Magnet's Scores

  • Music
For 2,325 reviews, this publication has graded:
  • 60% higher than the average critic
  • 3% same as the average critic
  • 37% lower than the average critic
On average, this publication grades 0.1 points lower than other critics. (0-100 point scale)
Average Music review score: 73
Highest review score: 100 Comicopera
Lowest review score: 10 Sound-Dust
Score distribution:
2325 music reviews
    • 77 Metascore
    • 80 Critic Score
    Nada Surf took it to The Next Level with 2003's near-flawless "Let Go" and has followed it up with two amazing, richly rewarding efforts. [Winter 2008, p.110]
    • Magnet
    • 78 Metascore
    • 80 Critic Score
    Here, the raw emotion in Grace's voice isn't diluted or smoothed out; her rage and vibrancy are front and center, and not just in song. [No. 124, p.53]
    • Magnet
    • 77 Metascore
    • 80 Critic Score
    The songs on The Repulsion Box sound like they were banged out in the underlit kitchen of a crumbling Appalachian cabin. [#69, p.108]
    • Magnet
    • 70 Metascore
    • 80 Critic Score
    Manages a graceful, humble, grounded timelessness without sacrificing the groove. [#58, p.82]
    • Magnet
    • 75 Metascore
    • 80 Critic Score
    Make no mistake: You will dance. [#64, p.80]
    • Magnet
    • 76 Metascore
    • 80 Critic Score
    The band clicks perfectly, as if it had been playing these songs forever, and the album brings out another side of Auerbach, with different guitar textures and a different falsetto channeling his blues-rock instincts in a different direction. [No. 124, p.53]
    • Magnet
    • 72 Metascore
    • 80 Critic Score
    Pollard's most efficient and exploratory album in years. [#73, p.99]
    • Magnet
    • 72 Metascore
    • 80 Critic Score
    Erasure avoids the obvious pitfalls with its usual combination of intelligence and good humor. [No. 104, p.55]
    • Magnet
    • 79 Metascore
    • 80 Critic Score
    Both sound retrospective but bound together, that introspection sounds loving and lovely. [No. 130, p.53]
    • Magnet
    • 78 Metascore
    • 80 Critic Score
    Quasi has finally crafted a studio work that exudes the same whiff of spontaneity that's always been evident in performance. [#61, p.105]
    • Magnet
    • 78 Metascore
    • 80 Critic Score
    It's hard to imagine a better psychedelic-pop record this year than Satanic Panic In The Attic. [#64, p.102]
    • Magnet
    • 71 Metascore
    • 80 Critic Score
    Her vocals throughout the album sound relaxed and carefree, with wordless bridges that convey a giddy exuberance beyond the power of any lyric to convey. [No. 115, p.55]
    • Magnet
    • 76 Metascore
    • 80 Critic Score
    Gensho makes obvious how much each act enhances the other. [No. 130, p.53]
    • Magnet
    • 81 Metascore
    • 80 Critic Score
    The Long Goodbye is no cutesy, navel-gazing crap; it's the neglected pop practice of C-A-R-E and reverence of form and forefathers. [#59, p.93]
    • Magnet
    • 80 Metascore
    • 80 Critic Score
    Arab Strap's most affecting album yet. [#71, p.86]
    • Magnet
    • 69 Metascore
    • 80 Critic Score
    A stellar first attempt at a concept album... [a] ghoulish delight. [No. 85, p.59]
    • Magnet
    • 77 Metascore
    • 80 Critic Score
    Overseas hits all the soft spots of longtime fans, while cohering easily into a new and striking whole. [No. 100, p.57]
    • Magnet
    • 82 Metascore
    • 80 Critic Score
    While there's certainly nothing on Poses so riveting as to signify a rock revolution, there's something to be said for the virtue of a simple crooner operating at the top of his game. [#51, p.122]
    • Magnet
    • 75 Metascore
    • 80 Critic Score
    Slow Summits is full of carefully arranged autumnal tunes: thoughtful, intimate, unaffected and wistfully romantic. It's secret music worth sharing.[No.99, p.56]
    • Magnet
    • 81 Metascore
    • 80 Critic Score
    [The] sly, artful brilliance should come as no real surprise. [No. 100, p.57]
    • Magnet
    • 78 Metascore
    • 80 Critic Score
    A personal (and personnel) triumph for the band. [#73, p.90]
    • Magnet
    • 80 Metascore
    • 80 Critic Score
    If Bondy's been searching for a suitable solo identity, Believers may be his charmed third time.[#81, p. 54]
    • Magnet
    • 79 Metascore
    • 80 Critic Score
    There's craft galore on display here. [No. 139, p.52]
    • Magnet
    • 80 Metascore
    • 80 Critic Score
    The emotional gravitas only lends heft to the group's exhilarating, ever-present sugar high. [#74, p.104]
    • Magnet
    • 78 Metascore
    • 80 Critic Score
    The Milwaukee-based post-rock sextet pretty much turns its back on proggish theatrics this time around, instead crafting tracks so organic, they could pass for natural phenomena.[#81, p. 54]
    • Magnet
    • 76 Metascore
    • 80 Critic Score
    A hungry batch of songs that finds Malin wandering the avenues and uncovering compelling stories wherever he goes. [#64, p.100]
    • Magnet
    • 72 Metascore
    • 80 Critic Score
    Lanegan's stamp here is reverent-yet-indelible--think Mark Kozelek channeling AC/DC--and the organic sonic approach is an especially intriguing left turn following the electro buzz 'n' thrum of last year's resplendent Blues Funeral. [No. 102, p.57]
    • Magnet
    • 78 Metascore
    • 80 Critic Score
    Things never bog down in the spectral murk, even when the tempos slow to a bump in the night. [No. 115, p.53]
    • Magnet
    • 81 Metascore
    • 80 Critic Score
    Cronin learned how to pack garage/punk fuzzbombs with big hooks as the Moonhearts' frontman, and he hasn't lost the ragged-and-reckless urgency here.[#81, p. 55]
    • Magnet
    • 58 Metascore
    • 80 Critic Score
    What lends Bee its buzz--beyond the purring keyboards, the plump wah-wahs and sexy whistles--is its subtle edits: dreary snowdrifts in synthetic time that cautiously subvert the electro-charge like a savage nipple twist on the pale body of the vestal virgin that is Llama pop. [#48, p.93]
    • Magnet