Los Angeles Times' Scores

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For 16,523 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
  1. Positive: 8,698 out of 16523
  2. Mixed: 5,808 out of 16523
  3. Negative: 2,017 out of 16523
16523 movie reviews
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  1. Princesa
    The well-made Princesa is daring, for it ends on an upbeat note in circumstances that are traditionally treated otherwise.
  2. Baran
    A superlative work, offering a rich emotional experience that at the same time calls attention to the seemingly endless suffering of the Afghan people.
  3. Segunda piel
    Vera has created a provocative, absorbing drama that reveals the curse of a self-hatred instilled by rigid social mores.
  4. Tuvalu
    This one-of-a kind charmer casts an immediate and delightful spell.
  5. Final
    Less than terrific technically; focus and sound levels waver. Luckily, these flaws are not inconsistent with the film's raw, unvarnished tone and they do not diminish the effect of Leary's performance or that of Davis.
  6. Last Orders
    Gathering its forces slowly, this careful, thoughtful film, quietly but deeply moving, is dramatic without seeming to be.
  7. Eban and Charley
    Few people will be able to go along with Bolton's point of view regarding relationships between adults and underage youths, but there's no denying the writer-director, in his feature debut, has avoided sensationalism in telling this story.
  8. The Business of Strangers
    Crisp and provocative, and no small amount of its pleasure derives from Channing's dazzling performance.
  9. No Man's Land
    A savage comedy about the war in the former Yugoslavia that artfully mixes comic absurdism with a passion for what's right and a concern for the individuality of all concerned.
  10. Ocean's Eleven
    A champagne bubble of a movie, lively, effervescent and diverting. If it bursts earlier than we'd like -- and it does -- that takes nothing away from the considerable pleasure it provides along the way.
  11. Lost in the Pershing Point Hotel
    Has much that tries for outrageous camp, but too much of it plays like a crude travesty of overly familiar Southern decadence. It needed a director who knows how to stylize intense theatricality rather than merely revel in it in wobbly fashion.
  12. Texas Rangers
    A routine shoot-'em-up, with the triteness of Scott Busby and Martin Copeland's script exceeded only by the flatness of Steve Miner's direction.
  13. Bay of Angels
    Because Bay of Angels reveals rather than moralizes, because its concerns are character and psychology, it's a potent showcase for Moreau's gifts.
  14. ABCD
    It's polished without being slick; well-paced and graceful and brought alive by stellar performances led by Jaffrey.
  15. Code Unknown: Incomplete Tales of Several Journeys
    Haneke illuminates beautifully the lives of his people with an eye for the revealing nuance and detail.
  16. The Independent
    Unashamedly silly, inevitably erratic, it has so much fun sending up the world of exploitation filmmaking that even the most serious film student won't be able to suppress a laugh or two. Maybe even more.
  17. The Affair of the Necklace
    Shyer and Sweet bring consistent clarity and ever-increasing depth to the playing out of Jeanne's bold scheming and single-minded resolve; a tone of brisk wit gives way effortlessly to poignancy and ultimately tragedy.
  18. Behind Enemy Lines
    As a director, Moore is like an energetic puppy who's all over you all at once. You admire his energy, and it's awfully hard to get angry at such high spirits, but you can't help but wish he'd calm down just a bit.
  19. Trouble Every Day
    Highly problematical. The trouble with "Trouble" is one of temperament. Denis' formality and seriousness make the horror genre a risky business for her, especially when sex is combined with outrageous gore.
  20. In the Bedroom
    With performances that will raise the hairs on the back of your head, it's a film that knows the private geography of love, grief and obsession.
  21. Black Knight
    It has more hilarious throwaway lines than most comedies offer up as their best jokes, and it is consistently inspired, energetic and, most important, light on its feet.
  22. Sidewalks of New York
    The assumption among many when the movie was postponed was that Paramount Classics felt New Yorkers weren't emotionally equipped for something bright or frothy or vivacious. They needn't have been concerned.
  23. The Devil's Backbone
    With the ambitious and ominous The Devil's Backbone, Del Toro rises to a new level of accomplishment, adding history and politics to his distinctive blend.
  24. Spy Game
    What Spy Game turns out to be is the old reliable family car spruced up around the edges in an attempt to convince a new generation of buyers that it's a hot number.
  25. Out Cold
    It's the perfect image for a smelly and instantly flushable comedy that telegraphs punch lines in advance like a boorish dinner party guest.
  26. Così ridevano
    The sweeping, confounding conclusion therefore unfolds with a beauty and an ease that seem truly organic. The Way We Laughed has that feeling of being a work of art.
  27. Porn Star: The Legend of Ron Jeremy
    It's not inaccurate to call Porn Star a puff piece.
  28. The Fluffer
    That it is a fine example of modest-budget filmmaking, boasting first-rate acting, writing and directing, is not all that surprising.
  29. Novocaine
    Martin is marvelous; through sheer charisma, he takes over certain scenes as if no one else is there.
  30. The Simian Line
    These formidable actresses [Redgrave and Daly], abetted by a persuasive Connick, and by Hurt as the most genteel and benevolent of ghosts, set a high standard for a splendid ensemble cast.
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