Magnet's Scores

  • Music
For 2,325 reviews, this publication has graded:
  • 60% higher than the average critic
  • 3% same as the average critic
  • 37% lower than the average critic
On average, this publication grades 0.1 points lower than other critics. (0-100 point scale)
Average Music review score: 73
Highest review score: 100 Comicopera
Lowest review score: 10 Sound-Dust
Score distribution:
2325 music reviews
    • 81 Metascore
    • 80 Critic Score
    The band rarely strays from the album versions of songs (sometimes to a frustrating degree; would it have killed B&S to record a version of 'Sleep The Clock Around' without the annoyingly long fade-in?), but such faithful rendering doesn’t make the material predictable; rather, it shows the band at the top of its delicate game.
    • 70 Metascore
    • 80 Critic Score
    Though not without the psychedelics that informed the Verve's early records, Ashcroft spends most of Alone elaborating on the same elegance he initially allowed to die with the Verve's 1998 disbanding. [#46, p.67]
    • Magnet
    • 74 Metascore
    • 80 Critic Score
    The band has finally become more than the sum of its friends. [#54, p.106]
    • Magnet
    • 78 Metascore
    • 80 Critic Score
    Rub
    Rub still happily rubs listeners the wrong-right way with crass, curt tunes. [No. 125, p.61]
    • Magnet
    • 65 Metascore
    • 80 Critic Score
    Engaging and alluring as this fresh coat of cool on an easily recognizable sonic vehicle maybe, Better Nature nonetheless remains an album destined to placate--not trip out--fans. [No. 125, p.61]
    • Magnet
    • 80 Metascore
    • 80 Critic Score
    The Midnight Organ Fight's bloodied-but-unbowed lyrics stand up to repeated listening even on the fastest cutes. [Summer 2008, p.106]
    • Magnet
    • 73 Metascore
    • 80 Critic Score
    Throughout the album, Wedren knows when to go from maximalist to minimalist. And his multi-octave vocal range still delivers accessible melodies. [No. 81, p. 59]
    • Magnet
    • 76 Metascore
    • 80 Critic Score
    Rest easy, the group that makes you wish you’d gone to film school so you could’ve built a movie around its expansive instrumentals--works that seem to come rumbling from the molten core of the earth itself--hasn’t changed much from the glory days of early albums such as 1997’s "Young Team."
    • 85 Metascore
    • 80 Critic Score
    A formidable, spooky album you can lose--or perhaps find--yourself in. [#61, p.97]
    • Magnet
    • 79 Metascore
    • 80 Critic Score
    Even in its most somber moments, Birds is all catchy, all the time. [#69, p.108]
    • Magnet
    • 81 Metascore
    • 80 Critic Score
    His guitar solos are more electrified than usual, and they sound like burning juke-joint riffs... a true American original. [No. 82, p. 53]
    • Magnet
    • 76 Metascore
    • 80 Critic Score
    It's heady.... Wand delivers dynamic, lysergic rock 'n' roll. [No. 125, p.61]
    • Magnet
    • 80 Metascore
    • 80 Critic Score
    If Dunger is trying to shed the [Van Morrison] comparison, Here's My Song won't help matters. [#71, p.94]
    • Magnet
    • 72 Metascore
    • 80 Critic Score
    Uneasy listening, certainly, and not for the cursory-minded. [#59, p.94]
    • Magnet
    • 72 Metascore
    • 80 Critic Score
    A rich, mainly acoustic fabric. [#86, p.59]
    • Magnet
    • 77 Metascore
    • 80 Critic Score
    V
    Sure, it's steeped in familiarity, but it's also fun in the sun. [No. 125, p.60]
    • Magnet
    • 74 Metascore
    • 80 Critic Score
    The tunes where this trio goes it alone are audacious. [No. 103, p.54]
    • Magnet
    • 75 Metascore
    • 80 Critic Score
    Throughout, McCombs hits a brilliantly unpredictable songwriting stride. [No. 103, p.57]
    • Magnet
    • 76 Metascore
    • 80 Critic Score
    The emotional tenor on Lambchop’s 10th LP is hard to miss. Not that there’s anything wrong with being touchy and tender, but the calm, spare arrangements on OH (ohio) can only be described as pretty.
    • 78 Metascore
    • 80 Critic Score
    On par, quality-wise, with the triumph that was last year's Stereo/Mono. [#61, p.110]
    • Magnet
    • 84 Metascore
    • 80 Critic Score
    It
    Vega rarely got the opportunity to be heard beyond the underground, so clarity--in passing--was essential. And all the more piercing for it. [No. 146, p.61]
    • Magnet
    • 79 Metascore
    • 80 Critic Score
    Shape Shift With Me has catchy anthems, heavy rock songs and speed rants; it's yet another excellent, and complicated, Against Me! album. [No. 135, p.52]
    • Magnet
    • 72 Metascore
    • 80 Critic Score
    In some ways, shedding the epic storytelling has given Vanderslice a more universal appeal. [#69, p.111]
    • Magnet
    • 73 Metascore
    • 80 Critic Score
    It all makes for what might be Dr. Dog's career-defining work. [No. 103, p.54]
    • Magnet
    • 76 Metascore
    • 80 Critic Score
    Chelsea Light Moving finds Moore in renaissance mode. And it's pretty goddamn great, even if one might occasionally yearn for a Lee Ranaldo squall or Gordon vocal coo-roar up around the next bend. [No. 97, p.54]
    • Magnet
    • 80 Metascore
    • 80 Critic Score
    Us
    Probably one of the better pop recordings you'll hear in '03. [#58, p.98]
    • Magnet
    • 73 Metascore
    • 80 Critic Score
    Third World Pyramid, like its recent predecessors, is yet another gorgeous, quasi-psychedelic slice of the band's kaleidoscope-eyes popcraft. [No. 138, p.53]
    • Magnet
    • 79 Metascore
    • 80 Critic Score
    Conatus hits like a miniature hurricane in a box. [#81, p. 60]
    • Magnet
    • 80 Metascore
    • 80 Critic Score
    Like their English ancestors, the Girls deal almost exclusively in exuberance and wonderment, making found squalls and rattles sound like their own. But that might have more to do with the copious amounts of reverb echoing through the album’s best songs.
    • 81 Metascore
    • 80 Critic Score
    The songs sound fresh and spontaneous, gull of a delicate passion. [No. 137, p.53]
    • Magnet