For 16,550 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,714 out of 16550
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Mixed: 5,819 out of 16550
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Negative: 2,017 out of 16550
16550
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Kevin Thomas
Even though the film's tone grows ever more elegiac, it stubbornly remains a celebration of the Kurdish capacity to endure.- Los Angeles Times
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Reviewed by
Kevin Crust
A bland romantic comedy that comes up short on both laughs and love.- Los Angeles Times
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Reviewed by
Paul Brownfield
The result is surprisingly genial, even innocent -- a movie without a screenplay that echoes countless coming-of-age-at-the-beach movies, except maybe "Weekend at Bernie's."- Los Angeles Times
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Reviewed by
Kevin Thomas
A superbly shot film of emotional extravagance, sentimentality and even humor, House of Fools is a film that is ultimately quite moving but which probably could only have been pulled off by a director steeped in that famous Russian soul.- Los Angeles Times
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Reviewed by
Manohla Dargis
For his atmospheric debut as a feature director, the actor Matt Dillon has cast himself as a guy in need of saving. It's a nice fit.- Los Angeles Times
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Reviewed by
Kevin Thomas
It is often remarked that the years between "Easy Rider" (1969) and "Star Wars" (1977) marked a second golden age in American filmmaking, and this documentary, as comprehensive as it is incisive, is a reminder of just how many terrific pictures came out during those years.- Los Angeles Times
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Reviewed by
Manohla Dargis
If the cast is distractingly pretty, the performances are also quite fine and, in the case of Gordon-Levitt, exceptional.- Los Angeles Times
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Reviewed by
Kenneth Turan
Does have a large and capable cast and, in James Foley, a director with a taste for visual flourishes. They all so fell in love with the script by Doug Jung they didn't notice how much a derivative retread it is of superior material like "The Grifters" and even "The Sting."- Los Angeles Times
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Reviewed by
Kevin Thomas
Fine escapist fare with a saving sense of humor and an underlying premise that, when revealed, proves to be arguably plausible even if a reach.- Los Angeles Times
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Reviewed by
Kevin Thomas
Schepisi not only inspired the cast to give well-shaded, reflective portrayals but also made the film a work of honest, heartfelt sentiment.- Los Angeles Times
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Kenneth Turan
It's not often that you see talented, well-meaning people joined together like cultists in the snare of a group delusion, but that's what makes this film fascinating, the proverbial accident you can't take your eyes off.- Los Angeles Times
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Reviewed by
Kevin Thomas
Emerges as an epic tale of love, sacrifice and redemption that attains a Shakespearean aura of grandeur and nobility of spirit.- Los Angeles Times
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Reviewed by
Kenneth Turan
At its best, Winged Migration is a marvel, and if that seems like a gee-whiz word, that's because this film has a lot to be gee-whiz about.- Los Angeles Times
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Reviewed by
Kenneth Turan
It's got an involving, adventurous story to tell and the wherewithal to tell it correctly. And while young adults may think this is intended only for them, in truth it's their elders who are especially starved for this kind of entertainment.- Los Angeles Times
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Reviewed by
Manohla Dargis
I can't think of another good movie this year that's as tough to watch as Moodysson's, but, then, I can't think of very many movies that are as good.- Los Angeles Times
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Reviewed by
Kevin Thomas
After an hour, or two-thirds of the film, they run out of gas. This is the kind of material that's easier to set up than it is to bring together in a satisfying fashion.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Manohla Dargis
The jokes would be funny even if they weren't perfectly timed, but what makes them come across as so poignant is the seriousness with which the director and his co-conspirators deliver their jabs and japes.- Los Angeles Times
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Reviewed by
Kenneth Turan
Began life as a comic book, and screenwriters Ethan Reiff and Cyrus Voris, ever respectful of that lineage, have not allowed the film's dialogue or plot points to rise above their cartoonish origins.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kevin Thomas
Jelski is a skilled filmmaker, and her sense of reality is so uncompromising that, even when tempered by a touch of dark humor, her film is a grim, hard-to-take business.- Los Angeles Times
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Manohla Dargis
It's an overly familiar setup played out by overly familiar types but, curiously, what invests XX/XY with its tension is that there's no sense that Austin Chick, the film's capable young director and writer, knows what he feels about any of this.- Los Angeles Times
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Manohla Dargis
It has the virtue of Lin's tangy wit but it also suffers from the vice of a director who, torn between personal vision and wide public reach, tends to smother his ideas under a veneer of cool.- Los Angeles Times
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Reviewed by
Kevin Thomas
A sweet-natured Iranian film of considerable charm and humor that might have been more enjoyable had its writer-director-star, Hamid Jebelli, been a tad less self-indulgent in telling his slender tale.- Los Angeles Times
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Reviewed by
Kenneth Turan
Though what he does here pretty much defines coasting, Nicholson just fooling around adds an energy to even the kind of hopelessly contrived material that lets you know that the lowest common denominator just got lower.- Los Angeles Times
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Reviewed by
Kevin Thomas
Teen sex comedies don't come more mindless than Joseph A. Pineda's Going Down, a movie so seriously underinspired it's hard to imagine it appealing to anyone but fantasy-prone middle schoolers who can barely wait to live it up like their older brothers and sisters.- Los Angeles Times
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Reviewed by
Kevin Thomas
The endless gore and violence make the experience torturous -- and not just for the victims in the movie.- Los Angeles Times
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Reviewed by
Kevin Thomas
With The Rose Technique, producer-writer Ray Stroeber came up with a promising idea, but director Jon Scheide plays this pitch-dark comedy far too straight.- Los Angeles Times
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Reviewed by
Kevin Thomas
Some may be offended by Eddie Griffin's blunt language, yet they would find it hard to deny that he tells it like it is.- Los Angeles Times
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Reviewed by
Kenneth Turan
Offers up a subversive comic sensibility, one that somehow combines Buster Keaton's deadpan stare with Frank Capra's tireless optimism and filters them both through a black-ice Finnish point of view. Welcome to Aki World.- Los Angeles Times
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