Mojo's Scores

  • Music
For 10,509 reviews, this publication has graded:
  • 53% higher than the average critic
  • 5% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 0.5 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Highest review score: 100 Hundred Dollar Valentine
Lowest review score: 10 Milk Cow Blues
Score distribution:
10509 music reviews
    • 82 Metascore
    • 80 Critic Score
    It's the confessional aspect that makes this compelling stuff, whether relating mid-life disappointment in Living The Dream or detailing a life reset in the delicately chiming Clean. [Jul 2024, p.84]
    • Mojo
    • 75 Metascore
    • 80 Critic Score
    Their groovy, meditative parlaying consistently elevates Live! Beyond the realm of optional for-diehards-only purchase. [Feb 2001, p.94]
    • Mojo
    • 79 Metascore
    • 80 Critic Score
    The album... is one of such remarkable beauty. [Oct 2004, p.96]
    • Mojo
    • 86 Metascore
    • 80 Critic Score
    It's the small, tragic details you notice on TLROE. [Jun 2023, p.84]
    • Mojo
    • 84 Metascore
    • 80 Critic Score
    Boone's rich, Rickie Lee Jones-meets-Chrissie Hynde voice is the careworn bedrock upon which these bruised, dynamics-rich songs depend. [Feb 2019, p.92]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    AAI
    A collection of tunes with groove at its synthetic heart. [Apr 2021, p.83]
    • Mojo
    • 78 Metascore
    • 80 Critic Score
    Wabi-Sabi is as becalmed and warm as it's wracked and haunted. [Feb 2016, p.94]
    • Mojo
    • 76 Metascore
    • 80 Critic Score
    The beautiful results make it clear that, unlike poor Charlie Brown, he does understand. [Jan 2015, p.92]
    • Mojo
    • 58 Metascore
    • 80 Critic Score
    It's a wholehearted, utopian and irrefutably exciting record. [Nov 2007, p.94]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    Strong and loose, political and personal, Pearl Jam get the balance absolutely right. [May 2020, p.84]
    • Mojo
    • 82 Metascore
    • 80 Critic Score
    Matt Sweeney's commitment to supply Bonnie "Prince" Billy with "guitar parts that hold his voice like a chalice holds wine" is fully delivered upon here. [May 2021, p.76]
    • Mojo
    • 65 Metascore
    • 80 Critic Score
    Rodgers wears his now mellower, less macho persona well on Coming Home and Photo Shooter, but the writing input of an Andy Fraser or a Mick Ralphs, say, is sometimes missed. [Nov 2023, p.86]
    • Mojo
    • 72 Metascore
    • 80 Critic Score
    Mostly You Had Me At Goodbye is an artist stretching out and eagerly grasping a whole new world, one that she should easily conquer. [May 2017, p.94]
    • Mojo
    • 78 Metascore
    • 80 Critic Score
    This is one of Bowness's most vivid collections. The sound is rich and full of depth. [Apr 2019, p.86]
    • Mojo
    • 78 Metascore
    • 80 Critic Score
    Another star turn for soprano Lavinia Blackwall. [May 2018, p.98]
    • Mojo
    • 67 Metascore
    • 80 Critic Score
    The quiet simplicity of In The Light, Long Way From Home or piano-led My Eyes suggests a delicacy within the songwriting pair of Jeremiah Fraites and Wesley Schultz that will prove far more satisfying in the long run than any future Top 10 Success. [May 2016, p.88]
    • Mojo
    • 84 Metascore
    • 80 Critic Score
    Meticulously constructed, yet with melodies and rhythms born out of improvisation, it's an album of two halves, moving from euphoric collapse to an uncertain contentment. [Jun 2018, p.89]
    • Mojo
    • 88 Metascore
    • 80 Critic Score
    Any sense that the listener is being short-changed is blown away by the sheer quality of the writing and production on offer. [Dec 2022, p.84]
    • Mojo
    • 86 Metascore
    • 80 Critic Score
    Very sad and very beautiful. [Apr 2011, p.100]
    • Mojo
    • 66 Metascore
    • 80 Critic Score
    This is, however, their most mellow, reflective and tempered release yet. [Sep 2009, p.95]
    • Mojo
    • 72 Metascore
    • 80 Critic Score
    The results are highly accomplished and consistently gorgeous. [Jul 2016, p.92]
    • Mojo
    • 76 Metascore
    • 80 Critic Score
    Good Luck, Seeker may not be the absolute best of Mike Scott's best, but it's well within touching distance. [Sep 2020, p.82]
    • Mojo
    • 81 Metascore
    • 80 Critic Score
    At times the effect is sinister, at others soothing and hypnotic, like fog-borne siren songs, or the ghosts of liturgical choirs caught high in the cathedral vault. [Oct 2020, p.91]
    • Mojo
    • 77 Metascore
    • 80 Critic Score
    It's gritty urban dramas never become too heavy-hearted, the breezy tunes blowing through like prime Jonathan Richman. [Jul 2013, p.84]
    • Mojo
    • 76 Metascore
    • 80 Critic Score
    A beautifully poised collection of deep, off-kilter, quasi techno and smudged ambient. [Aug 2024, p.87]
    • Mojo
    • 76 Metascore
    • 80 Critic Score
    Despite two years spent on its dense construction, Music Complete rarely feels stilted, though it could use a stricter edit.... Yet the compensatory highs go beyond expectations. [Oct 2015, p.89]
    • 83 Metascore
    • 80 Critic Score
    His piano-playing is a joy, his vocals a dramatis personae of lively characters. ... The whole thing feels--thrillingly, poignantly--like you're in the room with him. [Oct 2018, p.84]
    • Mojo
    • 79 Metascore
    • 80 Critic Score
    Universal Energy sucker-punches with an 11-minute masterclass in shapeshifting disco, and Vasto's clanking delirium clinches these industrial shadow-dwellers' influence on everyone from Derrick May to Underworld. [Dec 2020, p.83]
    • Mojo
    • 79 Metascore
    • 80 Critic Score
    There's no danger of Wanderer outstaying its welcome, but while it's a brilliant return, it wouldn't be quite right too claim it as a triumph. Not because of the quality of these songs but because Wanderer is a record that know the cost of living and the price of losing all too well. [Oct 2018, p.82]
    • Mojo
    • 73 Metascore
    • 80 Critic Score
    Lovely. [Oct 2005, p.114]
    • Mojo