Magnet's Scores

  • Music
For 2,325 reviews, this publication has graded:
  • 60% higher than the average critic
  • 3% same as the average critic
  • 37% lower than the average critic
On average, this publication grades 0.1 points lower than other critics. (0-100 point scale)
Average Music review score: 73
Highest review score: 100 Comicopera
Lowest review score: 10 Sound-Dust
Score distribution:
2325 music reviews
    • 77 Metascore
    • 80 Critic Score
    Each soft, slow hymn to the darkness makes the band's beauty more pronounced. [#51, p.102]
    • Magnet
    • 85 Metascore
    • 80 Critic Score
    Tyler's command of his instrument is commendable, but his ability to use it for a compelling, lyrical collection of instro cuts is even more so. [No. 96, p.60]
    • Magnet
    • 71 Metascore
    • 80 Critic Score
    Junto is a jolt, a juggernaut, an absolute joyride. [No. 112, p.53]
    • Magnet
    • 78 Metascore
    • 80 Critic Score
    The fantasy and the fantastic continue, and his soft sculptural Dadaist lyrical sense of romance will always go with DevBan's trembling, lilting melodies like cheese and chocolate. [No. 136, p.53]
    • Magnet
    • 79 Metascore
    • 80 Critic Score
    4
    By keeping the songs a little shorter, and by bandleader Gustav Ejstes not being such a musical ball hog this time around, Dungen has made a record that’s far more sophisticated musically and melodically.
    • 81 Metascore
    • 80 Critic Score
    The tunes here are understated. The atmospheric arrangements give the material a feel that's more reminiscent of empty bedrooms than smoky barrooms. [No. 141, p.55]
    • Magnet
    • 76 Metascore
    • 80 Critic Score
    Untethered Moon is almost undeniably a classic slice of BTS. [No. 119, p.51]
    • 74 Metascore
    • 80 Critic Score
    It sounds like a war against music. [#60, p.97]
    • Magnet
    • 71 Metascore
    • 80 Critic Score
    Seekers And Finders is the straight cannonball the world's premier Gypsy punks haven't quite offered since 2005's Gypsy Punks: Underdog Wold Strike itself. [No. 145, p.55]
    • Magnet
    • 75 Metascore
    • 80 Critic Score
    Everything about the resulting album elevates what could've been a gimmicky lark into something affecting. [No. 136, p.53]
    • Magnet
    • 68 Metascore
    • 80 Critic Score
    The songs work as robust individuals, as well as in the dynamic context of the album's sequencing; up-tempo rockers connect with sparse 'n' sullen twangers. [No.91, p.53]
    • Magnet
    • 72 Metascore
    • 80 Critic Score
    His most emotionally expansive record. [#59, p.101]
    • Magnet
    • 78 Metascore
    • 80 Critic Score
    An impressive mix of high and low art, Local Business is at once outsider, mainstream, universal and massive. [No. 94, p.61]
    • Magnet
    • 81 Metascore
    • 80 Critic Score
    Blonde Redhead's early sound, however, can be tough grasp as an "artistic" aesthetic sometimes derails the excellent juggling of downtown noise and heads-down rock of the band's more focused moments. [No. 136, p.53]
    • 83 Metascore
    • 80 Critic Score
    The music carries you along, building to a very gradual crescendo that feels like Popol Vuh stretching out one Phil Spector moment for three-quarters of an hour. [No. 118, p.53]
    • Magnet
    • 72 Metascore
    • 80 Critic Score
    For all his anger, the most convincing songs on Washington Square Serenade are about love, devotion, messing up and simply wanting to be heard. [Fall 2007, p.93]
    • Magnet
    • 74 Metascore
    • 80 Critic Score
    O'Neill's voice is so perfectly suited to the material that you can hear single spour forth like rain. [#56, p.109]
    • Magnet
    • 73 Metascore
    • 80 Critic Score
    Music to take drugs to. [No.87, p.52]
    • Magnet
    • 74 Metascore
    • 80 Critic Score
    Howdy is vintage Teenage Fanclub. [#53, p.92]
    • Magnet
    • 77 Metascore
    • 80 Critic Score
    3rd
    3rd is somewhat overstuffed at 18 songs.... But it's still an ideal soundtrack for the dead of winter, when you're pining for pitchers and catcher to report, or when your team's out of the race by the dog days of August. [No. 108, p.54]
    • Magnet
    • 69 Metascore
    • 80 Critic Score
    Lasting impressions: Unlike sophomore clunker Room On Fire, you'll still be listening to First Impressions in two years and probably digging it even more. [#71, p.113]
    • Magnet
    • 74 Metascore
    • 80 Critic Score
    A rewarding, cohesive and climactic experience. [#54, p.88]
    • Magnet
    • 76 Metascore
    • 80 Critic Score
    Fear not, this is a kick-ass rock'n'roll record all the way around. [No. 146, p.61]
    • Magnet
    • 79 Metascore
    • 80 Critic Score
    Tweedy is a certified master of the simple, effective melody--time and again, he's built something grand from the pieces of something small, and trace evidence of this trick is splattered all over Schmilco. [No. 136, p.60]
    • Magnet
    • 71 Metascore
    • 80 Critic Score
    It's bold, colorful palette is wider and more enveloping than in the past. [No. 107, p.53]
    • Magnet
    • 88 Metascore
    • 80 Critic Score
    Less, in this case, proves to be much more; Jurado's songs just cut closer when unadorned. [#58, p.95]
    • Magnet
    • 70 Metascore
    • 80 Critic Score
    The members of The Cave Singers seem intent on scraping away their previous bands' noise and bluster to find a music that's no less nervy and riveting. [Fall 2007, p.92]
    • Magnet
    • 78 Metascore
    • 80 Critic Score
    [An] impressive debut. [#71, p.87]
    • Magnet
    • 80 Metascore
    • 80 Critic Score
    These songs benefit from Gundersen’s past, yet leave hope (some of it, at least) and genteelness behind in a cloud of ambient smoke. Good. [No. 123, p.59]
    • 74 Metascore
    • 80 Critic Score
    An overview with passionate, vibrant performances, Disconnected In New York City shows the band's history, talent and diversity with heartland rock, folk excursions, shuffling R&B and inevitable Latin rave-outs from many different points of its amazing career. [No. 104, p.58]
    • Magnet