionate blend of radio-friendly AOR and homely indie-rock touches anchoring their grand pop to something human. [Mar 2008, p.106]
    • Mojo
    • 78 Metascore
    • 80 Critic Score
    Silence is not an option when Hyvonen is this witty and brazen. [Mar 2009, p.115]
    • Mojo
    • 78 Metascore
    • 80 Critic Score
    Happy or sad, these are fine songs. [Apr 2013, p.88]
    • Mojo
    • 82 Metascore
    • 80 Critic Score
    Animal admirably slips standard musical taxonomy to take on a life of it own. [Aug 2021, p.83]
    • Mojo
    • 79 Metascore
    • 80 Critic Score
    The foggy nights of soul chronicled here lend Chastity Belt's bruised indie pop a weight that suits it. [Jun 2017, p.89]
    • Mojo
    • 76 Metascore
    • 80 Critic Score
    With standards so consistently high, picking further peaks is a tough call but the surging wah squel of 'Over It' and 'I Don't Wanna Go There's' stellar guitar squall also score way up at the top of the scale. [Jul 2009, p.105]
    • Mojo
    • 77 Metascore
    • 80 Critic Score
    This long-rumoured debut is a thing of stark intimacy, rendered by just Pearson's rustic voice and roughly picked guitar, with an occasional smear of wintry violin or doleful piano. [Apr 2011, p.100]
    • Mojo
    • 76 Metascore
    • 80 Critic Score
    The uniting factor, though, is Gabriel's greatest gift as a writer, vocalist and arranger. [Aug 2020, p.101]
    • Mojo
    • 60 Metascore
    • 80 Critic Score
    Amid all its big, primal energy there are enough ideas to suggest the fans' early faith is justified. [Jul 2016, p.94]
    • Mojo
    • 84 Metascore
    • 80 Critic Score
    Ezra Collective's confidence hits a fizzing high on this freewheeling 14-track double. [Dec 2022, p.87]
    • Mojo
    • 69 Metascore
    • 80 Critic Score
    A romp through Bootsy's former glories, subtly retooling them to sound comfortingly familiar yet not anachronistic. [May 2011, p.106]
    • Mojo
    • 82 Metascore
    • 80 Critic Score
    True Love Cast Out All Evil is a genuine triumph of the spirit and heart. Other 62-year-old surviviors have released comeback albums as good, but none better or more uplifting. [Jul 2010, p.90]
    • Mojo
    • 81 Metascore
    • 80 Critic Score
    Contrasting bleak truths with giddy popsike, bubbling defiance and a rebuff to arts-funding BS. [Jul 2024, p.95]
    • Mojo
    • 84 Metascore
    • 80 Critic Score
    A soaring, feverish conflagration of sense and sensuality. [Sep 2018, p.90]
    • Mojo
    • 86 Metascore
    • 80 Critic Score
    The intimate strings that lace the title track's elegiac sequence of pedal-effect guitar movements is a fresh high, the shadow-playing six-string storytellers surpassing the limitations of their intimate format. [Aug 2024, p.89]
    • Mojo
    • 73 Metascore
    • 80 Critic Score
    An affecting release, it demands repeated plays, emerging as canorous, sly and bewitching. [Aug 2013, p.90]
    • Mojo
    • 88 Metascore
    • 80 Critic Score
    Still ethereal and episodic, it's less sequestered, more outgoing [than Ekstasis], with an influx of strings and brass bringing warmth to concoctions of stunning invention and variety. [Sep 2013, p.94]
    • Mojo
    • 72 Metascore
    • 80 Critic Score
    Campbell's lyrics might not match Petty's poetry, but the immediacy, energy and spirit are all there. [May 2020, p.95]
    • Mojo
    • 83 Metascore
    • 80 Critic Score
    It’s brilliant, moving stuff, and if this were to be David Gilmour’s final record, it’s certainly the best of his solo career. [Oct 2024, p.80]