Los Angeles Times' Scores

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For 16,524 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
  1. Positive: 8,698 out of 16524
  2. Mixed: 5,809 out of 16524
  3. Negative: 2,017 out of 16524
16524 movie reviews
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  1. Khab-e sefid
    A sweet-natured Iranian film of considerable charm and humor that might have been more enjoyable had its writer-director-star, Hamid Jebelli, been a tad less self-indulgent in telling his slender tale.
  2. Anger Management
    Though what he does here pretty much defines coasting, Nicholson just fooling around adds an energy to even the kind of hopelessly contrived material that lets you know that the lowest common denominator just got lower.
  3. Going Down
    Teen sex comedies don't come more mindless than Joseph A. Pineda's Going Down, a movie so seriously underinspired it's hard to imagine it appealing to anyone but fantasy-prone middle schoolers who can barely wait to live it up like their older brothers and sisters.
  4. House of 1000 Corpses
    The endless gore and violence make the experience torturous -- and not just for the victims in the movie.
  5. The Rose Technique
    With The Rose Technique, producer-writer Ray Stroeber came up with a promising idea, but director Jon Scheide plays this pitch-dark comedy far too straight.
  6. DysFunktional Family
    Some may be offended by Eddie Griffin's blunt language, yet they would find it hard to deny that he tells it like it is.
  7. The Man Without a Past
    Offers up a subversive comic sensibility, one that somehow combines Buster Keaton's deadpan stare with Frank Capra's tireless optimism and filters them both through a black-ice Finnish point of view. Welcome to Aki World.
  8. Phone Booth
    Without question, the whole thing's absurd -- this is, remember, about a guy stuck in a phone booth -- but for its first 40 minutes or so it's also mildly entertaining, fueled by the nuttiness of the setup and Schumacher's energy.
  9. Manna from Heaven
    Suffers from an overcomplicated plot, an overpopulated cast, a lot of corny humor and artificial contrivance, topped by a sluggish pace.
  10. Investigation of a Citizen Above Suspicion [re-release]
    A provocative political thriller that is as troubling today as when it came out in 1970. Maybe more so.
  11. What a Girl Wants
    Works well enough. It has a decided plus in its appealing young star, Amanda Bynes, last seen opposite Frankie Muniz in "Big Fat Liar."
  12. Levity
    About as well-meaning as a movie can get, but that's never enough to ensure it comes alive on the screen, which is sadly the case here.
  13. A Man Apart
    Though it wasn't planned this way, it's an amusing exercise to view A Man Apart as an allegory for the war in Iraq.
  14. Cowboy Bebop the Movie: Knockin' on Heaven's Door
    Demonstrates how exciting and vital contemporary animated filmmaking is in Japan. The characters may not move with the fluidity of their American counterparts, but the story unfolds with a sinister grace that any live-action director might envy.
  15. Cet amour-là
    A crisp, elegantly resonant film.
  16. Fellini: I'm a Born Liar
    Both completely fascinating and intermittently frustrating; however, as with Fellini's own films, the downside is far outweighed by the pluses.
  17. The Good Thief
    Promising as it seems in theory, everything in this new version, like Lena Lamont's image in "Singin' In the Rain," falls apart as soon as the talking starts.
  18. Stevie
    Of course, James is exploiting Stevie, but the peculiar power of this film lies in James' indirect acknowledgment of it and his hope that his film has some point and value.
  19. Assassination Tango
    A wonderfully eccentric piece of filmmaking -- to demand it cohere to formula would be to miss the point.
  20. The Core
    If The Core finally has to be classified as a mess, it is an enjoyable one if you're in a throwback mood. After all, a film that comes up with a rare metal called Unobtainium can't be dismissed out of hand.
  21. Head of State
    Rock can't set up a decent-looking shot, and he doesn't care about niceties such as character development and all that narrative downtime in between jokes. But he nonetheless wrings biting humor from serious issues with the sort of ferocity that made Richard Pryor and Lenny Bruce men of respect as well as comedy.
  22. Raising Victor Vargas
    His film may be something of a beautiful lie, but what's true about Sollett's characters is that their dreams, their grace and their struggles are as real as it gets.
  23. Basic
    So unashamedly confusing, so intent on piling twist upon twist upon twist, it makes your head hurt just trying to figure out what's happened.
  24. Flickering Lights
    Anders Thomas Jensen's Flickering Lights may have been a huge hit in Denmark, but it doesn't travel well. A bleak male-bonding comedy that's a queasy blend of brutal humor and escalating sentimentality, it is overlong, heavy-handed, slow and unpersuasive.
  25. Blue Collar Comedy Tour: The Movie
    Director CB Harding captures the relaxed rhythms of the comedians while keeping the film well paced.
  26. Piglet's Big Movie
    Parents may find their attention wandering, but the simple tale contains valuable life lessons for their youngest offspring, who will likely be enchanted.
  27. Chuen jik sat sau
    Style is content in action movies, but when all the style originates elsewhere, it's just plain lazy.
  28. Down and Out with the Dolls
    The music is sensational, the energy level high, and Down and Out With the Dolls is a wise and funny treat.
  29. Boat Trip
    Boat Trip is happily a no-holds-barred, all-out farce in which zany complications escalate rapidly and continually.
  30. View from the Top
    Worth commenting on only for its shocking ineptitude.
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